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Vila (fairy)
A vila, or víla (plural: vile, or víly ; sh, vila, sl, vila, bg, vila, diva, juda, samovila, samodiva, samojuda, orv, vila, sk, víla, cz, víla, samodiva, divoženka) is a Slavic fairy similar to a nymph, female, beautiful and with long blonde hair. The vila is mostly known among South Slavs, however, some variants are present in the mythology of West Slavs as well. Among Czechs, ''víla'' denotes a woodland spirit (15th century), and ancient place names such as Vilice near Tábor, Vilov near Domažlice, and Vilín near Sedlčany seem to indicate that she was known there as well. In the '' Chronicle of Dalimil'' (3, 53) ''vila'' is "fool" (as in Old Polish). In Russia, vile are mentioned in the 11th century, but there is doubt that they were truly a part of Russian folklore, and not just a literary tradition. There are common traits between the vile and the rusalki, and Schneeweis holds that they are identical. Etymology The etymology is unclear. Possible explanatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donor (fairy Tale)
In fairy tales, a donor is a character who tests the hero (and sometimes other characters as well) and provides magical assistance to the hero upon their success. The fairy godmother is a well-known form of this character. Many other supernatural patrons feature in fairy tales; these include various kinds of animals and the spirit of a dead mother. In fairy tale and legend In his analysis of fairy tales, Vladimir Propp identified this role as the ''donor'' and listed it as one of the seven roles found in fairy tales. Before giving the hero magical support or advice, the donor may also test the hero, by questioning him, setting him tasks, or making requests of him. Then, the donor may directly give the hero a magical agent, advise him on how to find one, or offer to act on his behalf. If the character itself acts on behalf of the hero, it also takes on the role of ''helper'' in Propp's analysis. Because a donor is defined by acts, other characters may fill the role, even the vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Hugo
Victor-Marie Hugo (; 26 February 1802 – 22 May 1885) was a French Romantic writer and politician. During a literary career that spanned more than sixty years, he wrote in a variety of genres and forms. He is considered to be one of the greatest French writers of all time. His most famous works are the novels ''The Hunchback of Notre-Dame'' (1831) and ''Les Misérables'' (1862). In France, Hugo is renowned for his poetry collections, such as (''The Contemplations'') and (''The Legend of the Ages''). Hugo was at the forefront of the Romanticism, Romantic literary movement with his play ''Cromwell (play), Cromwell'' and drama ''Hernani (drama), Hernani''. Many of his works have inspired music, both during his lifetime and after his death, including the opera ''Rigoletto'' and the musicals ''Les Misérables (musical), Les Misérables'' and ''Notre-Dame de Paris (musical), Notre-Dame de Paris''. He produced more than 4,000 drawings in his lifetime, and campaigned for social cau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samodiva (mythology)
The samodiva ( bg, самодива; plural: samodivi, bg, link=no, самодиви), samovila ( bg, link=no, самовила; plural: samovili, bg, link=no, самовили) or vila ( bg, link=no, вила; plural: vili, bg, link=no, вили), are woodland fairies or nymphs found in South and West Slavic folklore. Etymology The words ''samodiva'' and ''samovila'' have Indo-European roots meaning "divinity", "rave", "wild", or "rage". Appearance Samodivas are commonly depicted as ethereal maidens with long, loose hair, and in some cases, wings. They are typically dressed in free-flowing, feathered white gowns, which give them the power of flight. Samodivas are often described as blonde, tall, slender women with pale, glowing skin and fiery eyes. Habitat According to folklore, Samodivas can live inside trees or abandoned shacks or dark caves, or near rivers, ponds and wells. Mountains linked to the Samodivas include Vitosha, Belasitsa, Pirin, Rila, the Rhodopes, the Balka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Croatian Language
Croatian (; ' ) is the standardized variety of the Serbo-Croatian pluricentric language used by Croats, principally in Croatia, Bosnia and Herzegovina, the Serbian province of Vojvodina, and other neighboring countries. It is the official and literary standard of Croatia and one of the official languages of the European Union. Croatian is also one of the official languages of Bosnia and Herzegovina and a recognized minority language in Serbia and neighboring countries. Standard Croatian is based on the most widespread dialect of Serbo-Croatian, Shtokavian, more specifically on Eastern Herzegovinian, which is also the basis of Standard Serbian, Bosnian, and Montenegrin. In the mid-18th century, the first attempts to provide a Croatian literary standard began on the basis of the Neo-Shtokavian dialect that served as a supraregional ''lingua franca'' pushing back regional Chakavian, Kajkavian, and Shtokavian vernaculars. The decisive role was played by Croatian Vukovians, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serbian Language
Serbian (, ) is the standardized variety of the Serbo-Croatian language mainly used by Serbs. It is the official and national language of Serbia, one of the three official languages of Bosnia and Herzegovina and co-official in Montenegro and Kosovo. It is a recognized minority language in Croatia, North Macedonia, Romania, Hungary, Slovakia, and the Czech Republic. Standard Serbian is based on the most widespread dialect of Serbo-Croatian, Shtokavian (more specifically on the dialects of Šumadija-Vojvodina and Eastern Herzegovina), which is also the basis of standard Croatian, Bosnian, and Montenegrin varieties and therefore the Declaration on the Common Language of Croats, Bosniaks, Serbs, and Montenegrins was issued in 2017. The other dialect spoken by Serbs is Torlakian in southeastern Serbia, which is transitional to Macedonian and Bulgarian. Serbian is practically the only European standard language whose speakers are fully functionally digraphic, using both Cyril ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éva Pócs
