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Vietnamese Art
Vietnamese art is visual art that, whether ancient or modern, originated in or is practiced in Vietnam or by Vietnamese artists. Vietnamese art has a long and rich history, the earliest examples of which date back as far as the Stone Age around 8,000 BCE. With the millennium of Chinese domination of Vietnam, Chinese domination starting in the 2nd century BC, Vietnamese art undoubtedly absorbed many Chinese influences, which would continue even following independence from China in the 10th century AD. However, Vietnamese art has always retained many distinctively Vietnamese characteristics. By the 19th century, the influence of French art took hold in Vietnam, having a large hand in the birth of modern Vietnamese art. Traditional art Prehistory art Pottery dating to the Stone Age (c. 8000 BCE) has been found in Bắc Sơn, Vietnam. This pottery was made from clay, and in its beginnings was largely basic and lacking any artistic flare. Moving into the neolithic era, however, Vie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Art
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art. Current usage of the term "visual arts" includes fine art as well as the applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, craft, or applied Visual arts media. The distinction was emphasized by artists of the Arts and Crafts Move ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of Champa
Champa was an Southeast Asian civilization that flourished along the coasts of what is now central and southern Vietnam for roughly a one thousand-year period between 500 and 1700 AD. The original Cham and Proto- Chamic peoples were mainland Austronesian sailors, who adopted as their principal vocations those of trade, shipping, and piracy. Their cities were ports of call on important trade routes linking India, China and the Indonesian islands. The history of Champa was one of intermittent conflict and cooperation with the people of Java, the Khmer of Angkor in Cambodia and Đại Việt (Annam) of the Vietnamese in what is now northern Vietnam. It was to Dai Viet that Champa finally lost its independence. The architecture of the Indian rock-cut temples, particularly the sculptures, were perhaps widely influenced by or similar with South Indian, and Indianized architecture of neighboring Cambodian and Javanese temples. The artistic legacy of Champa consists primarily of sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernity
Modernity, a topic in the humanities and social sciences, is both a historical period (the modern era) and the ensemble of particular socio-cultural norm (social), norms, attitudes and practices that arose in the wake of the Renaissancein the "Age of Enlightenment, Age of Reason" of 17th-century thought and the 18th-century "Age of Enlightenment, Enlightenment". Some commentators consider the era of modernity to have ended by 1930, with World War II in 1945, or the 1980s or 1990s; the following era is called postmodernity. The term "contemporary history" is also used to refer to the post-1945 timeframe, without assigning it to either the modern or postmodern era. (Thus "modern" may be used as a name of a particular era in the past, as opposed to meaning "the current era".) Depending on the field, "modernity" may refer to different time periods or qualities. In historiography, the 16th to 18th centuries are usually described as early modern, while the long 19th century correspond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Transformation Theory
Cultural transformation theory proposes that societies used to follow a “partnership model” of civilization but over time, it gave way to today's current “dominator model” of civilization. This theory was first proposed by Riane Eisler, a cultural scholar, in her book “The Chalice and the Blade”. Eisler affirms that societies exist on a partnership-domination continuum but we as a species have moved away from our former partnership orientation to a more domination orientation by uplifting masculine ideals over feminine ideals. She insists that people don't have to live in a society based on the rule of one gender class over the other. There is historical evidence that another type of society, where all individuals are equal, is possible. The partnership model centers on an egalitarian arrangement. A society where each individual is accepted as equal and feminine values are given just as much importance as masculine values. The hierarchy of power in these societies is ver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ecole Des Beaux-Arts De L'Indochine
The Vietnam University of Fine Arts (formerly ''Hanoi College of Fine Arts'') is an art school in Hanoi, Vietnam originally established under French colonial rule in 1925. The university has trained many of Vietnam’s leading artists and each year it participates in many cultural exchanges with sister institutions overseas. History The history of the Vietnam University of Fine Arts can be traced back to the colonial ''École des Beaux Arts de l’Indochine'' (1925–45) (the ''Indochina College of Fine Arts'') which trained successive generations of Vietnamese students — and a smaller number of students from Cambodia and Laos — in the western art tradition, laying the groundwork for the development of a distinctive Vietnamese style of modern art. The ''École des Beaux-Arts de l’Indochine'' in Hanoi was the predecessor of the Hanoi College of Fine Arts ''( :vi:Trường Đại học Mỹ thuật Việt Nam)''. The ''école'' was established by the French colonial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Supérieure Des Beaux-Arts De L'Indochine
