Virgin And Child With A Rosary
   HOME
*





Virgin And Child With A Rosary
''Virgin and Child with a Rosary'' ( it, Madonna e Bambino con rosario) is one of the last known paintings by the Italian artist Artemisia Gentileschi. Small in size and painted with oil on copper, it was completed in 1651. It was part of the Spanish royal collection and currently hangs in the El Escorial collection, in Spain. Provenance The painting is first mentioned in a 1749 inventory at La Granja, and was transferred to its current location by 1857. Recent research shows it was part of the collection of Maria Anna of Pfalz-Neuberg, second wife of Charles II, suggesting it may have been associated with Charles' father Philip IV. Attribution There has been some debate as to whether the painting is actually by Gentileschi, despite her signature appearing across the edge of the table. One scholar pointed to the use of bright red, blue and green in the painting, which Gentileschi does not use elsewhere. However, the 2001 catalogue for the exhibition at the Metropolitan Muse ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Artemisia Gentileschi
Artemisia Lomi or Artemisia Gentileschi (, ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are ''Susanna and the Elders'' (particularly the 1610 version in Pommersfelden), ''Judith Slaying Holofernes'' (her 1614–1620 version is in the Uffizi gallery), and '' Judith and Her Maidservant'' (her version of 1625 is in the Detroit Institute of Arts). Gentileschi was known for being able to depict the f ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Oil On Copper
Oil on copper painting is the process of creating artworks by using oil paints with copper as the Substrate (chemistry), substrate. This is sometimes referred to as “copper as canvas” because canvas is the most well known surface material used for oil paintings. History Oil on copper paintings were prevalent in the mid sixteenth century in Italy and Northern Europe. The use of copper as a substrate for an oil painting dates back to Middle Ages, Medieval times. The Flemish masters and other artists including Jan Brueghel the Elder, Jan Breughel the Elder, Claude Monet, Claude, El Greco, Guido Reni, Guercino, Rembrandt, Carlo Saraceni, Ambrosius Bosschaert II, Copley Fielding and Vernet painted on copper. They favored copper for its smooth surface which allowed fine detail, and its durability. Copper is more durable than canvas or wood panel as a support for oil painting, as it will not rot, mildew or be eaten by insects. Contemporary painters also use copper as a base for paint ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

