Villa Lante
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Villa Lante
Villa Lante is a Mannerism, Mannerist garden of surprise in Bagnaia, Viterbo, Bagnaia, Viterbo, central Italy, attributed to Jacopo Barozzi da Vignola. Villa Lante did not become so known until it passed to Ippolito Lante Montefeltro della Rovere, Bomarzo, Duke of Bomarzo, in the 17th century, when it was already 100 years old. The Villa, a property of the Republic of Italy, since December 2014's run by the Polo Museale del Lazio. Architectural design The Villa Lante is formed by two ''casini'' (houses), nearly identical but built by different owners in a period separated by 30 years. Each square building has a ground floor of rusticated arcades or loggias which support a piano nobile above. Each facade on this floor has just three windows, alternating round or pointed pediments. Each window is divided by pilasters in pairs. An upper floor is merely hinted at by small rectangular, mezzanine type, windows above those of the piano nobile. Each casino is then crowned by a roof lan ...
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Mannerist
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ...
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Photo Paolo Villa VR 2016 (VT) F0164081bis Bagnaia, Villa Lante, Fontane, Giardini Geometrici All'italiana, Sculture, Fontana Del Quadrato O Dei Mori
A photograph (also known as a photo, image, or picture) is an image created by light falling on a photosensitive surface, usually photographic film or an electronic image sensor, such as a CCD or a CMOS chip. Most photographs are now created using a smartphone/camera, which uses a lens to focus the scene's visible wavelengths of light into a reproduction of what the human eye would see. The process and practice of creating such images is called photography. Etymology The word ''photograph'' was coined in 1839 by Sir John Herschel and is based on the Greek φῶς (''phos''), meaning "light," and γραφή (''graphê''), meaning "drawing, writing," together meaning "drawing with light." History The first permanent photograph, a contact-exposed copy of an engraving, was made in 1822 using the bitumen-based "heliography" process developed by Nicéphore Niépce. The first photographs of a real-world scene, made using a camera obscura, followed a few years later at Le Gras, Fra ...
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Pirro Ligorio
Pirro Ligorio ( October 30, 1583) was an Italian architect, painter, antiquarian, and garden designer during the Renaissance period. He worked as the Vatican's Papal Architect under Popes Paul IV and Pius IV, designed the fountains at Villa d’Este at Tivoli for Cardinal Ippolito II d’Este, and served as the Ducal Antiquary in Ferrara. Ligorio emphasized and showed a deep passion for classical Roman antiquity. Early life and career Due to lack of accurate documentation, very little is known about the first three decades of Ligorio's life. It is estimated that he was born in Naples, Italy, in 1512 or 1513 while the city was still under Spanish rule. His parents, Achille and Gismunda Ligorio, were rumored to be members of the noble class in Seggio di Portanova, a section of Naples. Around age twenty, Pirro Ligorio left the tumultuous and poverty-stricken city of Naples to pursue a more flourishing livelihood in Rome. The city was home to a thriving art community, especially und ...
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Siena
Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena. The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centuries. Siena is also home to the oldest bank in the world, the Monte dei Paschi bank, which has been operating continuously since 1472. Several significant Renaissance painters worked and were born in Siena, among them Duccio, Ambrogio Lorenzetti, Simone Martini and Sassetta, and influenced the course of Italian and European art. The University of Siena, originally called ''Studium Senese'', was founded in 1240, making it one of the oldest universities in continuous operation in the world. Siena was one of the most important cities in medieval Europe, and its historic centre is a UNESCO World Heritage Site. From January until the end of September of 2021 it had about 217,000 arrivals, with the largest numbers of foreign visitors coming ...
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Hydraulic
Hydraulics (from Greek: Υδραυλική) is a technology and applied science using engineering, chemistry, and other sciences involving the mechanical properties and use of liquids. At a very basic level, hydraulics is the liquid counterpart of pneumatics, which concerns gases. Fluid mechanics provides the theoretical foundation for hydraulics, which focuses on the applied engineering using the properties of fluids. In its fluid power applications, hydraulics is used for the generation, control, and transmission of power by the use of pressurized liquids. Hydraulic topics range through some parts of science and most of engineering modules, and cover concepts such as pipe flow, dam design, fluidics and fluid control circuitry. The principles of hydraulics are in use naturally in the human body within the vascular system and erectile tissue. Free surface hydraulics is the branch of hydraulics dealing with free surface flow, such as occurring in rivers, canals, lakes, estuar ...
