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Victor Capoul
Joseph Victor Amédée Capoul (27 February 1839 – 18 February 1924) was a French operatic lyric tenor with a graceful singing style. Forbes E., Steane J.B., "Victor Capoul". In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Early life Capoul was born in Toulouse on 27 February 1839. Career Victor Capoul began his studies in Toulouse. He was admitted to the Conservatoire de Paris in 1859, where, as a pupil of Révial (singing) and Mocker ( opéra comique), he won a first prize for the latter in 1861. He was engaged at the Opéra-Comique the same year and made his debut on 26 August as Daniel in Adolphe Adam's ''Le Chalet''. He sang other roles in the repertoire such as in ''La fille du régiment'', '' La part du diable'', ''La dame blanche'', ''Le pré aux clercs'' and ''L'étoile du nord'', until leaving in 1870. He also created the roles of Renaud in Lefébure-Wély's 1861 opera ''Les Recruteurs'', Eustache in ''Les Absents'' by Ferdinand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Capoul 001
The name Victor or Viktor may refer to: * Victor (name), including a list of people with the given name, mononym, or surname Arts and entertainment Film * Victor (1951 film), ''Victor'' (1951 film), a French drama film * Victor (1993 film), ''Victor'' (1993 film), a French short film * Victor (2008 film), ''Victor'' (2008 film), a 2008 TV film about Canadian swimmer Victor Davis * Victor (2009 film), ''Victor'' (2009 film), a French comedy * ''Victor'', a 2017 film about Victor Torres by Brandon Dickerson * Viktor (film), ''Viktor'' (film), a 2014 Franco/Russian film Music * Victor (album), ''Victor'' (album), a 1996 album by Alex Lifeson * "Victor", a song from the 1979 album ''Eat to the Beat'' by Blondie Businesses * Victor Talking Machine Company, early 20th century American recording company, forerunner of RCA Records * Victor Company of Japan, usually known as JVC, a Japanese electronics corporation originally a subsidiary of the Victor Talking Machine Company ** V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Poise
image:Ferdinand Poise 1892.jpg, Jean Alexandre Ferdinand Poise (3 June 1828 – 13 May 1892) was a French composer, mainly of opéra-comiques, for which he also frequently wrote the librettos. Career Born in Nimes, Poise studied at the Conservatoire de Paris under the tutelage of Adolphe Adam, himself a pupil of François Adrien Boieldieu, Boieldieu. His first opera was "Bonsoir voisin" (1853), which established his career and remains his most enduring success since it is still performed in France and Belgium. He did not follow contemporary operetta trends, but preferred to remain in line with the 18th century opéra comique. Alphonse Daudet was his librettist for ''Les Charmeurs'' (1855) and ''Les Absents'' (1864). In 1862, the cantata ''Nemausa'' was created, the libretto of which was written by ''Le Roi Don Pèdre'' (1857) and ''Le Corricolo'' (1868) were failures, but Poise, drawing inspiration from the works of the late 17th and 18th centuries, went on to create quality wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph (opera)
''Joseph'' (also known as ) is an opéra comique in three acts by the French composer Étienne Méhul. The libretto, by Alexandre Duval, is based on the Biblical story of Joseph and his brothers. The work was first performed by the Opéra-Comique in Paris on 17 February 1807 at the Théâtre Feydeau. It mixes musical numbers with spoken dialogue and is described in both the libretto and the printed announcement for the opening night as a , although the Méhul scholar Elizabeth Bartlet catalogues it as an . Background Méhul probably met Duval, an ex-soldier and actor, at the salon of Sophie Gay and suggested composing an opera on the Biblical story of Joseph (). In writing ''Joseph'', Méhul and his librettist may have been trying to exploit the contemporary vogue for operas on religious themes and the French fascination for Egypt after Napoleon's expedition to the country in 1798. Duval was directly inspired by Pierre Baour-Lormian's verse tragedy , which had appeare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Lyrique
The Théâtre Lyrique was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Opéra, the Opéra-Comique, and the Théâtre-Italien). The company was founded in 1847 as the Opéra-National by the French composer Adolphe Adam and renamed Théâtre Lyrique in 1852. It used four different theatres in succession, the Cirque Olympique, the Théâtre Historique, the Salle du Théâtre-Lyrique (now the Théâtre de la Ville), and the Salle de l'Athénée, until it ceased operations in 1872.Charlton 1992, p. 871. The diverse repertoire of the company "cracked the strict organization of the Parisian operatic world by breaking away from the principle that institution and genre were of one substance." The company was generally most successful with revivals of foreign works translated into French, particularly operas by Gluck, Mozart, Weber, and Verdi, but probably is most remembered today for having given the first performan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lenepveu
