Violin Concerto
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Violin Concerto
A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day. Many major composers have contributed to the violin concerto repertoire, with the best known works including those by Bach, Bartók, Beethoven, Brahms, Bruch, Dvořák, Khachaturian, Mendelssohn, Mozart, Paganini, Prokofiev, Sarasate, Shostakovich, Sibelius, Tchaikovsky, and Vivaldi. Traditionally a three-movement work, the violin concerto has been structured in four movements by a number of modern composers, including Dmitri Shostakovich, Igor Stravinsky, and Alban Berg. In some violin concertos, especially from the Baroque and modern eras, the violin (or group of violins) is accompanied by a chamber ensemble rather than an orchestra—for instance, in Vivaldi's ''L'estro armonico'', originally scored for four vi ...
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Violin Concerto (Tchaikovsky)
The Violin Concerto in D major, Op. 35 was the only concerto for violin composed by Pyotr Ilyich Tchaikovsky. Composed in 1878, it is one of the best-known violin concertos. History The piece was written in Clarens, a Swiss resort on the shores of Lake Geneva, where Tchaikovsky had gone to recover from the depression brought on by his disastrous marriage to Antonina Miliukova. He was working on his Piano Sonata in G major but finding it heavy going. Presently he was joined there by his composition pupil, the violinist Iosif Kotek, who had been in Berlin for violin studies with Joseph Joachim. The two played works for violin and piano together, including a violin-and-piano arrangement of Édouard Lalo's '' Symphonie espagnole'', which they may have played through the day after Kotek's arrival. This work may have been the catalyst for the composition of the concerto. Tchaikovsky wrote to his patroness Nadezhda von Meck, "It he ''Symphonie espagnole''has a lot of freshness, li ...
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Violin Concerto (Dvořák)
The Violin Concerto in A minor, Op. 53 (B. 96 / B. 108), is a concerto for violin and orchestra composed by Antonín Dvořák in 1879. It was premiered in Prague on October 14, 1883. by František Ondříček, who also gave the Vienna and London premieres. Today it remains an important work in the violin repertoire. Instrumentation The concerto is scored for solo violin and an orchestra consisting of 2 flutes, 2 oboes 2 clarinets (in A), 2 bassoons, 4 horns, 2 trumpets, timpani, and strings. Structure The structure of the concerto is the classical three movements, fast–slow–fast. The first movement and the second movement are interconnected (''attacca subito''). History Dvořák was inspired to write the concerto after meeting Joseph Joachim in 1878, and composed the work with the intention of dedicating it to him. However, when he finished the concerto in 1879, Joachim became skeptical about it. Joachim was a strict classicist and objected, ''inter alia'', to Dvoř ...
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Violin Concerto (Brahms)
The Violin Concerto in D major, Op. 77, was composed by Johannes Brahms in 1878 and dedicated to his friend, the violinist Joseph Joachim. It is Brahms's only violin concerto, and, according to Joachim, one of the four great German violin concerti: Instrumentation The Violin Concerto is scored for solo violin and orchestra consisting of 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons; 2 natural horns crooked in D, and 2 natural horns crooked in E, 2 trumpets in D, timpani, and strings. Despite Brahms' scoring for natural (non-valved) horns in his orchestral works, valved horns have always been used in actual performance, even in Brahms' time. Structure The concerto follows the standard concerto form, with three movements in the pattern quick–slow–quick: Originally, the work was planned in four movements like the second piano concerto. The middle movements, one of which was intended to be a scherzo—a mark that Brahms intended a symphonic concerto rather than a v ...
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Bundesarchiv Bild 183-77066-0002, Berlin, Deutsche Staatsoper, Festkonzert David Oistrach
The German Federal Archives or Bundesarchiv (BArch) (german: Bundesarchiv) are the National Archives of Germany. They were established at the current location in Koblenz in 1952. They are subordinated to the Federal Commissioner for Culture and the Media (Claudia Roth since 2021) under the German Chancellery, and before 1998, to the Federal Ministry of the Interior (Germany), Federal Ministry of the Interior. On 6 December 2008, the Archives donated 100,000 photos to the public, by making them accessible via Wikimedia Commons. History The federal archive for institutions and authorities in Germany, the first precursor to the present-day Federal Archives, was established in Potsdam, Brandenburg in 1919, a later date than in other European countries. This national archive documented German government dating from the founding of the North German Confederation in 1867. It also included material from the older German Confederation and the Imperial Chamber Court. The oldest documents i ...
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Violin Concerto (Sibelius)
The Violin Concerto in D minor, Op. 47 of Jean Sibelius, originally composed in 1904 and revised in 1905, is the only concerto by Sibelius. It is symphonic in scope and included an extended cadenza for the soloist which takes on the role of the development section in the first movement. History Sibelius originally dedicated the concerto to the noted violinist Willy Burmester, who promised to play the concerto in Berlin. For financial reasons, however, Sibelius decided to premiere it in Helsinki, and since Burmester was unavailable to travel to Finland, Sibelius engaged Victor Nováček (1873–1914), a Hungarian violin pedagogue of Czech origin who was then teaching at the Helsinki Institute of Music (now the Sibelius Academy). The initial version of the concerto premiered on 8 February 1904, with Sibelius conducting. Sibelius had barely finished the work in time for the premiere, giving Nováček little time to prepare, and the piece was of such difficulty that it would ...