El Escorial
El Escorial, or the Royal Site of San Lorenzo de El Escorial ( es, Monasterio y Sitio de El Escorial en Madrid), or Monasterio del Escorial (), is a historical residence of the King of Spain located in the town of San Lorenzo de El Escorial, up the valley ( road distance) from the town of El Escorial and about northwest of the Spanish capital Madrid. Built between 1563 and 1584 by order of King Philip II (who reigned 1556–1598), El Escorial is the largest Renaissance building in the world. It is one of the Spanish royal sites and functions as a monastery, basilica, royal palace, pantheon, library, museum, university, school, and hospital. El Escorial consists of two architectural complexes of great historical and cultural significance: the royal monastery itself and '' La Granjilla de La Fresneda'', a royal hunting lodge and monastic retreat about 5 kilometres away. These sites have a dual nature: during the 16th and 17th centuries, they were places in which the power of th ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Spanish Royal Collection
The Spanish royal collection of art was almost entirely built up by the monarchs of the Habsburg family who ruled Spain from 1516 to 1700, and then the Bourbons (1700–1868, with a brief interruption). They included a number of kings with a serious interest in the arts, who were patrons of a series of major artists: Charles V and Philip II were patrons of Titian, Philip IV appointed Velázquez as court painter, and Goya had a similar role at the court of Charles IV. The royal family were the most important patrons of Spanish art throughout this period, although some important artists including El Greco, Jusepe de Ribera, and Zurbaran were little patronised. Foreign artists were often imported, although even in the 16th century the most successful were often reluctant to go to Spain, partly because they feared they would never be allowed to leave. In addition, at various periods, especially in the 16th and 17th centuries, the monarchs bought paintings abroad on a significan ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Royal Palace Of La Granja De San Ildefonso
The Royal Palace of La Granja de San Ildefonso (Spanish: ''Palacio Real de La Granja de San Ildefonso''), known as La Granja, is an early 18th-century palace in the small town of San Ildefonso, located in the hills near Segovia and north of Madrid, within the Province of Segovia in central Spain. It became the summer residence of the Kings of Spain from the 1720s during the reign of Philip V of Spain, Philip V. The palace is in a restrained Baroque architecture, Baroque style, surrounded by extensive gardens in the formal French formal garden, Jardin à la française style with sculptural fountains. It is now open to the public as a museum. History The area was a favourite hunting grounds for many Kingdom of Castile, Castilian kings, due to its location on the forested northern slopes of the Sierra de Guadarrama. In the 15th century, Henry IV of Castile built the first hunting lodge on the site, along with a small shrine dedicated to Ildephonsus of Toledo, San Ildefonso (sa ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Maria Anna Of Neuburg
Maria Anna of Neuburg ( es, Mariana; 28 October 1667 – 16 July 1740), was a German princess and member of the Wittelsbach family, who became Queen consort of Spain in 1689 as the second wife of Charles II, last Habsburg King of Spain. Her marriage was dominated by the political struggle between French and Austrian factions over the Spanish throne, which resulted in the 1701 to 1714 War of the Spanish Succession. When Charles died in 1700, he was succeeded by the French candidate, Philip V and Maria Anna was exiled. She lived largely forgotten until her death in 1740. Personal details and marriage Born in Benrath Palace near Düsseldorf, Maria Anna was the twelfth child of Philip William, then Duke of Berg and Jülich and Elisabeth Amalie of Hesse-Darmstadt. A family reputation for fertility and their Wittelsbach connections made the daughters a popular choice for royal marriages. Of her sisters, Maria Sophia married Peter II of Portugal, and Eleonore became the third ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Charles II Of Spain
Charles II of Spain (''Spanish: Carlos II,'' 6 November 1661 – 1 November 1700), known as the Bewitched (''Spanish: El Hechizado''), was the last Habsburg ruler of the Spanish Empire. Best remembered for his physical disabilities and the War of the Spanish Succession that followed his death, Charles's reign has traditionally been viewed as one of managed decline. However, many of the issues Spain faced in this period were inherited from his predecessors and some recent historians have suggested a more balanced perspective. For reasons that are still debated, Charles experienced extended periods of ill health throughout his life and from the moment he became king at the age of three in 1665, the succession was a prominent consideration in European politics. Historian John Langdon-Davies summarised his life as follows: "Of no man is it more true to say that in his beginning was his end; from the day of his birth, they were waiting for his death". Despite this, his successors inhe ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Philip IV Of Spain
Philip IV ( es, Felipe, pt, Filipe; 8 April 160517 September 1665), also called the Planet King (Spanish: ''Rey Planeta''), was King of Spain from 1621 to his death and (as Philip III) King of Portugal from 1621 to 1640. Philip is remembered for his patronage of the arts, including such artists as Diego Velázquez, and his rule over Spain during the Thirty Years' War. By the time of his death, the Spanish Empire had reached approximately 12.2 million square kilometers (4.7 million square miles) in area but in other aspects was in decline, a process to which Philip contributed with his inability to achieve successful domestic and military reform. Personal life Philip IV was born in the Royal Palace of Valladolid, and was the eldest son of Philip III of Spain, Philip III and his wife, Margaret of Austria (1584–1611), Margaret of Austria. In 1615, at the age of 10, Philip was married to 13-year-old Elisabeth of France (1602–1644), Elisabeth of France. Although the ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

List Of Works By Artemisia Gentileschi
The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's ''The Language of Painting''. Further references are available on the Bibliography on Artemisia Gentileschi This is an ongoing bibliography of work related to the Italian baroque painter Artemisia Gentileschi. 2023 * Banta, Andaleeb Badiee, Alexa Greist, and Theresa Kutasz Christensen, eds. ''Making Her Mark: A History of Women Artists in Europe, 140 .... References {{Lists of paintings Gentileschi,Artemisia * ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


1650s Paintings
Year 165 ( CLXV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Orfitus and Pudens (or, less frequently, year 918 ''Ab urbe condita''). The denomination 165 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * A Roman military expedition under Avidius Cassius is successful against Parthia, capturing Artaxata, Seleucia on the Tigris, and Ctesiphon. The Parthians sue for peace. * Antonine Plague: A pandemic breaks out in Rome, after the Roman army returns from Parthia. The plague significantly depopulates the Roman Empire and China. * Legio II ''Italica'' is levied by Emperor Marcus Aurelius. * Dura-Europos is taken by the Romans. * The Romans establish a garrison at Doura Europos on the Euphrates, a control point for the commercial ro ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Paintings By Artemisia Gentileschi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]