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Visions Fugitives
''Visions fugitives'', Opus number, Op. 22, is a cycle of twenty piano miniatures by Sergei Prokofiev. The seventh piece was also published for harp. They were written between 1915 and 1917, individually, many for specific friends of the composer, and premiered by him as a cycle lasting some twenty minutes on April 15, 1918, in Saint Petersburg, Petrograd. Gutheil published both the piano set and the one piece for harp in 1917 in Moscow. The cycle brings Consonance and dissonance, dissonant harmonies akin to music by Prokofiev contemporaries Arnold Schoenberg, Schoenberg and Alexander Scriabin, Scriabin but retains original concepts of tonality and rhythm. The miniatures are vignette-like, whimsical, effervescent and bright. The overall effect is in the Impressionist style, not unlike work by Debussy. Because of the almost uniformly mellow style, performers must be willing to work on the relatively difficult technique required to capture its essence. David Fanning: “In 1935 Prok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staccato
Staccato (; Italian for "detached") is a form of musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horizontal wedges, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Harp Archives
The International Harp Archives (IHA) is a collection of archives from the World Harp Congress, American Harp Society, and individual harpists. It is located at the Harold B. Lee Library in Brigham Young University (BYU). The archives began as a collection established by Samuel and Rosalie Pratt, and it may be the largest collection of harp materials in the world. History Harpists Samuel and Rosalie Pratt had their own personal collection of harp-related materials. Samuel designed the original Troubadour harp and owned a harp repair business. His wife Rosalie was a professor of music at BYU. They donated their collection of harp-related materials to BYU in 1985. After the Pratt's initial donation, additional major donations arrived at the university, including one from the Victor Salvi Foundation. The International Harp Archives was formally established in 1994 due to the collection's growth. Holdings The archives consist of over 11,000 scores and recordings that use the harp. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
