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Vidalita
''Vidalita'' is a 1949 Argentine comedy film directed and co-written by Luis Saslavsky and produced by Emelco. Considered transgressive for the time, it stars Mirtha Legrand as the title character, a girl who cross-dresses as a gaucho to be able to take charge of her grandfather's estate. Fernando Lamas stars as the captain of the fort, who falls in love with Legrand's character "to the point that he is willing to marry her without knowing if she is a man or a woman". Cast * Mirtha Legrand * Narciso Ibáñez Menta * Fernando Lamas * Amalia Sánchez Ariño * Oscar Valicelli * Milagros de la Vega * Leticia Scury Reception The film was poorly received by the media related to Peronism. According to Saslavsky, they "find that a gaucho represented by a girl in disguise is a lack of ''machismo'', of ''criollismo''." Writing for '' Página/12''s LGBT periodical ''Soy'' in 2022, Adrián Melo stated: In a key scene, Vidalita-Legrand finds herself in the situation of sharing a room wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando Lamas
Fernando Álvaro Lamas y de Santos (January 9, 1915 – October 8, 1982) was an Argentine-American actor and director, and the father of actor Lorenzo Lamas. Biography Argentina Fernando Álvaro Lamas y de Santos was born in Buenos Aires, Argentina. His movies included ''En el último piso'' (1942), ''Frontera Sur'' (1943), ''Villa rica del Espíritu Santo'' (1945), and ''Stella'' (1946). Lamas was also seen in '' The Poor People's Christmas'' (1947), ''The Tango Returns to Paris'' (1948), and '' The Story of a Bad Woman'' (1948). He had the lead in '' La rubia Mireya'' (1949) alongside Mecha Ortiz, and a key role in ''De padre desconocido'' (1949), ''Vidalita'' (1949) and '' The Story of the Tango'' (1950). He also appeared in ''Corrientes, calle de ensueños'' (1949), and ''La otra y yo'' (1950). He was reportedly the third biggest star in the country. His first American film was '' The Avengers'' (1950) for Republic Pictures shot on location in Argentina. Some scenes were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milagros De La Vega
Milagros de la Vega (1895–1980) was an Argentine stage and film actress An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), li ....Cowie & Elley p.20 Filmography References Bibliography * Peter Cowie & Derek Elley. ''World Filmography: 1967''. Fairleigh Dickinson University Press, 1977. External links * 1895 births 1980 deaths Argentine television actresses Argentine film actresses Argentine stage actresses Actresses from Buenos Aires {{Argentina-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narciso Ibáñez Menta
Narciso Ibáñez Menta (; August 25, 1912 – May 15, 2004) was a Spanish theatre, film, and television actor. Biography Born in Langreo, Asturias, Spain, Ibáñez Menta made his first stage appearance at the age of seven at the Teatro La Comedia of Buenos Aires. He worked in both theatre and film in Argentina until 1964, when he returned to Spain and developed a successful television career. In both Argentina and Spain, he was particularly prominent in suspense and horror subjects. He married the Argentine actress Pepita Serrador, a member of a theatre family. In 1935 they had a son, Narciso Ibáñez Serrador, who became a director, writer and actor, and directed the Spanish television series ''Historias para no dormir'' (1973), ''El Televisor'' (1974) and ''El fin empezó ayer'' (1982) in which his father starred. Films featuring Ibáñez Menta included ''Historia de crímenes'' (1942), '' La Bestia debe morir'' (1952), ''Tres citas con el destino'' (1953), ''Obras maestras ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emelco
Emelco was an Argentine film studio. In 1946, Emelco reportedly had annual contracts with 530 theatres in Argentina, representing all of the first run and major second run and neighborhood theatres. It also had opened an office in New York City. The studies became the property of the Industrial Bank of the Argentine Republic and in 1966, during the government of Dr. Arturo Umberto Illía, they were granted on loan to the Industrial Bank Club of the Argentine Republic, today called Banade Club, according to the change of name of the entity. banking. When the National Development Bank (BANADE) was liquidated during the government of Dr. Carlos Menem, the loan gave rise to an assignment by law of the Nation. Selected filmography * Burnt Land (1968) * Native Pony (1953) *Derecho viejo (1951) *Una viuda casi alegre (1950) * '' Juan Mondiola'' (1950) * Rice and Milk (1950) *Dance of Fire (1949) * Diez segundos (1949) *Vidalita (1949) * The Name Was Carlos Gardel (1949) * El bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of LGBT-related Films
This article lists lesbian, gay, bisexual, and transgender-related films involving participation and/or representation of LGBT. The list includes films that deal with or feature significant LGBT issues or characters. These films may involve LGBT cast and/or crew, an LGBT producer/director, a LGBT story, or a focus on LGBT target audiences. The English film title, original title, country of origin and production year are listed. Order is alphabetical by title. Made-for-television films and animated films are listed separately. There are also lists of films by year, by storyline, and those directed by women. 0–9 * '' $30'' (short – '' Boys Life 3''), US (1999) * '' 1 Versus 100'', US (2020) * ''10 Attitudes'', US (2001) * '' 10 Men'', UK (2012) * '' The 10 Year Plan'', US (2014) * ''12 Points'', Austria (2015) * '' 101 Rent Boys'', US (2000) * '' 101 Reykjavík'', Iceland/Denmark/Norway/France (2000) * '' 14h05'', France/Switzerland (2007) * '' 15 Years'', Israel (20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Argentine Films Of 1949 ...
