Virgo Prudentissima (Heinrich Isaac)
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Virgo Prudentissima (Heinrich Isaac)
''Virgo Prudentissima'' is a six-voice motet (SSAATB), dedicated to the Mary, mother of Jesus, Virgin Mary and composed by Heinrich Isaac in 1507. The motet describes the Assumption of the Virgin, calling on Her and the Nine Orders of angels to protect Emperor Maximilian I and the Holy Roman Empire. The lyricist was Jurij Slatkonja, Georg von Zlatkonia. History The motet was first composed by Isaac in 1507 while he was in Constance for the imperial Reichstag of that year, which was organized to prepare for the coronation (which would happen in 1508 in Trento) of Maximilian I, Holy Roman Emperor, Maximilian I, King of the Romans as Holy Roman Emperor. According to Franz Körndle, the motet was performed at the memorial services for Philip I of Castile, Philip the Fair, son of Maximilian, some weeks after the Diet in Constance. The motet was first published in 1520 in Ludwig Senfl's ''Liber selectarum cantionum''. Later, around 1537–1538, ''Virgo prudentissima'' was rewritten b ...
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ...
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Johannes Regis
Johannes Regis (French: ''Jehan Leroy''; – ) was a Netherlandish composer of the Renaissance. He was a well-known composer at the close of the 15th century, was a principal contributor to the Chigi Codex, and was secretary to Guillaume Dufay. Life Nothing is known about his life until 1451, when he became choirmaster at the church of St Vincent, Soignies, near Mons in Hainaut. This was an important musical establishment at the time, and several famous composers either worked there or trained there, including Gilles Binchois, who was probably an associate of Regis. The earliest datable music by Regis is preserved in the choirbooks of Cambrai Cathedral, between 1462 and 1465, indicating that he may have begun working there then. Between 1464 and 1474 he served as secretary to Guillaume Dufay, and possibly lived in Cambrai for much of this time. Also in the early 1470s he was mentioned as one of the major composers of the time by the theorist Johannes Tinctoris, indicating the ...
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Marian Hymns
Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in both devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Anglican, and Lutheran churches. They are often used in the month of May devotions. Some have also been adopted as Christmas hymns. Marian hymns are not popular among Protestants, as many Protestants see Marian veneration as idolatry. However, the practice is very common among Christians of Catholic traditions, and a key component of the Eastern Orthodox liturgy. There are many more hymns to Mary within the Eastern Orthodox yearly cycle of liturgy than in Roman Catholic liturgy. The Magnificat hymn (song of the Virgin Mary) is one of the eight most ancient Christian hymns and historian Marjorie Reeves states that it is perhaps the earliest Christian hymn. The Magnificat is named after the opening line in the 4th century Vulgate Bible, based on , and continues to be widely used to date by Roman Catholic ...
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Latin-language Christian Hymns
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ...
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Cultural Depictions Of Maximilian I, Holy Roman Emperor
Maximilian I (22 March 1459 – 12 January 1519) was Holy Roman Emperor from 1508 until his death. He was an ambitious leader who was active in many fields and lived in a time of great upheaval between the Medieval and Early Modern worlds, Maximilian's reputation in historiography is many-sided, often contradictory: the last knight or the first modern foot soldier and "first cannoneer of his nation"; the first Renaissance prince (understood either as a Machiavellian politician or omnicompetent, universal genius) or a dilettante; a far-sighted state builder and reformer, or an unrealistic schemer whose posthumous successes were based on luck, or a clear-headed, prudent statesman. While Austrian researchers often emphasize his role as the founder of the early modern supremacy of the House of Habsburg or founder of the nation, debates on Maximilian's political activities in Germany as well as international scholarship on his reign as Holy Roman Emperor often centre on the Imperial R ...
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Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ...
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Feast Of The Rosary
''Feast of the Rosary'' (German: ''Rosenkranzfest'') is a 1506 oil painting by Albrecht Dürer, now in the National Gallery, Prague, Czech Republic. According to Czechoslovakian art historian Jaroslav Pešina, it is "probably the most superb painting that a German master has ever created." The work also relates to a series of artworks commissioned by Maximilian I, his Burgundian subjects or figures close to his family to commemorate the Duchess Mary of Burgundy, Maximilian's first wife and to provide the focus for a cult-like phenomenon that associated her name-saint the Virgin Mary. History The work was initially commissioned by Jakob Fugger, an intermediary between emperor Maximilian I and Pope Julius II, during the painter's stay as the banker's guest in Augsburg, though it was produced whilst the painter was in Venice. The contract was renewed in the Italian city by the fraternity of traders from Nuremberg (Dürer's hometown) and from other German cities, the latter being ...
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Parable Of The Ten Virgins
The Parable of the Ten Virgins, also known as the Parable of the Wise and Foolish Virgins or the Parable of the ten bridesmaids, is one of the parables of Jesus. According to , ten virgins await a bridegroom; five have brought enough oil for their lamps for the wait, while the oil of the other five runs out. The five virgins who are prepared for the bridegroom's arrival are rewarded, while the five who went to buy further oil miss the bridegroom's arrival and are disowned. The parable has a clear eschatological theme: be prepared for the Day of Judgement. It was one of the most popular parables in the Middle Ages and had influence on Gothic art, sculpture and the architecture of German and French cathedrals. Narrative according to the Gospel of Matthew In the Parable of the Ten Virgins, Jesus tells a story about a party of virgins, perhaps bridesmaids or torchbearers for a procession, chosen to participate in a wedding. Each of the ten virgins is carrying a lamp or torch ...
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Albrecht Dürer - Feast Of Rose Garlands - Google Art Project
Albrecht ("noble", "bright") is a given name or surname of German origin and may refer to: First name *Albrecht Agthe, (1790–1873), German music teacher *Albrecht Altdorfer, (c. 1480–1538) German Renaissance painter *Albrecht Becker, (1906–2002), German production designer, photographer, and actor *Albrecht Berblinger, (1770–1829), German constructor (the tailor of ulm) *Albrecht Brandi, (1914–1966), German U-boat commander in World War II *Albrecht, Duke of Württemberg, (1865–1939), German field marshal in World War I *Albrecht von Wallenstein, (1583–1634), Bohemian soldier and politician during the Thirty Years' War *Albrecht Dieterich, (1866–1908) German classical philologist and religious scholar *Albrecht Dietz, (1926–2012), German entrepreneur and scientist *Albrecht Dürer, (1471–1528), German artist and mathematician *Albrecht Dürer the Elder, German goldsmith and father of Albrecht Dürer *Albrecht Elof Ihre, (1797–1877), Swedish diplomat and politic ...
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Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains highly u ...
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