Violin Concerto No. 2 (Bruch)
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Violin Concerto No. 2 (Bruch)
Max Bruch's Violin Concerto No. 2 in D minor, Op. 44 was composed during 1877, following a failed attempt in 1874, and dedicated to the great Spanish violinist, Pablo de Sarasate. It was premiered in London by Sarasate, conducted by Bruch, on 4 November 1877. Structure The concerto has three movements Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...: A typical performance runs 28 to 30 minutes. References ;Notes ;Sources * * * * External links * * Concertos by Max Bruch Bruch 02 1877 compositions Compositions in D minor {{concerto-stub ...
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Max Bruch
Max Bruch (6 January 1838 – 2 October 1920) was a German Romantic composer, violinist, teacher, and conductor who wrote more than 200 works, including three violin concertos, the first of which has become a prominent staple of the standard violin repertoire. Early life and education Max Bruch was born in 1838 in Cologne to Wilhelmine (), a singer, and August Carl Friedrich Bruch, an attorney who became vice president of the Cologne police. Max had a sister, Mathilde ("Till"). He received his early musical training under the composer and pianist Ferdinand Hiller, to whom Robert Schumann dedicated his Piano Concerto in A minor. The Bohemian composer and piano virtuoso Ignaz Moscheles recognized the aptitude of Bruch. At the age of nine, Bruch wrote his first composition, a song for his mother's birthday. From then on, music was his passion. His studies were enthusiastically supported by his parents. He wrote many minor early works including motets, psalm settings, piano pieces ...
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Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ...
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Violin Concertos
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (some can have five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and in jazz. Electric violins with solid bodies and piezoelectric pickups a ...
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Concertos By Max Bruch
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian B ...
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