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Villa Loredan At Carbonera
The Villa Loredan at Carbonera, also known as Villa Loredan Valier Perocco, is a 17th-century aristocratic villa located in Vascon, a district of Carbonera in the northern Italian region of Veneto. History The villa was first mentioned in 1688 when construction was started through a commission of Giovanni Loredan, a Venetian nobleman of the Loredan family. The villa was enriched by the Loredan brothers Antonio and Alvise. After having been a property of the family for two centuries, the villa changed ownership several times toward the end of the 19th century, and then, from 1867 to 1940, it belonged to the noble Valier family, also of Venice. After a period of decline, the villa was purchased in 1951 by the Perocco di Meduna family, who renovated it and still own it today. The villa is not open to the public. Description The villa consists of a monumental central block flanked horizontally by two porticoed barchesse, intended to house the servants, which are arranged in an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carbonera, Veneto
Carbonera (''Carbonèra'' in the Venetian language) is a comune with 11,196 inhabitants in the province of Treviso, Veneto, northern Italy. It borders the municipalities of Treviso, Villorba, Spresiano, Maserada sul Piave, Breda di Piave and San Biagio di Callalta. The municipality of Carbonera includes the following villages or : Mignagola, Pezzan, Biban, San Giacomo di Musestrelle and Vascon. Origin and history Origin of name The name ''Carbonera'' has several possible origins. Carbonera in Roman times meant marshy, peaty and woody land. At one time some parts of castle fortifications were said to be ''carboneras'', where charcoal was stored by blacksmiths and for the weapons that were used in raids or assaults. Here there was a castle that gave the name to a ruler, with the nickname of Carbonera or ''Castel Benardo'' perhaps by those who erected it.See Carbonera e Il Suo Territorio: Indagine Storico Geografico e Artistica, Taffarrello, Tiziano, Materiale corretto e riordinato da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilia-Romagna
egl, Emigliàn (man) egl, Emiglièna (woman) rgn, Rumagnòl (man) rgn, Rumagnòla (woman) it, Emiliano (man) it, Emiliana (woman) or it, Romagnolo (man) it, Romagnola (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-45 , blank_name_sec1 = GDP (nominal) , blank_info_se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loredan Family
The House of Loredan (, ) is a Venetian noble family of supposed ancient Roman origin, which has played a significant role in shaping the history of the entire Mediterranean. A political dynasty, the family has throughout the centuries produced a number of famous personalities: doges, statesmen, magnates, financiers, diplomats, procurators, military commanders, naval captains, church dignitaries, writers and lawyers. In the centuries following the fall of the Western Roman Empire, the Loredans were lords in Emilia-Romagna, from where they came to Venice in the early 11th century. Settling there, the family grew in power in the High Middle Ages, amassing great wealth on the lucrative silk and spice trade, and in the following centuries it would become powerful and influential in regions across the Mediterranean, playing a significant role in shaping its history throughout the Late Middle Ages, the Renaissance and the early modern period. The family was present in virtually eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
March Of Treviso
The March of Treviso ( la, Marca trevisana, it, Marca trevigiana or ) was a medieval territory in Venetia, between the Garda and the Julian March. The territory corresponded roughly to the region around the city of Treviso, including Belluno, Feltre, and Ceneda and the dioceses of all four cities. It bordered the March of Verona and the Muson. For this reason, the motto ''Monti Musoni Ponto dominorque Naoni'' was used for the march as early as 1162. Over time the march of Verona (Verona, Vicenza, and Padua) became merged with that of Treviso and the Trevisan denomination preferred. In the High Middle Ages the region was under the domination of the Guelph Caminesi and the Ghibelline Ezzelini families. In time the march came under the control of the Republic of Venice. Rolandino of Padua wrote a ''Chronicle of the Trevisan March'' around 1262, recounting the history of the Ezzelini and their dominance there. In the Veneto today ''marca'' or ''marca gioiosa et amorosa'' is a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna Of Loreto
The ''Madonna of Loreto'' is an oil on panel painting by the Italian High Renaissance painter Raphael, executed ''c.'' 1511. It is housed in the Musée Condé of Chantilly, France. For centuries the painting kept company with Raphael's ''Portrait of Pope Julius II'', first at the Santa Maria del Popolo, then in private collections, and for a time their location was unknown. Their ownership, or provenance, has been difficult to unravel because of the number of copies of both paintings, the unclear ownership chain, misinformation and delay of publication of vital information. For instance, this painting received its name from a copy at the Basilica della Santa Casa in Loreto which was at one time thought to be the original. Now is it certain that the painting at Loreto was a copy – and therefore the painting name is a misnomer. Even so, the well-copied painting has been a beloved and critically acclaimed painting for centuries. Description The painting is tender and intima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratory (worship)
