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Violin Sonata No. 1 (Saint-Saëns)
The Violin Sonata No. 1 in D minor, Opus number, Op. 75, was written by Camille Saint-Saëns in October 1885. Dedicated to Martin Pierre Marsick, it was premiered on 9 January 1886 in Paris. The sonata has been called one of Saint-Saëns' neglected masterpieces. History The violin sonata was a form Saint-Saëns was familiar with: he had completed a Violin Sonata in B major in 1842 – when he was just six years old – and abandoned another Violin Sonata in F major dating from around 1850–1851 after the second movement. These juvenile works remained unpublished until 2021. In August 1885, Saint-Saëns wrote to his publisher Auguste Durand, Durand that he intended to compose a "grand duo for piano and violin" in time for a planned tour of England. By 13 October, the sonata was completed, and he received a considerable fee of 1,200 French franc, francs. It was premiered four days later in Huddersfield by the composer and Otto Peiniger and repeated in Leeds and London. The wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Sonata
A violin sonata is a musical composition for violin, often accompanied by a keyboard instrument and in earlier periods with a bass instrument doubling the keyboard bass line. The violin sonata developed from a simple baroque form with no fixed format to a standardised and complex classical form. Since the romantic age some composers have pushed the boundaries of both the classical format as well as the use of the instruments. The early violin sonata In the earliest violin sonatas a bass instrument and the harpsichord played a simple bass line (continuo) with the harpsichord doubling the bass line and fixed chords while the violin played independently. The music was contrapuntal with no fixed format. Georg Philipp Telemann wrote many such sonatas as did Johann Sebastian Bach. Bach also wrote sonatas with harpsichord obbligato, which freed the keyboard instrument from playing only a bass line accompaniment and allowed in to enhance the part of the soloist. He also wrote sonatas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Diémer
Louis Joseph Diémer (14 February 1843 – 21 December 1919) was a French pianist and composer. He was the founder of the Société des Instruments Anciens in the 1890s, and also gave recitals on the harpsichord. His output as a composer was extensive, including a piano concerto and a quantity of salon pieces. Life Diémer was born and died in Paris. He studied at the Paris Conservatoire, where his teachers included Ambroise Thomas for composition, Antoine Marmontel for piano, and François Benoist for organ. From the age of twelve, he won several first prizes (''Premiers Prix'') at the Conservatoire, in piano, harmony and accompaniment, counterpoint and fugue, and solfège, and a ''second prix'' in organ. He quickly built a reputation as a virtuoso and toured with, among others, the violinists Delphin Alard and Pablo de Sarasate. In 1888, Diémer succeeded Marmontel as professor of piano at the Paris Conservatory. He taught, among others, Robert Casadesus, Alfredo Casella, Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Sonata No
The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regular use. The violin typically has four strings (some can have five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and in jazz. Electric violins with solid bodies and piezoelectric p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippogriff
The hippogriff, or sometimes spelled hippogryph ( el, Ἱππόγρυπας), is a legendary creature with the front half of an eagle and the hind half of a horse. It was invented by Ludovico Ariosto in his ''Orlando Furioso'', at the beginning of the 16th century. Within the poem, the hippogriff is a steed born of a mare and a griffin—something considered impossible. It is extremely fast and is presented as being able to fly around the world and to the Moon. It is ridden by magicians and the wandering knight Ruggiero, who, from the creature's back, frees the beautiful Angelica. Astolfo also borrows the hippogriff from Bradamante to go search for Roland's wits. Sometimes depicted on coats of arms, the hippogriff became a subject of visual art in the 19th century, when it was often drawn by Gustave Doré. Etymology The word ''hippogriff'', also spelled ''hippogryph'', is derived from the grc, ἵππος , meaning "horse", and the Italian ''grifo'' meaning "griffin" (from La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Mont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant (music)
In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic. In the movable do solfège system, the dominant note is sung as "So(l)". The triad built on the dominant note is called the dominant chord. This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution. Dominant triads, seventh chords, and ninth chords typically have dominant function. Leading-tone triads and leading-tone seventh chords may also have dominant function. Dominant chords In music theory, the dominant triad is a major chord, symbolized by the Roman numeral "V" in the major scale. In the natural minor scale, the triad is a minor chord, denoted by "v". However, in a minor key, the seventh scale degree is often raised by a half step ( to ), creating a major chord. These chords may also appear as seventh c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subject (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called 'monothematic', while music based on several themes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