The Vietnam University of Fine Arts (formerly ''Hanoi College of Fine Arts'') is an art school in Hanoi, Vietnam originally established under French colonial rule in 1925. The university has trained many of Vietnam’s leading artists and each year it participates in many cultural exchanges with sister institutions overseas. History The history of the Vietnam University of Fine Arts can be traced back to the colonial ''École des Beaux Arts de l’Indochine'' (1925–45) (the ''Indochina College of Fine Arts'') which trained successive generations of Vietnamese students — and a smaller number of students from Cambodia and Laos — in the western art tradition, laying the groundwork for the development of a distinctive Vietnamese style of modern art. The ''École des Beaux-Arts de l’Indochine'' in Hanoi was the predecessor of the Hanoi College of Fine Arts ''( :vi:Trường Đại học Mỹ thuật Việt Nam)''. The ''école'' was established by the French colonial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nguyễn Dynasty
The Nguyễn dynasty (chữ Nôm: 茹阮, vi, Nhà Nguyễn; chữ Hán: 阮朝, vi, Nguyễn triều) was the last Vietnamese dynasty, which ruled the unified Vietnamese state largely independently from 1802 to 1883. During its existence, the empire expanded into modern-day southern Vietnam, Cambodia, and Laos through a continuation of the centuries-long Nam tiến and Siamese–Vietnamese wars. After 1883, the Nguyễn emperors ruled nominally as heads of state of the French protectorates of Annam and Tonkin until the final months of WWII; they later nominally ruled over the Empire of Vietnam until the August Revolution. The House of Nguyễn Phúc, Nguyễn Phúc family established feudal rule over large amounts of territory as the Nguyễn lords by the 16th century before defeating the Tây Sơn dynasty and establishing their own imperial rule in the 19th century. The dynastic rule began with Gia Long ascending the throne in 1802, after ending the previous Tây Sơn d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinicization
Sinicization, sinofication, sinification, or sinonization (from the prefix , 'Chinese, relating to China') is the process by which non-Chinese societies come under the influence of Chinese culture, particularly the language, societal norms, culture, and ethnic identity of the Han people—the largest ethnic group of China. Areas of influence include diet, writing, industry, education, language/lexicon, law, architectural style, politics, philosophy, religion, science and technology, value systems, and lifestyle. In particular, ''sinicization'' may refer to processes or policies of acculturation, assimilation, or cultural imperialism of norms from China on neighboring East Asian societies, or on minority ethnic groups within China. Evidence of this process is reflected in the histories of Korea, Japan, and Vietnam in the adoption of the Chinese writing system, which has long been a unifying feature in the Sinosphere as the vehicle for exporting Chinese culture to other As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fourth Chinese Domination Of Vietnam
The Fourth Era of Northern Domination was a period of Vietnamese history, from 1407 to 1427, during which Vietnam was ruled by the Chinese Ming dynasty as the province of Jiaozhi (Giao Chỉ). Ming rule was established in Vietnam following its conquest of the Hồ dynasty. The previous periods of Chinese rule, collectively known as ''Bắc thuộc'', lasted much longer and amounted to around 1000 years. The fourth period of Chinese rule over Vietnam was eventually ended with the establishment of the Later Lê dynasty. History Ming conquest of Vietnam In mid-late 14th century, the kingdom of Đại Việt (north Vietnam) faced a series of troubles resulting in an ecological breakdown. This led to the rising of a radical intellectual and reformer, Hồ Quý Ly (c. 1336 – 1408). In 1400, Hồ Quý Ly deposed and massacred the Trần house before usurping the throne. After taking the throne, Hồ Quý Ly renamed the country from Đại Việt to Đại Ngu. In 1402, he abdicat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trần Dynasty
The Trần dynasty, (Vietnamese: Nhà Trần, chữ Nôm: 茹陳）also known as the House of Trần, was a Vietnamese dynasty that ruled over the Kingdom of Đại Việt from 1225 to 1400. The dynasty was founded when emperor Trần Thái Tông ascended to the throne after his uncle Trần Thủ Độ orchestrated the overthrow of the Lý dynasty. The Trần dynasty defeated two Mongol invasions, most notably during the decisive Battle of Bạch Đằng River in 1288. The final emperor of the dynasty was Thiếu Đế, who was forced to abdicate the throne in 1400, at the age of five years old in favor of his maternal grandfather, Hồ Quý Ly. The Tran improved Chinese gunpowder, enabling them to expand southward to defeat and vassalize the Champa. They also started using paper money for the first time in Vietnam. The period was considered a golden age in Vietnamese language, arts, and culture. The first pieces of Chữ Nôm literature were written during this period, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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