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Victor Brauner
Victor Brauner (, also spelled Viktor Brauner; 15 June 1903 – 12 March 1966) was a Romanian painter and sculptor of the surrealist movement. Early life He was born in Piatra Neamț, Romania, the son of a Jewish timber manufacturer who subsequently settled in Vienna with his family for a few years. It is there that young Victor attended elementary school. When his family returned to Romania in 1914, he continued his studies at the Lutheran school in Brăila. His interests revolved around zoology during that period. He attended the National School of Fine Arts in Bucharest (1916–1918) and Horia Igiroșanu private school of painting. He visited Fălticeni and Balcic, and started painting landscapes in the manner of Paul Cézanne. Then, as he testified himself, he went through all the stages: "Dadaist, Abstractionist, Expressionist". On 26 September 1924, the Mozart Galleries in Bucharest hosted his first personal exhibition. In that period he met poet Ilarie Voronca, toget ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piatra Neamț
Piatra Neamț (; german: Kreuzburg an der Bistrița (Siret), Bistritz; hu, Karácsonkő) is the capital city of Neamț County, in the historical region of Western Moldavia, in northeastern Romania. Because of its privileged location in the Eastern Carpathians, Eastern Carpathian mountains, it is considered one of the most picturesque cities in Romania. The Nord-Est (development region), ''Nord-Est'' Regional Development Agency is located in Piatra Neamț. Etymology The toponym ''piatra'' (meaning ‘rock’) was always part of the settlement's name throughout its history. It is also called Piatra lui (‘Christmas Rock’, thus also corresponding to the Hungarian name of the city, "-"). It is also simply called Piatra, to which the county name ''Neamț County, Neamț'' (meaning ‘German’) was added. Geography and access Piatra Neamț lies in the Bistrița River (Siret), Bistrița River Valley, surrounded by mountains — Pietricica (530 m), Cozla (679 m), Cernegura (852 m), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fălticeni
Fălticeni (; ''german: Foltischeni; hu, Falticsén;'' he, פלטיצ'ן yi, פאלטישאן) is a town in Suceava County, northeastern Romania. It is situated in the historical region of Western Moldavia. Fălticeni is the second largest urban settlement in the county, with a population of 24,619 inhabitants, according to the 2011 census. It was declared a municipality in 1995, along with two other cities in Suceava County: Rădăuți and Câmpulung Moldovenesc. Fălticeni covers an area of , of which 25% are orchards and lakes, and it administers two villages: Șoldănești and Țarna Mare. It was the capital of former Baia County (1929–1950). The town is known for the high number of Romanian writers, artists, and scientists who were born, lived, studied, or have created here. Geography Fălticeni is located in the southern part of Suceava County, 25 km away from Suceava, the capital of the county. The European route E85 crosses the city. Fălticeni is connected to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Fondane
Benjamin Fondane () or Benjamin Fundoianu (; born Benjamin Wechsler, Wexler or Vecsler, first name also Beniamin or Barbu, usually abridged to B.; November 14, 1898 – October 2, 1944) was a Romanian and French poet, critic and existentialist philosopher, also noted for his work in film and theater. Known from his Romanian youth as a Symbolist poet and columnist, he alternated Neoromantic and Expressionist themes with echoes from Tudor Arghezi, and dedicated several poetic cycles to the rural life of his native Moldavia. Fondane, who was of Jewish Romanian extraction and a nephew of Jewish intellectuals Elias and Moses Schwartzfeld, participated in both minority secular Jewish culture and mainstream Romanian culture. During and after World War I, he was active as a cultural critic, avant-garde promoter and, with his brother-in-law Armand Pascal, manager of the theatrical troupe ''Insula''. Fondane began a second career in 1923, when he moved to Paris. Affiliated with Surrealism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Photography
Fine-art photography is photography created in line with the vision of the photographer as artist, using photography as a medium for creative expression. The goal of fine-art photography is to express an idea, a message, or an emotion. This stands in contrast to representational photography, such as photojournalism, which provides a documentary visual account of specific subjects and events, literally representing objective reality rather than the subjective intent of the photographer; and commercial photography, the primary focus of which is to advertise products, or services. History Invention through 1940s One photography historian claimed that "the earliest exponent of 'Fine Art' or composition photography was John Edwin Mayall", who exhibited daguerreotypes illustrating the Lord's Prayer in 1851. Successful attempts to make fine art photography can be traced to Victorian era practitioners such as Julia Margaret Cameron, Charles Lutwidge Dodgson, and Oscar Gustave Rej ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantin Brâncuși
