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Violet Cameron
Violet Lydia Thompson (7 December 1862 – 25 October 1919), known professionally as Violet Cameron, was an English actress and singer who gained fame in Robert Planquette's operettas ''Les cloches de Corneville'' and ''Rip Van Winkle'', and Francis Chassaigne's opéra bouffe '' Falka'', and notoriety for her affair with Hugh Lowther, 5th Earl of Lonsdale. Biography Cameron was born in London in 1862 to Mary Josephine (''née'' Brougham) and William Melfington Thompson, a linen merchant. Her "aunt" was the Victorian burlesque actress and dancer Lydia Thompson. She made her stage début in 1871 at the age of 9 in the part of Karl in Boucicault's ''Faust and Marguerite''. She also appeared as a child in the Drury Lane Theatre's Christmas pantomimes."Miss Violet Ca ...
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A Winter's Tale
''The Winter's Tale'' is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's "problem plays" because the first three acts are filled with intense psychological drama, while the last two acts are comic and supply a happy ending. The play has been intermittently popular, revived in productions in various forms and adaptations by some of the leading theatre practitioners in Shakespearean performance history, beginning after a long interval with David Garrick in his adaptation ''Florizel and Perdita'' (first performed in 1753 and published in 1756). ''The Winter's Tale'' was revived again in the 19th century, when the fourth "pastoral" act was widely popular. In the second half of the 20th century, ''The Winter's Tale'' in its entirety, and drawn largely from the First Folio t ...
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La Mascotte
''La mascotte'' (''The Mascot'') is a three-act opéra comique with music by Edmond Audran and words by Alfred Duru and Henri Chivot. The story concerns a farm girl who is a "mascotte": someone with the mystic power to bring good luck to all around her, so long as she remains a virgin. The opera opened at the Théâtre des Bouffes Parisiens, Paris, on 28 December 1880, and had an initial run of 301 performances. Productions followed in other continental European countries, the Americas, Britain and Australia. The title of the piece introduced the word "mascotte" into standard French usage, "mascot" into English, and other variants of it into several more languages. Background and first performance In 1880 "mascotte" was a fairly new French slang word derived from the Provençal language, Provençal term ''mascoto'', meaning "spell" or "bewitchment". At the time it was as unknown to standard French dictionaries as to English. According to Audran's son, the inspiration for ''La mas ...
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Edmond Audran
Achille Edmond Audran (12 April 184017 August 1901) was a French composer best known for several internationally successful comic operas and operettas. After beginning his career in Marseille as an organist, Audran composed religious music and began to write works for the stage in the 1860s and 1870s. Among these, '' Le grand mogol'' (1877) was the most popular and was later revived in Paris, London and New York. In 1879 he moved to Paris, where some of his pieces achieved considerable success both in France and abroad, including ''Les noces d'Olivette'' (1879), ''La mascotte'' (1880), ''Gillette de Narbonne'' (1882), ''La cigale et la fourmi'' (1886), '' Miss Helyett'' (1890) and ''La poupée'' (1896). Most of his works are now neglected, but ''La mascotte'' has been revived occasionally and has been recorded for the gramophone. Early life and career Audran was born in Lyon, the son of Marius-Pierre Audran (1816–87), who had a career as a tenor at the Opéra-Comique. Lamb, ...
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Comedy Theatre
The Harold Pinter Theatre, known as the Comedy Theatre until 2011,"Harold Pinter has London theatre named after him"
''BBC News'', 7 September 2011, accessed 8 September 2011.
is a , and opened on Panton Street in the , on 15 October 1881, as the Royal Comedy Theatre. It was designed by and built in just six months in painted (

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Madame Favart
''Madame Favart'' is an opéra comique, or operetta, in three acts by Jacques Offenbach. The French libretto was written by Alfred Duru and Henri Chivot. Performance history After defeat in the Franco-Prussian War (1870) ended Napoleon III's reign, Offenbach's popularity declined in Paris, and he toured Britain and the United States. He continued producing new operettas in Paris, but most of the decade would pass before he enjoyed another hit. ''Madame Favart'' was first staged at the Théâtre des Folies-Dramatiques in Paris on 28 December 1878, starring Juliette Simon-Girard in the title role and Simon-Max as Hector de Boispréau; it played for 208 performances. A new production was mounted at the Théâtre des Bouffes-Parisiens on 4 March 1884, then at the Théâtre des Menus-Plaisirs in 1888 with Anna Judic in the title role. Gänzl, K.; Lamb, Andrew. "''Madame Favart''", in ''Gänzl's Book of the Musical Theatre''. Schirmer Books, New York, 1989, p. 369. Other produc ...
