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Violette Verdy
Violette Verdy (born Nelly Armande Guillerm; 1 December 1933 – 8 February 2016) was a French ballerina, choreographer, teacher, and writer who worked as a dance company director with the Paris Opera Ballet in France and the Boston Ballet in the United States. From 1958 to 1977 she was a principal dancer with the New York City Ballet where she performed in the world premieres of several works created specifically for her by choreographers George Balanchine and Jerome Robbins. She was Distinguished Professor of Music (Ballet) at the Jacobs School of Music, Indiana University, in Bloomington, and the recipient of two medals from the French government. Early life in Europe Born in Pont-l'Abbé, a seacoast town in the Finistère department of Brittany, in northwestern France, she was christened Nelly Armande Guillerm by her parents. Her father, Renan Guillerm, died when she was a few months old; her mother, Jeanne Chateaureynaud, a schoolteacher, enrolled her daughter in dance less ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pont-l'Abbé
Pont-l'Abbé (; , "Abbot's bridge") is a commune in the Finistère department of Brittany in north-western France. The self-styled capital of Pays Bigouden (roughly the region between the river Odet and the Bay of Audierne), Pont-l'Abbé was founded in the 14th century by a monk of Loctudy who built the first bridge across the river estuary, hence the name. The same monk also built the first castle. Geography Climate Pont-l'Abbé has a oceanic climate (Köppen climate classification ''Cfb''). The average annual temperature in Pont-l'Abbé is . The average annual rainfall is with November as the wettest month. The temperatures are highest on average in August, at around , and lowest in January, at around . The highest temperature ever recorded in Pont-l'Abbé was on 16 July 2006; the coldest temperature ever recorded was on 2 January 1997. Population Inhabitants of Pont-l'Abbé are called in French ''Pont-l'Abbistes''. Breton language The municipality launched a linguisti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballerina (1950 Film)
''Ballerina'' is a 1950 French drama film directed by Ludwig Berger and starring Violette Verdy, Gabrielle Dorziat and Henri Guisol.Huckenpahler p.234 It was produced and distributed by the French branch of Lux Film. The film's sets were designed by the art director Robert Gys. It was the final cinema film of the German director Berger, who moved into directing in television. It also known by the alternative title ''Dream Ballerina''. Synopsis A young ballerina makes her on the stage of the theatre in her local French town, but is distracted and performs poorly. That night she dreams a series of various scenarios about a young male tearaway who has shown an interest in her. The following night she gives a perfect second performance. Cast * Violette Verdy as Nicole * Gabrielle Dorziat as Aunt * Henri Guisol as Jeweler * Philippe Nicaud as Loulou * Nicholas Orloff as Dancer * Romney Brent as Director * Jean Mercure as Dancer * Micheline Boudet as Marie * Margo Lion as l'épou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divertimento No
''Divertimento'' (; from the Italian '' divertire'' "to amuse") is a musical genre, with most of its examples from the 18th century. The mood of the ''divertimento'' is most often lighthearted (as a result of being played at social functions) and it is generally composed for a small ensemble. The term is used to describe a wide variety of secular (non-religious) instrumental works for soloist or chamber ensemble. It is usually a kind of music entertainment, although it could also be applied to a more serious genre. After 1780, the term generally designated works that were informal or light. Genre As a separate genre, it appears to have no specific form, although most of the ''divertimenti'' of the second half of the 18th century go either back to a dance suite approach (derived from the 'ballet' type of theatrical ''divertimento''), or take the form of other chamber music genres of their century (as a continuation of the merely instrumental theatrical ''divertimento''). There are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo (ballet)
''Apollo'' (originally ''Apollon musagète'' and variously known as ''Apollo musagetes'', ''Apolo Musageta'', and ''Apollo, Leader of the Muses'') is a neoclassical ballet in two ''tableaux'' composed between 1927 and 1928 by Igor Stravinsky. It was choreographed in 1928 by twenty-four-year-old George Balanchine, with the composer contributing the libretto. The scenery and costumes were designed by André Bauchant, with new costumes by Coco Chanel in 1929. The scenery was executed by Alexander Shervashidze, with costumes under the direction of Mme. A. Youkine. The American patron of the arts Elizabeth Sprague Coolidge had commissioned the ballet in 1927 for a festival of contemporary music to be held the following year at the Library of Congress in Washington, D.C. The story centres on Apollo, the Greek god of music, who is visited by three Muses: Terpsichore, muse of dance and song; Polyhymnia, muse of mime; and Calliope, muse of poetry. The ballet takes Classical antiquity a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegro Brillante