In the canon law of the Catholic Church, an oratory is a place which is set aside by permission of an ordinary for divine worship, for the convenience of some community or group of the faithful who assemble there, but to which other members of the faithful may have access with the consent of the competent superior. The word ''oratory'' comes from the Latin verb ''orare'', to pray. History Oratories seem to have been developed in chapels built at the shrines of martyrs, for the faithful to assemble and pray on the spot. The oldest extant oratory is the Archiepiscopal Chapel in Ravenna (). The term is often used for very small structures surviving from the first millennium, especially in areas where the monasticism of Celtic Christianity was dominant; in these cases it may represent an archaeological guess as to function, in the absence of better evidence. Public, semi-public, private Previously, canon law distinguished several types of oratories: private (with use restricted t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Painting
Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival,Counter Reformation from '''', latest edition, full-article. but the existence of important Baroque art and in non-absolutist and states throughout Western Europe underscores its w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Rome
In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC), Roman Republic (509–27 BC) and Roman Empire (27 BC–476 AD) until the fall of the western empire. Ancient Rome began as an Italic settlement, traditionally dated to 753 BC, beside the River Tiber in the Italian Peninsula. The settlement grew into the city and polity of Rome, and came to control its neighbours through a combination of treaties and military strength. It eventually dominated the Italian Peninsula, assimilated the Greek culture of southern Italy ( Magna Grecia) and the Etruscan culture and acquired an Empire that took in much of Europe and the lands and peoples surrounding the Mediterranean Sea. It was among the largest empires in the ancient world, with an estimated 50 to 90 million inhabitants, roughly 20% of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Bambini
Niccolò Bambini (1651–1736) was an Italian painter of the late-Renaissance and early-Baroque periods. Biography He was born in Venice in 1651, and first studied under Giulio Mazzoni at Venice. To this period belong the ceiling of the church of S. Moisè, in a poor state of preservation, and an ''Allegory of Venice'' in the hall of the Four Doors of the ducal Palace. Later went to Rome, where he became a pupil of Carlo Maratti. On his return to his homeland, seeing that the whole world was running after the paintings of Liberi, he also followed that beautiful way of painting. An example of his imitations from Liberi is the allegorical ceiling of Ca 'Pesaro (1682). While ''The Nativity of the Virgin'' in the church of San Stefano, according to Zanetti, was "conducted following the style of the art school of Rome". However, this painting of porcelain colors and pungent design, however, represented an isolated case. Usually Roman memories are reduced in his paintings to some gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Loredan
The House of Loredan (, ) is a Venetian noble family of supposed ancient Roman origin, which has played a significant role in shaping the history of the entire Mediterranean. A political dynasty, the family has throughout the centuries produced a number of famous personalities: doges, statesmen, magnates, financiers, diplomats, procurators, military commanders, naval captains, church dignitaries, writers and lawyers. In the centuries following the fall of the Western Roman Empire, the Loredans were lords in Emilia-Romagna, from where they came to Venice in the early 11th century. Settling there, the family grew in power in the High Middle Ages, amassing great wealth on the lucrative silk and spice trade, and in the following centuries it would become powerful and influential in regions across the Mediterranean, playing a significant role in shaping its history throughout the Late Middle Ages, the Renaissance and the early modern period. The family was present in virtually eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Brusaferro
Girolamo Brusaferro was an Italian painter of the 18th century, active in his native Venice. He was a pupil of Niccolo Bambini and Sebastiano Ricci. He has paintings in various churches in Venice including the Carmini Santa Maria dei Carmini, also called Santa Maria del Carmelo and commonly known simply as the Carmini, is a large Roman Catholic church in the sestiere, or neighbourhood, of Dorsoduro in Venice, northern Italy. It nestles against the former ''Sc .... He collaborated by painting figures in the landscapes and backgrounds of Marini Antonio of Padua. by Giannantonio Moschini, Tipografia Crescini, Padua (1826), page 108. Sources [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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