Victory Mixture
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Victory Mixture
''Victory Mixture'' is a 1990 album by Willy DeVille. The album consists of cover versions of New Orleans R&B and soul classics by DeVille’s musical idols. Trouser Press said about the album, “A rootsy covers collection, ''Victory Mixture'' provides a welcome antidote to '' Miracle's'' misguided modernity, making the most of the singer's relocation to New Orleans with backup from such local legends as Allen Toussaint, Eddie Bo and Dr. John.” ''Victory Mixture'' is unusual in that it was recorded without the use of overdubbing or sound editing, the idea being to record the songs in the same manner as they were recorded originally in the 1950s and early 1960s — without soundboard technology. The album was released in Europe on the French Sky Ranch label; it was released a year later in the United States on the Orleans Records label, that label's second offering. The success of ''Victory Mixture'' in Europe ensured the label's continuing operation. Origins of ''Victo ...
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Willy DeVille
Willy DeVille (born William Paul Borsey Jr.; August 25, 1950 – August 6, 2009) was an American singer and songwriter. During his thirty-five-year career, first with his band Mink DeVille (1974–1986) and later on his own, DeVille created original songs rooted in traditional American musical styles. He worked with collaborators from across the spectrum of contemporary music, including Jack Nitzsche, Doc Pomus, Dr. John, Mark Knopfler, Allen Toussaint, and Eddie Bo. Music of Latin America, Latin rhythms, blues riffs, doo-wop, Cajun music, strains of French cabaret, and echoes of early-1960s uptown Soul music, soul can be heard in DeVille's work. Mink DeVille was a house band at CBGB, the historic New York City nightclub where punk rock was born in the mid-1970s. DeVille helped redefine the Brill Building#"Brill Building Sound", Brill Building sound. In 1987 his song "Storybook Love" was nominated for an Academy Award. After his move to New Orleans in 1988, he helped spark the ro ...
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Mixing Console
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals. The modified signals are summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded. Mixing consoles are used for applications including recording studios, public address systems, sound reinforcement systems, nightclubs, broadcasting, and post-production. A typical, simple application combines signals from microphones on stage into an amplifier that drives one set of loudspeakers for the audience. A DJ mixer may have only two channels, for mixing two record players. A coffeehouse's tiny stage might only have a six-channel mixer, enough for two singer-guitarists and a percussionist. A nigh ...
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Huey "Piano" Smith
Huey Pierce Smith, known as Huey "Piano" Smith (born January 26, 1934) is an American rhythm-and-blues pianist whose sound was influential in the development of rock and roll. His piano playing incorporated the boogie-woogie styles of Pete Johnson, Meade Lux Lewis, and Albert Ammons, the jazz style of Jelly Roll Morton and the rhythm-and-blues style of Fats Domino. Steve Huey of AllMusic noted that "At the peak of his game, Smith epitomized New Orleans R&B at its most infectious and rollicking, as showcased on his classic signature tune, 'Don't You Just Know It.'" Career Early Years Smith was born in the Central City neighborhood of New Orleans. He was influenced by the innovative work of Professor Longhair. He became known for his shuffling right-handed break on the piano that influenced other Southern players.Kennedy, Rick, and McNutt, Randy (1999). ''Little Labels—Big Sound''. Indiana University Press. pg. 132; . Smith wrote his first song "Robertson Street Boogie", ...
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Irma Thomas
Irma Thomas ( Lee; born February 18, 1941) is an American singer from New Orleans. She is known as the "Soul Queen of New Orleans". Thomas is a contemporary of Aretha Franklin and Etta James, but never experienced their level of commercial success. In 2007, she won the Grammy Award for Best Contemporary Blues Album for '' After the Rain'', her first Grammy in a career spanning over 50 years. Life and career Born Irma Lee, in Ponchatoula, Louisiana, United States, she was the daughter of Percy Lee, a steel chipper, and Vader Lee, who worked as a maid. As a teenager, she sang with a Baptist church choir. She auditioned for Specialty Records at the age of 13. By the time she was 19, she had been married twice and had four children. Keeping her second ex-husband's surname, she worked as a waitress in New Orleans, occasionally singing with bandleader Tommy Ridgley, who helped her land a record deal with the local Ron label. Her first single, "Don't Mess with My Man", was released in ...