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Violin Concerto (John Adams)
The Violin Concerto by the American composer John Adams was written in 1993. Its premiere was on January 19, 1994, by Jorja Fleezanis with the Minnesota Orchestra, conducted by Edo de Waart, at the Ordway Music Theater, Saint Paul, Minnesota. The piece was co-commissioned by the New York City Ballet, leading to a strong sense of rhythm throughout the entire work. For it, Adams received the University of Louisville Grawemeyer Award for Music Composition. A typical performance lasts around 35 minutes. The Violin Concerto has been described as "the most original approach to the genre since the Alban Berg Concerto". Structure The work is in three movements: It is dedicated to the memory of David Huntley of Boosey & Hawkes. Instrumentation The work calls for solo violin accompanied by an orchestra with the following instrumentation. ;Woodwinds : 2 flutes (both doubling piccolos) : 2 oboes (2nd doubling cor anglais) : 2 clarinets (2nd doubling bass clarinet) : 2 bassoons ...
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John Adams (composer)
John Coolidge Adams (born February 15, 1947) is an American composer and conductor whose music is rooted in minimalism. Among the most regularly performed composers of contemporary classical music, he is particularly noted for his operas, which are often centered around recent historical events. Apart from opera, his ''oeuvre'' includes orchestral, concertante, vocal, choral, chamber, electroacoustic and piano music. Born in Worcester, Massachusetts, Adams grew up in a musical family, being regularly exposed to classical music, jazz, musical theatre and rock music. He attended Harvard University, studying with Kirchner, Sessions and Del Tredici among others. Though his earliest work was aligned with modernist music, he began to disagree with its tenets upon reading John Cage's '' Silence: Lectures and Writings''. Teaching at the San Francisco Conservatory of Music, Adams developed his own minimalist aesthetic, which was first fully realized in ''Phrygian Gates'' (1977) a ...
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Allan Pettersson
Gustaf Allan Pettersson (19 September 1911 – 20 June 1980) was a Swedish composer and violist. He is considered one of the 20th century's most important Swedish composers, he was described as one of the last great symphonists, often compared to Gustav Mahler. His music can hardly be confused with other 20th-century works. In the final decade of his life, his symphonies (typically one-movement works) developed an international following, particularly in Germany and Sweden. Of these, his best known work is Symphony No. 7. His music later found success in the United States. The conductors Antal Doráti and Sergiu Comissiona premiered and recorded several of his symphonies. Pettersson's song cycle '' Barefoot Songs'' influenced many of his compositions. Doráti arranged eight of the ''Barefoot Songs''. Birgit Cullberg produced three ballets based on Pettersson's music. Pettersson studied at the Royal Swedish Academy of Music's conservatory. For more than a dec ...
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Figured Bass
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, or lute (or other instruments capable of playing chords) should play in relation to the bass note. Figured bass is closely associated with basso continuo: a historically improvised accompaniment used in almost all genres of music in the Baroque period of Classical music ( 1600–1750), though rarely in modern music. Figured bass is also known as thoroughbass. Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis; chord letters, sometimes used in modern musicology; the Nashville Number System; and various chord names and symbols used in jazz and popular music (e.g., C Major or simply C; D minor, Dm, or D−; G ...
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L'estro Armonico
''L'estro armonico'' (''The Harmonic Inspiration''), opus number, Op. 3, is a set of 12 concertos for stringed instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. Vivaldi's Twelve Trio Sonatas, Op. 1 (Vivaldi), Twelve Trio Sonatas, Op. 1, and Twelve Violin Sonatas, Op. 2 (Vivaldi), Twelve Violin Sonatas, Op. 2, only contained sonatas, thus ''L'estro armonico'' was his first collection of concertos appearing in print. It was also the first time he chose a foreign publisher, Estienne Roger, instead of an Italian. Each concerto was printed in eight parts: four violins, two violas, cello and basso continuo, continuo. The continuo part was printed as a figured bass for violone and harpsichord. The concertos belong to the ''concerto a 7'' format, that is: for each concerto there are seven independent parts. In each consecutive group of three concertos, the first is a concerto for four violins, the second for two violins, and the third a solo violin con ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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Violin Concerto (Berg)
Alban Berg's Violin Concerto was written in 1935 (the score is dated 11 August 1935). It is probably Berg's best-known and most frequently performed instrumental piece, in which the composer sought to reconcile diatonicism and dodecaphony. The work was commissioned by Louis Krasner, and dedicated by Berg to "the memory of an angel", Manon Gropius. It was the last work that Berg completed. Krasner performed the solo part in the premiere at the Palau de la Música Catalana, Barcelona, on 19 April 1936, after the composer's death. Conception and composition The piece stemmed from a commission from the violinist Louis Krasner. When he first received the commission, Berg was working on his opera ''Lulu'', and he did not begin work on the concerto for some months. The event that spurred him into writing was the death by polio of 18-year-old Manon Gropius, the daughter of Alma Mahler (once Gustav Mahler's wife) and Walter Gropius. Berg set ''Lulu'' aside to write the concerto, which ...
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