Constantin Brâncuși (; February 19, 1876 – March 16, 1957) was a Romanian Sculpture, sculptor, painter and photographer who made his career in France. Considered one of the most influential sculptors of the 20th-century and a pioneer of modernism, Brâncuși is called the patriarch of modern sculpture. As a child he displayed an aptitude for carving wooden farm tools. Formal studies took him first to Bucharest, then to Munich, then to the École des Beaux-Arts in Paris from 1905 to 1907. His art emphasizes clean geometry, geometrical lines that balance forms inherent in his materials with the symbolism (arts), symbolic allusions of representational art. Brâncuși sought inspiration in non-European cultures as a source of Primitivism, primitive exoticism, as did Paul Gauguin, Pablo Picasso, André Derain and others. However, other influences emerge from Romanian folk art traceable through Byzantine and Dionysian traditions. Early years Brâncuși grew up in the village ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contimporanul
''Contimporanul'' (antiquated spelling of the Romanian word for "the Contemporary", singular masculine form) was a Romanian (initially a weekly and later a monthly) avant-garde literary and art magazine, published in Bucharest between June 1922 and 1932. Edited by Ion Vinea, ''Contimporanul'' was prolific in the area of art criticism, dedicating entire issues to modern art phenomena, and organizing the Bucharest International Modern Art Exhibit in December 1924 (with the participation of Constantin Brâncuși). Several writers contributing to ''Contimporanul'' soon moved on to adopt more specific styles, including a literary form of constructivism (which was the dominant style of the magazine for a certain period), Dada, and, eventually, surrealism. History Seeing itself as a direct successor to ''Contemporanul'', it first advertised itself as a "social magazine", it became a voice for modernism in 1924, when it published a manifesto virulently attacking the cultural establishment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Hodler
Ferdinand Hodler (March 14, 1853 – May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism which he called "parallelism". Early life Hodler was born in Bern, the eldest of six children. His father, Jean Hodler, made a meager living as a carpenter; his mother, Marguerite (''née'' Neukomm), was from a peasant family. By the time Hodler was eight years old, he had lost his father and two younger brothers to tuberculosis.Hauptman and Hodler 2007, p. 10. His mother remarried, to a decorative painter named Gottlieb Schüpach who had five children from a previous marriage. The birth of additional children brought the size of Hodler's family to thirteen. The family's finances were poor, and the nine-year-old Hodler was put to work assisting his stepfather in painting signs and other commercial projects. After the death of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Grosz
George Grosz (; born Georg Ehrenfried Groß; July 26, 1893 – July 6, 1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity groups during the Weimar Republic. He immigrated to the United States in 1933, and became a naturalized citizen in 1938. Abandoning the style and subject matter of his earlier work, he exhibited regularly and taught for many years at the Art Students League of New York. In 1959 he returned to Berlin, where he died shortly afterwards. Early life Grosz was born Georg Ehrenfried Groß in Berlin, Germany, the third child of a pub owner. His parents were devoutly Lutheran. Grosz grew up in the Pomeranian town of Stolp (now Słupsk, Poland). After his father's death in 1900, he moved to the Wedding district of Berlin with his mother and sisters. At the urging of his cousin, the young Grosz began attending a weekly drawing class taugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilarie Voronca
Ilarie Voronca (pen name of Eduard Marcus; 31 December 1903, Brăila—8 April 1946, Paris) was a Romanian avant-garde poet and essayist. life and career Voronca was of Jewish ethnicity. In his early years, he was connected with Eugen Lovinescu's ''Sburătorul'' group, making his debut in 1922 in the ''Sburătorul literar'' (symbolist pieces inspired by the works of George Bacovia and Camil Baltazar). Voronca's poems of the period, gloomy and passive in tone, are in marked contrast to his later works. Only a year later, Voronca adopted a change in style, adhering to the modernist manifesto published in ''Contimporanul'' and contributing to literary magazines such as ''Punct'' and ''Integral''. He and Stephan Roll issued a Constructivism-inspired magazine entitled ''75 HP'', of which only one number was ever printed. In 1925, he collaborated with Victor Brauner on "picto-poèsie" for a portrait of himself. It is a cubist portrait of the Romanian poet Ilarie Voronca In 192 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expressionist
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstract Art
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery in art. This departure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