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Royal Strand Theatre
The Royal Strand Theatre was located in the Strand in the City of Westminster. The theatre was built on the site of a panorama in 1832, and in 1882 was rebuilt by the prolific theatre architect Charles J. Phipps. It was demolished in 1905 to make way for Aldwych tube station. History From 1801, Thomas Edward Barker set up a rival panorama to his father's in Leicester Square, at 168/169 Strand. On the death of Robert Barker, in 1806, his younger brother, Henry Aston Barker took over management of the Leicester Square rotunda. In 1816, Henry bought the panorama in the Strand, which was then known as Reinagle and Barker's Panorama,Sherson, Erroll, ‘Lost London Playhouses’, ''The Stage'', 28 June 1923, p. 21. One of a series of articles later published in a book of same name in 1925. and the two panoramas were then run jointly until 1831. Their building was then used as a dissenting chapel and was purchased by Benjamin Lionel Rayner, a noted actor, in 1832.''From Stage to Platf ...
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Commodore - Weir Collection
Commodore may refer to: Ranks * Commodore (rank), a naval rank ** Commodore (Royal Navy), in the United Kingdom ** Commodore (United States) ** Commodore (Canada) ** Commodore (Finland) ** Commodore (Germany) or ''Kommodore'' * Air commodore, a rank in the Royal Air Force and other Commonwealth air forces * Commodore (yacht club), an officer of a yacht club * Commodore (Sea Scouts), a position in the Boy Scouts of America's Sea Scout program * Convoy commodore, a civilian in charge of a shipping convoy during the Second World War Fiction * ''The Commodore'', a Horatio Hornblower novel by C. S. Forester * ''The Commodore'' (book), a novel in the Aubrey–Maturin series by Patrick O'Brian Music and music venues * Commodore Ballroom, a nightclub and music venue in Vancouver, British Columbia * Commodore Records, a jazz and swing music record label * Commodores, an American soul/funk band People * "The Commodore", the nickname of American entrepreneur Cornelius Vanderbilt (1794&nd ...
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La Créole
''La créole'' is an ''opéra comique'' in three acts of 1875 with music by Jacques Offenbach. The French libretto was by Albert Millaud, with additional material by Henri Meilhac. It was one of three full-length stage works written almost simultaneously that year, the others being ''La Boulangère a des écus'' and ''Le Voyage dans la lune''. Performance history ''La créole'' was premiered at the Théâtre des Bouffes-Parisiens, Salle Choiseul, in Paris. The costumes were designed by Alfred Grévin. Although it ran for over sixty performances, it was rather coolly received due to its poor plot, and was not revived.Yon, Jean-Claude. ''Jacques Offenbach.'' Paris: Éditions Gallimard, 2000. The work was also performed in German at the Theater an der Wien in Vienna and Berlin in 1876 (as ), in Polish in Lemberg the same year, in London and Brussels in 1877, and in Spanish in Mexico in 1885. Adapted as ''The Commodore'' as a vehicle for Violet Cameron, the piece was seen in London a ...
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Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ...
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Robert Reece
Robert Reece (2 May 1838 – 8 July 1891) was a British comic playwright and librettist active in the Victorian era. He wrote many successful musical burlesques, comic operas, farces and adaptations from the French, including the English-language adaptation of the operetta ''Les cloches de Corneville'', which became the longest-running piece of musical theatre in history up to that time. He sometimes collaborated with Henry Brougham Farnie or others. Early life and career Reece was born in the island of Barbados, West Indies. His father, Robert Reece (1808–1874), was a barrister of the Inner Temple. Reece matriculated from Balliol College, Oxford in 1857 and received his B.A. in 1860 and his M.A. in 1864. He was admitted a student at the Inner Temple in 1860 but was not called to the bar. For a short time he was a medical student. Between 1861 and 1863, he was an extra clerk in the office of the ecclesiastical commissioners, and from 1864 to 1868 an extra temporary clerk ...
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Charles Lecocq
Alexandre Charles Lecocq (3 June 183224 October 1918) was a French composer, known for his opérettes and opéra comique, opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera ''Plutus (opera), Plutus'' (1886), which was not a success, and the ballet ''Le Cygne (ballet), Le cygne'' (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique ''La fille de Madame Angot'' (Mme Angot's Daughter). Others of his more than forty stage works receive occasional revivals. After study at the Conservatoire de Paris, Paris Conservatoire, Lecocq shared the first prize with Georges Bizet in an operetta-writing contest organised in 1856 by Offenbach. Lecocq's next successful composition was an opéra-bouffe, ...
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