A list of films produced in Argentina in 1949: External links and references Argentine films of 1949at the Internet Movie Database {{DEFAULTSORT:Argentine films of 1949 1949 Films Argentine Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The 100 Greatest Films Of Argentine Cinema
The 100 Greatest Films of Argentine Cinema (Spanish: ''Las 100 mejores películas del cine argentino''), also known as the Survey of Argentine cinema (Spanish: ''Encuesta de cine argentino''), are a series of opinion polls carried out to establish a list of the greatest films of Argentine cinema of all time. The original survey was carried out by the Museo del Cine Pablo Ducrós Hicken in the years 1977, 1984, 1991 and 2000. In 2022, a new edition was held, organized by the film magazines ''La vida útil'', ''Taipei'' and ''La tierra quema'', with support from INCAA, the Mar del Plata International Film Festival, the FestiFreak International Film Festival of La Plata, the Casa de la Cultura of General Roca and the Museo del Cine Pablo Ducrós Hicken. In the 1977 and 1984 lists, '' Prisioneros de la tierra'' (1939) by Mario Soffici reached first place, while '' Crónica de un niño solo'' (1965) by Leonardo Favio was the most voted in 2000. In the 2022 survey, the first place we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Valicelli
Oscar Valicelli (1 July 1915 – 11 October 1999) was an Argentine film actor. Filmography * ''La Mary'' (1974) dir. Daniel Tinayre …Ubaldo * ''Balada para un mochilero'' (1971) dir. Carlos Rinaldi …El Moncho * ''Desnuda en la arena'' (1969) dir. Armando Bo * ''Fuego'' (1968) dir. Armando Bo …Mecánico * ''Carne'' (1968) dir. Armando Bo …Jacinto * ''La señora del intendente'' (1967) dir. Armando Bo …Policía * ''La tentación desnuda'' (1966) dir. Armando Bo …Junquero 1 * ''Pesadilla'' (1963) dir. Diego Santillán …Enfermero * '' La cigarra no es un bicho'' (1963) dir. Daniel Tinayre * ''El rufián'' (1961) dir. Daniel Tinayre …Ángel * ''Luna Park'' (1960) dir. Rubén W. Cavallotti * ''Los torturados'' (1956) dir. Alberto Dubois …Raúl * ''Estrellas de Buenos Aires'' (1956) dir. Kurt Land * ''La bestia humana'' (1954) dir. Daniel Tinayre …Amigo de Pedro * ''Mujeres en sombra'' (1951) dir. Catrano Catrani * ''Sacachispas'' (1950) dir. Jerry G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leticia Scury
Leticia Scury, also spelled Leticia Scuri, (c. 1890 – 27 April 1950) was an Argentine actress. In 1928 she joined the Compañía Dramática de la “Casa del Arte”in Montevideo, Uruguay. She entered film in 1938 in Mario Soffici's ''Kilómetro 111'' (1938). At the 1944 Argentine Film Critics Association Awards she won the Silver Condor Award for Best Supporting Actress for her performance in the critically acclaimed drama ''Three Men of the River''. Other notable films include ''The Gaucho War'' (1942), '' Todo un hombre'' (1943), '' Albergue de mujeres'' (1946) and '' Arrabalera'' (1950). Filmography * ''Kilómetro 111'' (1938) * '' Héroes sin fama'' (1940) * '' El tercer beso'' (1942) * ''La guerra gaucha'' (1942) * ''Tres hombres del río'' (1943) * '' Todo un hombre'' (1943) * '' Valle negro'' (1943) * ''Pachamama'' (1944) * ''Wake Up to Life'' (1945) * ''Rosa de América'' (1946) * '' Albergue de mujeres'' (1946) * '' Una mujer sin cabeza'' (1947) * '' Vacaciones'' (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machismo
Machismo (; ; ; ) is the sense of being " manly" and self-reliant, a concept associated with "a strong sense of masculine pride: an exaggerated masculinity". Machismo is a term originating in the early 1930s and 1940s best defined as having pride in one’s masculinity. It is associated with "a man's responsibility to provide for, protect, and defend his family". Machismo is strongly and consistently associated with dominance, aggression, exhibition, and nurturance. The correlation to machismo is found to be deeply rooted in family dynamics and culture. The word has a long history both in Spain and Portugal, including the Spanish and Portuguese languages. in Portuguese and Spanish is a strictly masculine term, derived from from the Latin ''mascŭlus'', which means "male". It was originally associated with the ideal societal role men were expected to play in their communities, most particularly Iberian language-speaking societies and countries. In addition, due to Mexico ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Musical Comedy Films
Argentines (mistakenly translated Argentineans in the past; in Spanish ( masculine) or ( feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other imm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Black-and-white Films
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