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Ernie K-Doe
Ernest Kador Jr. (February 22, 1933 – July 5, 2001), known by the stage name Ernie K-Doe, was an American rhythm-and-blues singer best known for his 1961 hit single "Mother-in-Law", which went to number 1 on the ''Billboard'' pop chart in the U.S. Early career Born in New Orleans, K-Doe recorded as a member of the group the Blue Diamonds in 1954 before making his first solo recordings the following year. "Mother-in-Law", written by Allen Toussaint, was his first hit, reaching number 1 on both the ''Billboard'' pop chart and the ''Billboard'' R&B chart. K-Doe never had another top-40 pop hit, but "Te-Ta-Te-Ta-Ta" (number 21, 1961) and "Later for Tomorrow" (number 37, 1967) reached the R&B top 40. Later career In the 1980s, K-Doe did radio shows on the New Orleans community stations WWOZ and WTUL. The shows were known for his explosively energetic announcements and frequent self-promotion (occasionally causing problems for the noncommercial station). K-Doe's catch phrases includ ...
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Grammy Award
The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most prestigious, significant awards in the music industry worldwide. It was originally called the Gramophone Awards, as the trophy depicts a gilded Phonograph, gramophone. The Grammys are the first of the Big Three television networks, Big Three networks' major music awards held annually, and is considered one of the EGOT, four major annual American entertainment awards, alongside the Academy Awards (for films), the Emmy Awards (for television), and the Tony Awards (for theater). The 1st Annual Grammy Awards, first Grammy Awards ceremony was held on May 4, 1959, to honor the musical accomplishments of performers for the year 1958. After the 2011 ceremony, the Recording Academy overhauled many Grammy Award categories for 2012. History The Grammys ...
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Guitar Slim, Jr
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four-course Renaissance guitar, and the fiv ...
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Take
A take is a single continuous recorded performance. The term is used in film and music to denote and track the stages of production. Film In cinematography, a take refers to each filmed "version" of a particular shot or "setup". Takes of each shot are generally numbered starting with "take one" and the number of each successive take is increased (with the director calling for "take two" or "take eighteen") until the filming of the shot is completed. Film takes are often designated with the aid of a clapperboard. It is also referred to as the slate. The number of each take is written or attached to the clapperboard, which is filmed briefly prior to or at the beginning of the actual take. Only those takes which are vetted by the continuity person and/or script supervisor are printed and are sent to the film editor. Single-takes A single-take or one-take occurs when the entire scene is shot satisfactorily the first time, whether by necessity (as with certain expensive special e ...
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Overdubbing
Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers. In vocal performances, the performer usually listens to an existing recorded performance (usually through headphones in a recording studio) and simultaneously plays a new performance along with it, which is also recorded. The intention is that the final mix will contain ...
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Earl King
Earl Silas Johnson IV (February 7, 1934 – April 17, 2003),
known as Earl King, was an American singer, guitarist, and songwriter, most active in blues music. A composer of s such as "" (covered by Jimi Hendrix, ,
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Hit Record
A hit song, also known as a hit record, hit single or simply a hit, is a recorded song or instrumental that becomes broadly popular or well-known. Although ''hit song'' means any widely played or big-selling song, the specific term ''hit record'' usually refers to a single that has appeared in an official music chart through repeated radio airplay audience impressions, or significant streaming data and commercial sales. Historically, before the dominance of recorded music, commercial sheet music sales of individual songs were similarly promoted and tracked as singles and albums are now. For example, in 1894, Edward B. Marks and Joe Stern released ''The Little Lost Child'', which sold more than a million copies nationwide, based mainly on its success as an illustrated song, analogous to today's music videos. Chart hits In the United States and the United Kingdom, a single is usually considered a hit when it reaches the top 40 of the ''Billboard'' Hot 100 or the top 75 of the UK ...
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