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Vertical Interval Timecode
Vertical Interval Timecode (VITC, pronounced "vitsee") is a form of SMPTE timecode encoded on one scan line in a video signal. These lines are typically inserted into the vertical blanking interval of the video signal. With one exception, VITC contains the same payload as SMPTE linear timecode (LTC), embedded in a new frame structure with extra synchronization bits and an error-detection checksum. The exception is that VITC is encoded twice per interlaced video frame, once in each field, and one additional bit (the "field flag") is used to distinguish the two fields. A video frame may contain more than one VITC code if necessary, recorded on different lines. This is often used in production, where different entities may want to encode different sets of time-code metadata on the same tape. As a practical matter, VITC can be more 'frame-accurate' than LTC, particularly at very slow tape speeds on analog formats. LTC readers can lose track of code at slow jog speeds whereas VITC ...
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Chrominance Subcarrier
The chrominance subcarrier is a separate subcarrier signal that carries the color information during transmission of a composite video signal. It is modulated and synchronized using the colorburst signal and then attached to the back porch of the signal. By synchronizing the subcarrier with the local oscillator of the television receiver, the RGB The RGB color model is an additive color model in which the red, green and blue primary colors of light are added together in various ways to reproduce a broad array of colors. The name of the model comes from the initials of the three addi ... colors can be decoded successfully. References Video signal {{tv-tech-stub ...
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Rewritable Consumer Timecode
The Rewriteable Consumer Timecode (RCTC, RC Timecode, or RC Time Code) is a nearly frame accurate timecode method developed by Sony for 8mm and Hi8 analog tape formats.Sony CCD-V801 Manual
Page 9 covers RC Timecode and Data Code formats.
The RC timecode is written by the video camera directly to analog tape tracks and records the hour, minute, second and frame for each frame of video recorded to tape. Officially, RCTC is accurate to within ±2 to 5 frames. The RC timecode information is written in a separate area of the track so as to not disturb the audio or video information recorded on the tape. The RC timecode was used in conjunction with the datacode to record date, time and frame information directly to the 8mm tape tracks. On several video camera models,

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AES-EBU Embedded Timecode
AES3 is a standard for the exchange of digital audio signals between professional audio devices. An AES3 signal can carry two channels of pulse-code-modulated digital audio over several transmission media including balanced lines, unbalanced lines, and optical fiber. AES3 was jointly developed by the Audio Engineering Society (AES) and the European Broadcasting Union (EBU) and so is also known as AES/EBU. The standard was first published in 1985 and was revised in 1992 and 2003. AES3 has been incorporated into the International Electrotechnical Commission's standard IEC 60958, and is available in a consumer-grade variant known as S/PDIF. History and development The development of standards for digital audio interconnect for both professional and domestic audio equipment, began in the late 1970s in a joint effort between the Audio Engineering Society and the European Broadcasting Union, and culminated in the publishing of AES3 in 1985. The AES3 standard has been revised in ...
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MIDI Timecode
MIDI time code (MTC) embeds the same timing information as standard SMPTE timecode as a series of small 'quarter-frame' MIDI messages. There is no provision for the user bits in the standard MIDI time code messages, and SysEx messages are used to carry this information instead. The quarter-frame messages are transmitted in a sequence of eight messages, thus a complete timecode value is specified every two frames. If the MIDI data stream is running close to capacity, the MTC data may arrive a little behind schedule which has the effect of introducing a small amount of jitter. In order to avoid this it is ideal to use a completely separate MIDI port for MTC data. Larger full-frame messages, which encapsulate a frame worth of timecode in a single message, are used to locate to a time while timecode is not running. Unlike standard SMPTE timecode, MIDI timecode's quarter-frame and full-frame messages carry a two-bit flag value that identifies the rate of the timecode, specifying it a ...
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CTL Timecode
Control track longitudinal timecode, or CTL timecode, developed by JVC in the early 1990s, is a unique technique for embedding, or ''striping'', reference SMPTE timecode onto a videotape. Similar to the way VITC timecode is embedded in the vertical interval area of a video signal, CTL timecode embeds SMPTE timecode in the '' control track'' area of helical scan video recordings. The advantage of both VITC and CTL timecode is that an audio track does not have to be sacrificed for linear timecode. Though a very effective technology, and still probably in limited use today, CTL timecode never really caught on. JVC is apparently the only manufacturer that included CTL timecode capability in their video products, and this was limited to select professional S-VHS equipment. When it was introduced, there was much negativity about CTL timecode, because people misunderstood how it worked. Many incorrectly assumed that CTL timecode was nothing more than a ''control track pulse'' signal. ...
