Vietnamese Theatre
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Vietnamese Theatre
Theatre of Vietnam comprises many traditional forms of drama which survive and retain their popularity to varying degrees. It formed during the Đinh dynasty, when the Đại Cồ Việt state was born. Water puppetry is a distinctively Vietnamese art form which arose in the 12th century in which a split-bamboo screen obscures puppeteers, who stand in water manipulating the puppets in front of the screen using long poles. Water puppetry is currently popular with tourists to Vietnam. With the success of the August Revolution in 1945, theatrical art entered a new creative period including a new type of theater based on the music of local folk tunes. Introduction Vietnamese theatre is strongly influenced by Chinese opera and other forms, and includes genres like ''Chèo'', '' Tuồng'' and ''Cải lương''. Chèo Chèo is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by Vietnamese peasants in northern Vietnam. It is usually pe ...
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Trần Dynasty
The Trần dynasty, (Vietnamese: Nhà Trần, chữ Nôm: 茹陳)also known as the House of Trần, was a Vietnamese dynasty that ruled over the Kingdom of Đại Việt from 1225 to 1400. The dynasty was founded when emperor Trần Thái Tông ascended to the throne after his uncle Trần Thủ Độ orchestrated the overthrow of the Lý dynasty. The Trần dynasty defeated two Mongol invasions, most notably during the decisive Battle of Bạch Đằng River in 1288. The final emperor of the dynasty was Thiếu Đế, who was forced to abdicate the throne in 1400, at the age of five years old in favor of his maternal grandfather, Hồ Quý Ly. The Tran improved Chinese gunpowder, enabling them to expand southward to defeat and vassalize the Champa. They also started using paper money for the first time in Vietnam. The period was considered a golden age in Vietnamese language, arts, and culture. The first pieces of Chữ Nôm literature were written during this period, ...
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Maison Des Cultures Du Monde
Maison (French for "house") may refer to: People * Edna Maison (1892–1946), American silent-film actress * Jérémy Maison (born 1993), French cyclist * Leonard Maison, New York state senator 1834–1837 * Nicolas Joseph Maison (1771–1840), Marshal of France and Minister of War * René Maison (1895–1962), Belgian operatic tenor * Rudolf Maison (1854–1904), German sculptor * Maison-Feyne, a commune in the Creuse department, Nouvelle-Aquitaine * Maison-Maugis, a former commune in the Orne department, Normandy * Maison-Ponthieu * Maison-Roland, a commune in the Somme department, Hauts-de-France * Maison-Rouge, a commune in the Seine-et-Marne department, Île-de-France Music Songs * "Maison", by Dreamcatcher from '' Apocalypse: Save Us'' See also * Valérie Grand'Maison (born 1988), Canadian Paralympic swimmer * Zoé De Grand Maison (born 1995), Canadian actress * Maisons (other) * Mason (other) Mason may refer to: Occupations * Mason, bri ...
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Vietnamese Water Puppets
Vietnamese may refer to: * Something of, from, or related to Vietnam, a country in Southeast Asia ** A citizen of Vietnam. See Demographics of Vietnam. * Vietnamese people, or Kinh people, a Southeast Asian ethnic group native to Vietnam ** Overseas Vietnamese, Vietnamese people living outside Vietnam within a diaspora * Vietnamese language * Vietnamese alphabet * Vietnamese cuisine * Vietnamese culture The culture of Vietnam (Vietnamese: Văn hoá Việt Nam) is highly multicultural. The early culture in Vietnam started with the Bronze Age Đông Sơn culture considered to be one of its most important progenitors for its Ancient history. Vie ... See also * List of Vietnamese people * {{disambiguation Language and nationality disambiguation pages ...
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Vọng Cổ
''Vọng cổ'' (, Hán tự: , "nostalgia") is a Vietnamese song and musical structure used primarily in the ''cải lương'' theater music and '' nhạc tài tử'' chamber music of southern Vietnam. It was composed sometime between 1917 and 1919 by Cao Văn Lầu (performing name Sáu Lầu "sixth Lầu"), of Bạc Liêu Province in southern Vietnam. The song achieved great popularity and eventually its structure became the basis for numerous other songs. The tune is essentially melancholy in character and is sung using Vietnamese modal inflections. History The term vọng cổ is used to mean:Peter Manuel ''Popular Musics of the Non-Western World: An Introductory Survey'' Page 202 - 1990 "Thus, the term vọng cổ denotes: (1) a particular mode, equivalent to the óan nuance of the nam mode; (2) a particular song, dating from around 1919; and (3) any piece in the vọng cổ mode which employs the pitches of the original vọng cổ song as structural cadential points. The l ...
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Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterised in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato and tremolo The terms vibrato and tremolo are sometimes incorrectly used interchangeably, although (in the classical world) they are properly defined as separate effects with vibrato defined as a periodic variation in the pitch (frequency) of a musical note, and tremolo as a fast repetition of the same note (usually a semiquaver) in order to produce the audible effect of a longer note, es ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ...
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Cải Lương
''Tuồng cải lương'' (, Hán-Nôm: 從改良) often referred to as cải lương (Chữ Hán: 改良), roughly "reformed theater") is a form of modern folk opera in Vietnam. It blends southern Vietnamese folk songs, classical music, '' hát tuồng'' (a classical theatre form based on Chinese opera), and modern spoken drama. History and description Cải lương originated in Southern Vietnam in the early 20th century and blossomed in the 1930s as a theatre of the middle class during the country's French colonial period. Cải lương is now promoted as a national theatrical form. Unlike the other folk forms, it continued to prove popular with the masses as late as the 1970s and the 1980s, although it is now in decline. Beyond remedy for Cai luong. VietNamNet Bridge. 21 August 2008 Cải lương can be compared to a sort of play with the added aspect of Vọng cổ. This term literally means "nostalgia for the past", it is a special type of singing with the background mus ...
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Stock Character
A stock character, also known as a character archetype, is a fictional character in a work of art such as a novel, play, or a film whom audiences recognize from frequent recurrences in a particular literary tradition. There is a wide range of stock characters, covering men and women of various ages, social classes and demeanors. They are archetypal characters distinguished by their simplification and flatness. As a result, they tend to be easy targets for parody and to be criticized as clichés. The presence of a particular array of stock characters is a key component of many genres, and they often help to identify a genre or subgenre. For example, a story with a knight-errant and a witch is probably a fairy tale or fantasy. There are several purposes to using stock characters. Stock characters are a time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types. Another benefit is that stock characters help to mo ...
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