Charles-Ferdinand Lenepveu (4 October 1840 – 16 August 1910), was a French composer and teacher. Destined for a career as a lawyer, he defied his family and followed a musical career. He studied at the Paris Conservatoire, and won France's top musical award, the Prix de Rome in 1867. Much of Lenepveu's career was as a professor at the Conservatoire from 1880. He was known as a strict conservative, hostile to musical innovation, as was much of the French musical Establishment of the time. He was expected to succeed Théodore Dubois as director of the Conservatoire in 1905, but his chances evaporated when he was implicated in an attempt to rig the results of that year's Prix de Rome in favour of his own pupils. Life and career Early years Lenepveu was born in Rouen (Seine-Maritime), the son of Charles-François Lenepveu, a prominent lawyer, and his wife Marie-Françoise-Armande, ''née'' Petit. The young Lenepveu received a traditional education in his home town, while at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Du Locle
Camille du Locle (16 July 18329 October 1903) was a French theatre manager and a librettist. He was born in Orange, France. From 1862 he served as assistant to his father-in-law, Émile Perrin, at the Paris Opéra. From 1870, he was co-director at the Opéra-Comique with Adolphe de Leuven, and sole director from 1874 to 1876. He is best remembered for mounting the original production of Bizet's ''Carmen'' in 1875.Huebner 1992. Du Locle was responsible for completing the libretto of Giuseppe Verdi's ''Don Carlos'' (1867) after the death of Joseph Méry. He also played a key role in the genesis of ''Aida'' in 1869–70. According to Charles Pigot, Du Locle inspired the subject, words and music of Bizet's ''Djamileh'' (1872). He was a pall-bearer at Bizet's funeral in 1875 and made a speech at his interment at Père Lachaise. In 1876, a financial dispute arose with Verdi, and Du Locle moved to Capri, where he constructed and lived in the Villa Certosella, now a hotel. In Capri he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Malherbe
Charles Théodore Malherbe (21 April 1853 – 5 October 1911) was a French violinist, musicologist, composer and music editor. Life and career Malherbe was born in Paris, son of Pierre Joseph Malherbe (1819–1890) and Zoé Caroline Mozin (1832–1921) the youngest daughter of French painter Charles Mozin (1806–1862). He studied law and was admitted to the bar, but instead decided on music as a profession. He studied music with Adolphe Danhauser, Jules Massenet and André Wormser, and served as Danhauser's secretary on a tour through Holland, Belgium and Switzerland to survey systems of music pedagogy in the public schools. He afterward settled in Paris, and became assistant to Charles Nuitter, the archivist-librarian of the Paris Opera Library in 1896, succeeding him in 1899. He edited the music periodical ''Le Ménestrel'' and also wrote for a number of other publications, including ''Le Guide musical'', ''Progrès artistique'', ''Revue internationale de musique'' and ''Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vert-Vert
''Vert-Vert'' is an opéra comique in three acts by Jacques Offenbach, with a libretto by Henri Meilhac and Charles Nuitter, first performed on the 10th of March 1869 at the Paris Opéra-Comique. Based on the 1734 poem « Vert-Vert ou les voyages du perroquet de la visitation de Nevers » by Jean-Baptiste Gresset, the opera found little success and has only been occasionally revived, although a complete studio recording was released in 2010. Background The Art-Lyrique website offers two other French operatic works with the same name: an opéra-comique in one act by Nicolas Dalayrac with libretto by Desfontaines created at the Opéra-Comique (Salle Favart) on 11 October 1790, and ''Vert-Vert ou le Perroquet de Nevers'', also an opéra-comique in one act, by Gauthier, with words by Bernard-Valville, first seen at the Théâtre des Jeunes-Artistes on 2 December 1800. In 1832 a comédie-vaudeville was mounted by Virginie Déjazet at the Théâtre du Palais-Royal with some success a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Premier Jour De Bonheur
''Le premier jour de bonheur'' is an opera or opéra comique in three acts by Daniel Auber. The French libretto by Adolphe d'Ennery and Eugène Cormon is based on Joseph François Souque's ''Le chevalier de Canolle''. The work's premiere was staged by the Opéra-Comique at the Salle Favart theatre on 15 February 1868. The opera is set in Madras at the end of the 18th century, with a mixture of sentimental elegance and precious sensibility amid a picturesque story bearing resemblances to Léo Delibes’s '' Lakmé'': the Indian setting, a military officer – one French, the other English – and a priestess – Djelma, Lakmé.Soubies and Malherbe The scenario was proposed to Auber around 1865 by Victorien Sardou, and was first announced for production in September 1866 under another title. The rôle of Hélène was intended as the debut of a brilliant student of Eugénie Garcia, but a court ruling in January 1868 following a case brought by her parents delayed her debut until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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