Vittoria Archilei
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Vittoria Archilei
Vittoria Archilei (La Romanina) (''fl.'' 1582 – 1620) was an Italian singer, dancer, and lutenist. She was born Vittoria Concarini, but in 1582 married Antonio Archilei, a composer and lutenist. She was in the service of Ferdinando I de' Medici, Grand Duke of Tuscany, along with Emilio de' Cavalieri, who was her mentor. In 1588 she went with her husband and Cavalieri to the Medici court in Florence, where she became "one of the most famous singers of her time" (Grove). She is recorded as singing at many court entertainments and weddings up until 1620, and was in the service of the Medici her whole career. Many composers wrote for her, including Sebastian Raval and Luca Marenzio, as well as, of course, her husband and Cavalieri. Giulio Caccini and Jacopo Peri claimed that she had sung their music, in order to help their claims to supremacy in composition, as well as to being the best writers in the '' seconda prattica'' style. Sigismondo d'India also wrote of her skill in singing. ...
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Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ...
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Sigismondo D'India
Sigismondo d'India (c. 1582 – before 19 April 1629) was an Italian composer of the late Renaissance and early Baroque eras. He was one of the most accomplished contemporaries of Monteverdi, and wrote music in many of the same forms as the more famous composer. Life D'India was probably born in Palermo, Sicily in 1582, though details of his life are lacking until around 1600. During the first decade of the 17th century he probably traveled widely in Italy, meeting composers, acquiring patrons at various aristocratic courts, and absorbing the musical styles at each locale. This was a time of transition in music history, as the polyphonic style of the late Renaissance was giving way to the widely diverse practices of the early Baroque, and d'India seems to have acquired an unusually broad grasp of the total stylistic practice in Italy: the expressive madrigal style of Marenzio, the grand polychoral work of the Venetian School, the conservative polyphonic tradition of the Roman S ...
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Italian Stage Actresses
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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17th-century Italian Actresses
The 17th century lasted from January 1, 1601 (Roman numerals, MDCI), to December 31, 1700 (Roman numerals, MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal ...
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17th-century Deaths
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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16th-century Births
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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Italian Women Singers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ...
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Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Concerto Delle Donne
The ''concerto delle donne'' (; also ''concerto di donne'' or ''concerto delle (or di) dame'') was a group of professional female singers in the late Italian Renaissance, primarily in the court of Ferrara, Italy. Renowned for their technical and artistic virtuosity, the ensemble was founded by Alfonso II, Duke of Ferrara, in 1580 and was active until the court was dissolved in 1597. Giacomo Vincenti, a music publisher, praised the women as ''"virtuose giovani"'' (young virtuosas), echoing the sentiments of contemporaneous diarists and commentators. The origins of the ensemble lay in an amateur group of high-placed courtiers who performed for each other within the context of the Duke's informal ''musica secreta'' () in the 1570s. The ensemble evolved into an all-female group of professional musicians, the ''concerto delle donne'', who performed formal concerts for members of the inner circle of the court and important visitors. Their signature style of florid, highly ornamente ...
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Settimia Caccini
Settimia Caccini (6 October 1591 – , Italy) was a well-known Italian singer and composer during the 1600s, being one of the first women to have a successful career in music. Caccini was highly regarded for her artistic and technical work with music. She came from a family of well-known composers and singers, with her father being Giulio Caccini and her sister Francesca Caccini. Settimia Caccini was less well known as a composer because she never published her own collection of works. Instead, nine works are attributed to her in two manuscripts of secular songs. Settimia was known much more for her talent as a singer, and she performed for nobility with the Caccini family consort and as a soloist. Coming from a musical family, she was able to lead herself to her own fame and success. Life Settimia Caccini was born on 6 October 1591, in Florence, Italy. Her father was a famous and popular composer and a pioneer in monodic music. At a young age her father taught her about music ...
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Francesca Caccini
Francesca Caccini (; 18 September 1587 – after 1641) was an Italian composer, singer, lutenist, poet, and music teacher of the early Baroque era. She was also known by the nickname "La Cecchina" , given to her by the Florentines and probably a diminutive of "Francesca". She was the daughter of Giulio Caccini. Her only surviving stage work, ''La liberazione di Ruggiero'', is widely considered the oldest opera by a woman composer. As a female composer she helped to solidify the agency and the cultural and political programs of her female patron. Personal life Early life Caccini was born in Florence, and received a humanistic education (Latin, some Greek, as well as modern languages and literature, mathematics) in addition to early musical training with her father. According to Liliana Panella, the first well-founded testimony of Francesca's singer's activity, together with her sister Settimia, at the Medici court, is 1602: in his diary Cesare Tinghi notes that on 3 April 1602 ...
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Seconda Prattica
Seconda pratica, Italian for "second practice", is the counterpart to prima pratica and is sometimes referred to as Stile moderno. The term "Seconda pratica" first appeared in 1603 in Giovanni Artusi's book ''Seconda Parte dell'Artusi, overo Delle imperfettioni della moderna musica'' (''The Second Part of The Artusi, or, Imperfections of Modern Music''), where it is attributed to a certain L'Ottuso Accademico. In the first part of ''The Artusi'' (1600), Artusi had severely criticized several unpublished madrigals of Claudio Monteverdi. In the second part of this work, L'Ottuso Accademico, whose identity is unknown, defends Monteverdi and others "who have embraced this new second practice". Monteverdi adopted the term to distance some of his music from that of e.g. Giovanni Pierluigi da Palestrina and Gioseffo Zarlino and to describe early music of the Baroque period which encouraged more freedom from the rigorous limitations of dissonances and counterpoint characteristic of the prima ...
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