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Grotto
A grotto is a natural or artificial cave used by humans in both modern times and antiquity, and historically or prehistorically. Naturally occurring grottoes are often small caves near water that are usually flooded or often flooded at high tide. Sometimes, artificial grottoes are used as garden features. The '' Grotta Azzurra'' at Capri and the grotto at Tiberius' Villa Jovis in the Bay of Naples are examples of popular natural seashore grottoes. Whether in tidal water or high up in hills, grottoes are generally made up of limestone geology, where the acidity of standing water has dissolved the carbonates in the rock matrix as it passes through what were originally small fissures. Etymology The word ''grotto'' comes from Italian ''grotta'', Vulgar Latin ''grupta'', and Latin ''crypta'' ("a crypt"). It is also related by a historical accident to the word ''grotesque''. In the late 15th century, Romans accidentally unearthed Nero's ''Domus Aurea'' on the Palatine Hill, ...
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Paolo Monti - Serie Fotografica (Viterbo, 1965) - BEIC 6363839
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art * Paolo Alboni (1671–1734), Italian painter *Paolo Abbate (1884–1973), Italian-American sculptor *Paolo Antonio Barbieri (1603–1649), Italian painter * Paolo Buggiani (born 1933), Italian contemporary artist *Paolo Carosone (born 1941), Italian painter and sculptor *Paolo Moranda Cavazzola (1486–1522), Italian painter *Paolo Farinati (c. 1524–c. 1606), Italian painter * Paolo Fiammingo (c. 1540–1596), Flemish painter *Paolo Domenico Finoglia (c. 1590–1645), Italian painter *Paolo Grilli (1857–1952), Italian sculptor and painter *Paolo de Matteis (1662–1728), Italian painter * Paolo Monaldi, Italian painter *Paolo Pagani (1655–1716), Italian painter *Paolo Persico (c. 1729–1796), Italian sculptor *Paolo Pino (1534–1565), Italian painter *Paolo Gerolamo Piola (1666–1724), Italian painter *Paolo Porpora (161 ...
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Villa Lante Pegasus
A villa is a type of house that was originally an ancient Roman upper class country house. Since its origins in the Roman villa, the idea and function of a villa have evolved considerably. After the fall of the Roman Republic, villas became small farming compounds, which were increasingly fortified in Late Antiquity, sometimes transferred to the Church for reuse as a monastery. Then they gradually re-evolved through the Middle Ages into elegant upper-class country homes. In the Early Modern period, any comfortable detached house with a garden near a city or town was likely to be described as a villa; most survivals have now been engulfed by suburbia. In modern parlance, "villa" can refer to various types and sizes of residences, ranging from the suburban semi-detached double villa to, in some countries, especially around the Mediterranean, residences of above average size in the countryside. Roman Roman villas included: * the ''villa urbana'', a suburban or country seat th ...
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Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ...
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Alessandro Peretti Di Montalto
Alessandro Damasceni Peretti di Montalto (1571 – 2 June 1623) was an Italian Catholic Cardinal Bishop. He received the title by his uncle Felice Peretti after the latter was elected Pope Sixtus V on 24 April 1585, in the consistory on 13 May, and was installed as Cardinal Deacon of San Girolamo dei Croati on 14 June 1585; the cardinal was then fourteen years old. The Republic of Venice inscribed him in the ''Libro d'Oro'' as a patrician of Venice that same year. Though he was made the permanent governor of Fermo the following year, and was often the papal legate in Bologna, he was not made a bishop until 1620, when he became Cardinal-Bishop of Albano. He served also as Vice-Chancellor of the Holy Roman Church (1589–1623) and Cardinal Protector of the Kingdom of Poland (named on 19 September 1589 by King Zygmunt III Waza) and of the several religious orders. Alessandro Peretti was born at Montalto delle Marche, the son of Fabio Damasceni and Maria Felice Mignucci Peretti, wh ...
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Pope Sixtus V
Pope Sixtus V ( it, Sisto V; 13 December 1521 – 27 August 1590), born Felice Piergentile, was head of the Catholic Church and ruler of the Papal States from 24 April 1585 to his death in August 1590. As a youth, he joined the Franciscan order, where he displayed talents as a scholar and preacher, and enjoyed the patronage of Pius V, who made him a cardinal. As a cardinal, he was known as Cardinal Montalto. As Pope, he energetically rooted out corruption and lawlessness across Rome, and launched a far-sighted rebuilding programme that continues to provoke controversy, as it involved the destruction of antiquities. The cost of these works was met by heavy taxation that caused much suffering. His foreign policy was regarded as over-ambitious, and he excommunicated both Queen Elizabeth I of England and King Henry IV of France. He is recognized as a significant figure of the Counter-Reformation. He is the most recent pope to date to take on the pontifical name "Sixtus". Early li ...
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