Éva Pócs (born 1936) is a Hungarian ethnographer and folklorist. Education and academic career Éva Pócs was born in 1936. She is the younger sister of botanist Tamás Pócs (born 1936). She began her career at the Néprajzi Múzeum where she was an intern between 1959 and 1960. On gaining her first degree in 1960 in Hungarian Folklore, Museology, and Secondary School Teaching from Eötvös Loránd University (ELTE), she joined the curatorial staff of the in Szolnok. Between 1965 and 1968 Pócs worked as a graduate researcher (aspirantúra) in the Department of Folklore at ELTE. Following her studies at ELTE, Pócs joined the Hungarian Academy of Sciences (MTA Néprajzi Kutatóintézete), where she was a fellow between 1968 and 1989, and then as Head of department for the Institute of Ethnography from 1990 until she took partial retirement in 2001. She received her PhD degree in Ethnology (Folklore) in 1982 and her DSc in 1998. During her time at MTA Néprajzi Kutatóint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rusalka
In Slavic folklore, the rusalka (plural: rusalky/rusalki; ; pl, rusałka}) is a typically feminine entity, often malicious toward mankind and frequently associated with water, with counterparts in other parts of Europe, such as the French Melusine and the Germanic Nixie (water spirit), Nixie. Folklorists have proposed a variety of origins for the entity, including that they may originally stem from Slavic paganism, where they may have been seen as benevolent spirits. Rusalki appear in a variety of media in modern popular culture, particularly in Slavic language-speaking countries, where they frequently resemble the concept of the mermaid. In northern Russia, the rusalka was also known by various names such as the Vodyanoy #Vodyanitsa, vodyanitsa (or vodyaniha/vodyantikha; russian: водяни́ца, водяни́ха, водянти́ха ; Literal meaning, lit. "she from the water" or "the water maiden"), kupalka (russian: купа́лка; "bather"), shutovka (russian: шу ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael (archangel)
Raphael (, "God has healed"), ''Rəfāʾēl'', Tiberian: ''Răp̄āʾēl''; lit. 'God has healed'; grc, Ραφαήλ, ''Raphaḗl''; cop, ⲣⲁⲫⲁⲏⲗ, ''Rafaêl''; ar, رافائيل, ''Rāfā’īl'', or , ''Isrāfīl''; am, ሩፋኤል, ''Rufaʾel''. is an archangel first mentioned in the Book of Tobit and in 1 Enoch, both estimated to date from between the 3rd and 2nd century BCE. In later Jewish tradition, he became identified as one of the three heavenly visitors entertained by Abraham at the Oak of Mamre. He is not named in either the New Testament or the Quran, but later Christian tradition identified him with healing and as the angel who stirred waters in the Pool of Bethesda in John 5:2–4, and in Islam, where his name is Israfil, he is understood to be the unnamed angel of Quran 6:73, standing eternally with a trumpet to his lips, ready to announce the Day of Judgment. In Gnostic tradition, Raphael is represented on the Ophite Diagram. Origins in post ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blood Brother
Blood brother can refer to two or more men not related by birth who have sworn loyalty to each other. This is in modern times usually done in a ceremony, known as a blood oath, where each person makes a small cut, usually on a finger, hand or the forearm, and then the two cuts are pressed together and bound, the idea being that each person's blood now flows in the other participant's veins. The act carries a risk due to blood-borne diseases. The process usually provides a participant with a heightened symbolic sense of attachment with the other participant. Cultures Scandinavia The Norsemen entering the pact of foster brotherhood ( is, Fóstbræðralag) involved a rite in which they let their blood flow while they ducked underneath an arch formed by a strip of turf propped up by a spear or spears. An example is described in ''Gísla saga''. In '' Fóstbræðra saga'', the bond of Thorgeir Havarsson (Þorgeir Hávarsson) and Thormod Bersason (Þormóð Bersason) is sealed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serbian Epic Poetry
Serbian epic poetry ( sr, Српске епске народне песме, Srpske epske narodne pesme) is a form of epic poetry created by Serbs originating in today's Serbia, Bosnia and Herzegovina, Croatia, Montenegro and North Macedonia. The main cycles were composed by unknown Serb authors between the 14th and 19th centuries. They are largely concerned with historical events and personages. The instrument accompanying the epic poetry is the ''gusle''. Serbian epic poetry helped in developing the Serbian national identity, Serbian national consciousness. The cycles of Prince Marko, the Hajduks and Uskoks inspired the Serbs to restore freedom and their heroic past. The Hajduks in particular, are seen as an integral part of national identity; in stories, the hajduks were heroes: they had played the role of the Serbian elite during Ottoman rule, they had defended the Serbs against Ottoman oppression, and prepared for the national liberation and contributed to it in the Serbian R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Changeling
A changeling, also historically referred to as an auf or oaf, is a human-like creature found in folklore throughout Europe. A changeling was believed to be a fairy that had been left in place of a human (typically a child) stolen by other fairies. Description A changeling is typically identifiable via a number of traits; in Irish legend, a fairy child may appear sickly and will not grow in size like a normal child, and may have notable physical characteristics such as a beard or long teeth. They may also display intelligence far beyond their apparent years, as well as possess uncanny insight. A common way that a changeling could identify itself is through displaying unusual behaviour when it thinks it is alone, such as jumping about, dancing or playing an instrument – though this last example is found only within Irish and Scottish legend. "A human child might be taken due to many factors: to act as a servant, the love of a human child, or malice.Katharine Briggs, ''An Enc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
