Very Good Eddie
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Very Good Eddie
''Very Good Eddie'' is a musical with a book by Guy Bolton and Philip Bartholomae, music by Jerome Kern, and lyrics by Schuyler Greene, with additional lyrics by Elsie Janis, Herbert Reynolds, Harry B. Smith, John E. Hazzard, Ring Lardner and Jerome Kern, and additional music by Henry Kailimai. The story was based on the farce ''Over Night'' by Bartholomae. The farcical plot concerns three couples and a sex-crazed voice teacher who board a Hudson River Day Line boat in Poughkeepsie, New York. Chaos ensues when two of the couples cross paths and accidentally trade partners. The vaudeville-style adventure continues at a hotel, where guests pop in and out of rooms while an inebriated desk clerk tries to sort through the madness. The show was the second of the series of "Princess Theatre musicals" and was a hit for Bolton and Kern, running for 341 performances and leading to revivals and further successful collaborations. Background Early in the 20th century, American musical theatr ...
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Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ...
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The Merry Widow
''The Merry Widow'' (german: Die lustige Witwe, links=no ) is an operetta by the Austro-Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play, (''The Embassy Attaché'') by Henri Meilhac. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the " Vilja Song", "" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz". Background In 1861, Henri Meilhac premiered a comic play in Paris, (''The Embassy Attaché''), in which the Parisian ambassador of a poor German grand duchy, Baron Scharpf, schemes to arrange a marriage between his country's richest widow (a French woman) and a Count to keep her mon ...
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Poughkeepsie, New York
Poughkeepsie ( ), officially the City of Poughkeepsie, separate from the Town of Poughkeepsie around it) is a city in the U.S. state of New York. It is the county seat of Dutchess County, with a 2020 census population of 31,577. Poughkeepsie is in the Hudson River Valley region, midway between the core of the New York metropolitan area and the state capital of Albany. It is a principal city of the Poughkeepsie–Newburgh–Middletown metropolitan area which belongs to the New York combined statistical area. It is served by the nearby Hudson Valley Regional Airport and Stewart International Airport in Orange County, New York. Poughkeepsie has been called "The Queen City of the Hudson". It was settled in the 17th century by the Dutch and became New York State's second capital shortly after the American Revolution. It was chartered as a city in 1854. Major bridges in the city include the Walkway over the Hudson, a former railroad bridge called the Poughkeepsie Bridge which r ...
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Lily Pons
Alice Joséphine Pons (April 12, 1898 – February 13, 1976), known professionally as Lily Pons, was a French-American operatic soprano and actress who had an active career from the late 1920s through the early 1970s. As an opera singer, she specialized in the coloratura soprano repertoire and was particularly associated with the title roles in ''Lakmé'' and ''Lucia di Lammermoor''. In addition to appearing as a guest artist with many opera houses internationally, Pons enjoyed a long association with the Metropolitan Opera in New York City, where she performed nearly 300 times between 1931 and 1960. She also had a successful and lucrative career as a concert singer, which continued until her retirement from performance in 1973. From 1935 to 1937, she made three musical films for RKO Pictures. She also made numerous appearances on radio and on television, performing on variety programs such as ''The Ed Sullivan Show'', ''The Colgate Comedy Hour'', and '' The Dave Garroway Show' ...
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Oh, Boy! (musical)
''Oh, Boy!'' is a musical in two acts, with music by Jerome Kern and book and lyrics by Guy Bolton and P. G. Wodehouse. The story concerns befuddled George, who elopes with Lou Ellen, the daughter of Judge Carter. He must win over her parents and his Quaker aunt. His dapper polo champion friend Jim is in love with madcap actress Jackie, but George must hide her while she extricates herself from a scrape with a bumbling constable whom she punched at a party raid. The piece was the most successful of the " Princess Theatre Musicals", opening in February 1917 and transferring to the Casino Theatre in November 1917 to finish its Broadway run of 463 performances. A London production, under the title ''Oh, Joy!'' opened in January 1919 at the Kingsway Theatre, where it ran for 167 performances. A silent film version was also produced in 1919. Background Early in the 20th century, American musical theatre consisted of a mix of elaborate European operettas, like ''The Merry Widow'' ( ...
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John Kenrick (theatre Writer)
John Kenrick (born October 3, 1959) is an American author, teacher and theatre and film historian. Kenrick is an adjunct teacher of musical theatre history at New York University, Brind School – University of the Arts (Philadelphia) and The New School, and lectures frequently on the subject elsewhere. His 2008 book ''Musical Theatre: A History'' is a comprehensive history of musical theatre from ancient times to the present. Kenrick is the curator of the extensive musical theatre and film website ''Musicals101.com: The Cyber Encyclopedia of Musical Theatre, TV and Film'' Life and career Kenrick was born and raised in Astoria, New York. He attended Monsignor McClancy Memorial High School and then Cathedral College of the Immaculate Conception in Douglaston, New York, studying English and theology.Crimmins, Cathy E. ''How the Homosexuals Saved Civilization'' (2004) Penguin Group (US) In the 1980s and 1990s, Kenrick worked first as a teacher and then in theatrical production and ...
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Sigmund Romberg
Sigmund Romberg (July 29, 1887 – November 9, 1951) was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly ''The Student Prince'' (1924), ''The Desert Song'' (1926) and ''The New Moon'' (1928). Early in his career, Romberg was employed by the Shubert brothers to write music for their musicals and revues, including several vehicles for Al Jolson. For the Shuberts, he also adapted several European operettas for American audiences, including the successful '' Maytime'' (1917) and '' Blossom Time'' (1921). His three hit operettas of the mid-1920s, named above, are in the style of Viennese operetta, but his other works from that time mostly employ the style of American musicals of their eras. He also composed film scores. Biography Romberg was born in Hungary as Siegmund Rosenberg to a Jewish
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Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ...
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Florenz Ziegfeld
Florenz Edward Ziegfeld Jr. (; March 21, 1867 – July 22, 1932) was an American Broadway impresario, notable for his series of theatrical revues, the ''Ziegfeld Follies'' (1907–1931), inspired by the ''Folies Bergère'' of Paris. He also produced the musical ''Show Boat''. He was known as the "glorifier of the American girl". Ziegfeld is a member of the American Theater Hall of Fame. Early life Florenz Edward Ziegfeld Jr. was born on March 21, 1867, in Chicago, Illinois. His mother, Rosalie (''née'' de Hez), who was born in Belgium, was the grandniece of General Count Étienne Maurice Gérard. His father, Florenz Edward Ziegfeld, was a German immigrant whose father was the mayor of Jever in Friesland. Ziegfeld was baptized in his mother's Roman Catholic church. His father was Lutheran. As a child Ziegfeld witnessed the Chicago fire of 1871. Career His father ran the Chicago Musical College and later opened a nightclub, the ''Trocadero'', to profit from the 1893 World's ...
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Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ...
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Victor Herbert
Victor August Herbert (February 1, 1859 – May 26, 1924) was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music. In the early 1880s, Herbert began a career as a cellist in Vienna and Stuttgart, during which he began to compose orchestral ...
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Operettas
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ...
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