Violin Sonata In A Major, D 574 (Schubert)
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Violin Sonata In A Major, D 574 (Schubert)
The ‘’'Violin Sonata’'’ No. 4 (also known as the “Duo” or “Grand Duo”) in A major, Opus number, Op. posth. 162, 574, for violin and piano by Franz Schubert was composed in 1817 in music, 1817. This sonata, composed one year after Violin Sonatas, Op. 137 (Schubert), his first three sonatas for the same instruments, was a much more individual work, showing neither the influence of Wolfgang Amadeus Mozart, Mozart, as in these previous works, nor of Gioachino Rossini, Rossini, as in the contemporaneous Symphony No. 6 (Schubert), 6th Symphony. Structure The Sonata has four movements: #’'Allegro (music), Allegro moderato’' (A major), sonata form #’'Scherzo: presto’' (E major), with C major trio #’'Andantino’' (C major), loose ternary form #’'Allegro vivace’' (A major), sonata form Reception References Sources * * * External links

* * Chamber music by Franz Schubert Violin sonatas, Schubert, D 574 1817 compositions, Schubert Composition ...
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Dénes Zsigmondy
Dénes Zsigmondy (9 April 1922 – 15 February 2014) was a Hungarian classical violinist and music educator. He was born Dénes Liedemann in Budapest, but changed his name to Zsigmondy, his paternal grandmother's surname, as it was more Hungarian than German. In 1944, whilst attending the Summer Academy in Salzburg, he was informed by his parents that he had been drafted into the Hungarian military—to avoid the draft he did not return to Hungary and hid out with a German family at Lake Starnberg. After World War II, Zsigmondy was rejected by several orchestras before joining the Bavarian Radio Symphony Orchestra when he impressed the conductor with his performance of Brahms' ''Violin Concerto''.Hegedűs, ClaudiaZsigmondy Dénes: "A zene alapeleme az életnek" ''Fidelio'', 8 April 2012. Following this appointment, Zsigmondy would perform as a soloist with the Berliner Symphoniker and the Vienna Symphony; the philharmonic orchestras of Tokyo, Budapest and Munich; and the radio ...
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Sonata Form
Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical music era, Classical period). While it is typically used in the first Movement (music), movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The st ...
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1817 Compositions
Events January–March * January 1 – Sailing through the Sandwich Islands, Otto von Kotzebue discovers New Year Island. * January 19 – An army of 5,423 soldiers, led by General José de San Martín, starts crossing the Andes from Argentina, to liberate Chile and then Peru. * January 20 – Ram Mohan Roy and David Hare found Hindu College, Calcutta, offering instructions in Western languages and subjects. * February 12 – Battle of Chacabuco: The Argentine– Chilean patriotic army defeats the Spanish. * March 3 ** President James Madison vetoes John C. Calhoun's Bonus Bill. ** The U.S. Congress passes a law to split the Mississippi Territory, after Mississippi drafts a constitution, creating the Alabama Territory, effective in August. * March 4 – James Monroe is sworn in as the fifth President of the United States. * March 21 – The flag of the Pernambucan Revolt is publicly blessed by the dean of Recife Cathedr ...
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Violin Sonatas
A violin sonata is a musical composition for violin, often accompanied by a keyboard instrument and in earlier periods with a bass instrument doubling the keyboard bass line. The violin sonata developed from a simple baroque form with no fixed format to a standardised and complex classical form. Since the romantic age some composers have pushed the boundaries of both the classical format as well as the use of the instruments. The early violin sonata In the earliest violin sonatas a bass instrument and the harpsichord played a simple bass line (continuo) with the harpsichord doubling the bass line and fixed chords while the violin played independently. The music was contrapuntal with no fixed format. Georg Philipp Telemann wrote many such sonatas as did Johann Sebastian Bach. Bach also wrote sonatas with harpsichord obbligato, which freed the keyboard instrument from playing only a bass line accompaniment and allowed in to enhance the part of the soloist. He also wrote sonatas for ...
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Chamber Music By Franz Schubert
Chamber or the chamber may refer to: In government and organizations * Chamber of commerce, an organization of business owners to promote commercial interests *Legislative chamber, in politics * Debate chamber, the space or room that houses deliberative assemblies such as legislatures, parliaments, or councils. In media and entertainment *Chamber (comics), a Marvel Comics superhero associated with the X-Men * Chamber music, a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber * ''The Chamber'' (game show), a short-lived game show on FOX * ''The Chamber'' (novel), a suspense novel by John Grisham ** ''The Chamber'' (1996 film), based on the novel * ''The Chamber'' (2016 film), a survival film directed by Ben Parker * , a musical ensemble from Frankfurt, Germany-based around vocalist/guitarist Marcus Testory Other *Chamber (firearms), the portion of the barrel or firing cylinder in which the cartridge is i ...
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Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's ''Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's ''St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might be stif ...
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C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" an ...
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E Major
E major (or the key of E) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has eight flats, including the double-flat B, which makes it impractical to use. The E major scale is: Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita for solo violin; the key is especially appropriate for the latter piece because its tonic (E) and subdominant (A) correspond to open strings on the violin, enhancing the tone colour (and ease of playing) of the bariolage in the first movement. Only two of Joseph Haydn's 106 symphonies are in E major: No. 12 and No. 29. Ludwig van Beethoven used E major for two of his piano sonatas, Op. 14/1 and Op. 109. Starting with B ...
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Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Monte ...
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Allegro (music)
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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A Major
A major (or the key of A) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where the Neapolitan sixth chord on  (''i.e.'' the flattened supertonic) requires both a flat and a natural accidental. The A major scale is: : In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common than in keys with fewer sharps such as D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarinet Concerto ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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