''Allegro Brillante'' is a ballet choreographed by George Balanchine to Tchaikovsky's Piano Concerto No. 3. The ballet is danced by a principal couple and a corps de ballet of eight. Balanchine said it "contains everything I knew about classical ballet." ''Allegro Brillante'' was made for the New York City Ballet, and premiered on March 1, 1956, at the City Center of Music and Drama, with Maria Tallchief and Nicholas Magallanes originating the two principal roles. Choreography ''Allegro Brillante'' is danced by a lead couple and a small corps de ballet of eight. The ballet is set to Piano Concerto No. 3, which Balanchine found to be "brisk and declarative but is also deeply contemplative." Balanchine said the ballet "contains everything I knew about classical ballet – in thirteen minutes." He also wrote, "I had no narrative idea for the work, only wishing to have the dancers complement the music as best I could." Maria Tallchief, who originated the lead ballerina role, note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birgit Cullberg
Birgit Ragnhild Cullberg (3 August 1908 – 8 September 1999) was a Swedish choreographer. Her father Carl Cullberg was a bank director and her mother was Elna Westerström. Cullberg was born in Nyköping and was married from 1942 to 1949 to actor Anders Ek. She was the mother of Niklas Ek in 1943, and twins Mats Ek, and Malin Ek in 1945. Cullberg studied ballet under Kurt Jooss, Kurt Jooss-Leeder and Lilian Karina and at The Royal Ballet, London (1952–1957). In 1960, Cullberg was appointed director and choreographer at the Stockholm City Theatre. Some of her choreographies were premiered at the Royal Opera in Stockholm. Cullberg gained international recognition by founding the Cullberg Ballet in the 1960s. On her retirement in 1985, her son Mats Ek took over the ballet company. The Swedish Arts Grants Committee instituted the Cullberg scholarship in her honour, and she was awarded an honorary professorship at Stockholm University, where she had studied when she was young. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Strindberg
Johan August Strindberg (, ; 22 January 184914 May 1912) was a Swedish playwright, novelist, poet, essayist and painter.Lane (1998), 1040. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades. A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his '' The Red Room'' (1879) has frequently been described as the first modern Swedish novel. In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antony Tudor
Antony Tudor (born William Cook; 4 April 1908 – 19 April 1987) was an English ballet choreographer, teacher and dancer. He founded the London Ballet, and later the Philadelphia Ballet Guild in Philadelphia, Pennsylvania, U.S., in the mid-1950s. Early life and education Tudor was born William Cook in East London, and grew up in the Finsbury area. He discovered dance accidentally. Tudor's first exposure to professional ballet was in his late teens when he first saw Sergei Diaghilev's Ballet Russes. He witnessed the dancer Serge Lifar of the Diaghilev Ballet in Balanchine's ''Apollon Musagète'' in 1928. Later, the Ballet Russes would introduce him to Anna Pavlova, who further inspired his journey into the world of dance. Tudor reached out to Cyril W. Beaumont, the owner of a ballet book shop in the Charing Cross Road district in London, to seek advice regarding training and was instructed to study with Marie Rambert, a former Diaghilev Ballet dancer who taught the Cecchetti m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Ballet Theatre
American Ballet Theatre (ABT) is a classical ballet company based in New York City. Founded in 1939 by Lucia Chase and Richard Pleasant, it is recognized as one of the world's leading classical ballet companies. Through 2019, it had an annual eight-week season at the Metropolitan Opera House (Lincoln Center) in the spring and a shorter season at the David H. Koch Theater in the fall; the company tours around the world the rest of the year. The company was scheduled to have a 5-week spring season at the MET preceded by a 2-week season at the Koch Theater beginning in 2020. ABT is the parent company of the American Ballet Theatre Jacqueline Kennedy Onassis School, and was recognized as "America's National Ballet Company" in 2006 by the United States Congress. History In 1939 Pleasant and Chase committed to the creation of "a large scale company with an eclectic repertory". The pair and a small group from Mordkin Ballet formed Ballet Theatre. Their new company's first performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nora Kaye
Nora Kaye-Ross (January 17, 1920 – February 28, 1987) was an American prima-ballerina known for her ability to perform dramatic roles. Called the ''Duse of Dance'' after the acclaimed actress Eleonora Duse, she also worked in films as a choreographer and producer and performed on Broadway. Early life Kaye was born Nora Koreff in New York City, New York, the daughter of Russian Jewish immigrant parents, Louise (1895–1973) and Gregory Joseph Koreff (1893–1976). She later changed her surname to Kaye. Her father, Gregory Koreff was an actor with the Moscow Art Theatre and worked under Konstantin Stanislavski. At the age of five, Kaye began studying dancing under tutelage from Michel Fokine and three years later joined a ballet class at the Metropolitan Opera school where she continued her studies under Margaret Curtis. When Kaye turned 15, she graduated from the Metropolitan Opera into its corps de ballet. Kaye also studied at the School of American Ballet and with such no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz ''en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
