Violin Sonata No. 5 (Ries)
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Violin Sonata No. 5 (Ries)
Ferdinand Ries composed the Violin Sonata in B-flat major, Op. 10 in 1808, while he was in Paris. During the same period he also composed his Op. 20 & Op. 21 cello sonatas and a D-minor violin sonata that remained unpublished until 1818. The B-flat major sonata was first published in 1810 by both Breitkopf & Härtel and Simrock with a dedication to a "Monsieur Eichhof, directeur Général de l'Octroi de Navigation du Rhein". Subsequent editions were published in the 1820s. Composition History As with many of Ries's compositions, there is little to go on beyond the manuscript evidence itself, in this case, the manuscript survives in the Berlin State Library, while a copy of the published score kept in the Royal College of Music, London contains a number of interpolated manuscript sheets in the composers handwriting showing that at a later point he was reworking the sonata so that could be performed by a piano soloist without the accompaniment of the violin. Cecil Hill speculat ...
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Ferdinand Ries
Ferdinand Ries (baptised 28 November 1784 – 13 January 1838) was a German composer. Ries was a friend, pupil and secretary of Ludwig van Beethoven. He composed eight symphonies, a violin concerto, nine piano concertos (the first concerto is not published), three operas, and numerous other works, including 26 string quartets. In 1838 he published a collection of reminiscences of his teacher Beethoven, co-written with Franz Wegeler. The symphonies, some chamber works—most of them with piano—his violin concerto and his piano concertos have been recorded, exhibiting a style which, given his connection to Beethoven, lies between the Classical and early Romantic styles. Early life Ries was born into a musical family of Bonn. His grandfather, Johann Ries (1723–1784), was appointed court trumpeter to the Elector of Cologne at Bonn. Ries was the eldest son of the violinist and Archbishopric Music Director Franz Anton Ries (1755–1846) and the brother of violinist and co ...
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Cello Sonata No
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a '' cellist'' or ''violoncellist'', it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque-era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instruments s ...
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Violin Sonata No
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (some can have five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and in jazz. Electric violins with solid bodies and piezoelectric pickups a ...
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Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the Bach-Gesells ...
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Simrock
Simrock may refer to the German sheet music publisher N. Simrock, or one of the following members of the Simrock family engaged in that business: * Nikolaus Simrock, (1751–1832), founder of N. Simrock * Karl Joseph Simrock (1802–1876), son of Nikolaus * Fritz Simrock Friedrich August Simrock, better known as Fritz Simrock (January 2, 1837 in Bonn – August 20, 1901 in Ouchy) was a German music publisher who inherited a publishing firm from his grandfather Nikolaus Simrock. Simrock is most noted for publishing ...
(1837–1901), grandson of Nikolaus {{Interwiki extra, qid=Q2288437 ...
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Allgemeine Musikalische Zeitung
The ''Allgemeine musikalische Zeitung'' (''General music newspaper'') was a German-language periodical published in the 19th century. Comini (2008) has called it "the foremost German-language musical periodical of its time". It reviewed musical events taking place in many countries, focusing on the German-speaking nations, but also covering France, Italy, Russia, Britain, and even occasionally America. Its impartiality and adherence to basic principles of credibility and discretion regarding the personal position of those reviewed, assured and established itself in a high position as a periodical in the musical German society of the time, exercising great influence on the period. History The periodical appeared in two series: a weekly magazine published between 1798 and 1848, and a revived version which lasted from 1866 to 1882. The publisher was Breitkopf & Härtel in Leipzig for the first period of publication and for the first three years of the second period; for the remainde ...
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Berlin State Library
The Berlin State Library (german: Staatsbibliothek zu Berlin; officially abbreviated as ''SBB'', colloquially ''Stabi'') is a universal library in Berlin, Germany and a property of the Prussian Cultural Heritage Foundation. It is one of the largest libraries in Europe, and one of the most important academic research libraries in the German-speaking world. It collects texts, media and cultural works from all fields in all languages, from all time periods and all countries of the world, which are of interest for academic and research purposes. Some famous items in its collection include the oldest biblical illustrations in the fifth-century Quedlinburg Itala fragment, a Gutenberg Bible, the main autograph collection of Goethe, the world's largest collection of Johann Sebastian Bach's and Wolfgang Amadeus Mozart's manuscripts, and the original score of Ludwig van Beethoven's Symphony No. 9. Central functions and cooperation with other libraries The SBB is one of six libraries for ...
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Royal College Of Music
The Royal College of Music is a music school, conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the Undergraduate education, undergraduate to the Doctorate, doctoral level in all aspects of Western Music including performance, composition, conducting, music theory and history. The RCM also undertakes research, with particular strengths in performance practice and performance science. The college is one of the four conservatories of the ABRSM, Associated Board of the Royal Schools of Music and a member of Conservatoires UK. Its buildings are directly opposite the Royal Albert Hall on Prince Consort Road, next to Imperial College and among the museums and cultural centres of Albertopolis. History Background The college was founded in 1883 to replace the short-lived and unsuccessful National Training School for Music (NTSM). The school was the result of an earlier proposal by the Albert, Prince Consort, Prince Con ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and edit ...
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Pastorale
Pastorale refers to something of a pastoral nature in music, whether in form or in mood. In Baroque music, a pastorale is a movement of a melody in thirds over a drone bass, recalling the Christmas music of ''pifferari'', players of the traditional Italian bagpipe ( zampogna) and reed pipe (piffero). Pastorales are generally in 6/8 or 9/8 or 12/8 metre, at a moderate tempo. They resemble a slowed-down version of a tarantella, encompassing many of the same rhythms and melodic phrases. Common examples include the last movement of Corelli's ''Christmas Concerto'' (Op.6, No.8), the third movement of Vivaldi's ''Spring'' concerto from The Four Seasons, the '' Pifa'' movement of Handel's ''Messiah'', the first movements of Bach's ''Pastorale'' (BWV 590) for organ, and the ''Sinfonia'' that opens part II of his Christmas Oratorio as an introduction to the angelic announcement to the shepherds. Scarlatti wrote some examples in his keyboard sonatas, and many other composers in the tr ...
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University Of New England (Australia)
The University of New England (UNE) is a public university in Australia with approximately 22,500 higher education students. Its original and main campus is located in the city of Armidale in northern central New South Wales. UNE was the first Australian university established outside a state capital city. Each year, the university offers students more than $5 million in scholarships, prizes, and bursaries and more than $18 million for staff and students involved in research. In the 2019 Student Experience Survey, UNE recorded the sixth-highest student satisfaction rating out of all Australian universities, and the highest student satisfaction rating out of all public universities in New South Wales, with an overall satisfaction rating of 83.2. The university ranks lower in research-based rankings of Australian universities. History Establishment The University of New England was preceded by the New England University College, founded in 1938 as part of the University of Sy ...
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