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Burnt-in Timecode
Burnt-in timecode (often abbreviated to BITC by analogy to VITC) is a human-readable on-screen version of the timecode information for a piece of material superimposed on a video image. BITC is sometimes used in conjunction with "real" machine-readable timecode, but more often used in copies of original material on to a non-broadcast format such as VHS, so that the VHS copies can be traced back to their master tape and the original time codes easily located. Many professional VTRs can "burn" (overlay) the tape timecode onto one of their outputs. This output (which usually also displays the setup menu or on-screen display) is known as the ''super out'' or ''monitor out''. The ''character'' switch or menu item turns this behaviour on or off. The ''character'' function is also used to display the timecode on the preview monitors in linear editing suites. Videotapes that are recorded with timecode numbers overlaid on the video are referred to as ''window dubs'', named after the "w ...
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Linear Timecode
Linear (or Longitudinal) Timecode (LTC) is an encoding of SMPTE timecode data in an audio signal, as defined in SMPTE 12M specification. The audio signal is commonly recorded on a VTR track or other storage media. The bits are encoded using the biphase mark code (also known as ''FM''): a 0 bit has a single transition at the start of the bit period. A 1 bit has two transitions, at the beginning and middle of the period. This encoding is self-clocking. Each frame is terminated by a ' sync word' which has a special predefined sync relationship with any video or film content. A special bit in the linear timecode frame, the ''biphase mark correction'' bit, ensures that there are an even number of AC transitions in each timecode frame. The sound of linear timecode is a jarring and distinctive noise and has been used as a sound-effects shorthand to imply ''telemetry'' or ''computers''. Generation and Distribution In broadcast video situations, the LTC generator should be tied int ...
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Little-endian
In computing, endianness, also known as byte sex, is the order or sequence of bytes of a word of digital data in computer memory. Endianness is primarily expressed as big-endian (BE) or little-endian (LE). A big-endian system stores the most significant byte of a word at the smallest memory address and the least significant byte at the largest. A little-endian system, in contrast, stores the least-significant byte at the smallest address. Bi-endianness is a feature supported by numerous computer architectures that feature switchable endianness in data fetches and stores or for instruction fetches. Other orderings are generically called middle-endian or mixed-endian. Endianness may also be used to describe the order in which the bits are transmitted over a communication channel, e.g., big-endian in a communications channel transmits the most significant bits first. Bit-endianness is seldom used in other contexts. Etymology Danny Cohen introduced the terms ''big-endian' ...
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Bureau Of Indian Standards
The Bureau of Indian Standards (BIS) is the National Standards Body of India under Department of Consumer affairs, Ministry of Consumer Affairs, Food & Public Distribution, Government of India. It is established by the Bureau of Indian Standards Act, 2016 which came into effect on 12 October 2017. The Minister in charge of the Ministry or Department having administrative control of the BIS is the ex-officio President of the BIS. BIS has 500 plus scientific officers working as Certification Officers, Member secretaries of technical committees and lab OIC's. The organisation was formerly the Indian Standards Institution (ISI), set up under the Resolution of the Department of Industries and Supplies No. 1 Std.(4)/45, dated 3 September 1946. The ISI was registered under the Societies Registration Act, 1860. A new Bureau of Indian standards (BIS) Act 2016 which was notified on 22 March 2016, has been brought into force with effect from 12 October 2017. The Act establishes the Burea ...
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SECAM
SECAM, also written SÉCAM (, ''Séquentiel de couleur à mémoire'', French for ''color sequential with memory''), is an analog color television system that was used in France, some parts of Europe and Africa, and Russia. It was one of three major analog color television standards, the others being PAL and NTSC. This page primarily discusses the SECAM colour encoding system. The articles on broadcast television systems and analog television further describe frame rates, image resolution, and audio modulation. SECAM video is composite video because the luminance (luma, monochrome image) and chrominance (chroma, color applied to the monochrome image) are transmitted together as one signal. All the countries using SECAM are currently in the process of conversion, or have already converted to Digital Video Broadcasting (DVB), the new pan-European standard for digital television. SECAM remained a major standard into the 2000s. History Development of SECAM predates PAL, a ...
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SMPTE Timecode
SMPTE timecode ( or ) is a set of cooperating standards to label individual frames of video or film with a timecode. The system is defined by the Society of Motion Picture and Television Engineers in the SMPTE 12M specification. SMPTE revised the standard in 2008, turning it into a two-part document: SMPTE 12M-1 and SMPTE 12M-2, including new explanations and clarifications. Timecodes are added to film, video or audio material, and have also been adapted to synchronize music and theatrical production. They provide a time reference for editing, synchronization and identification. Timecode is a form of media metadata. The invention of timecode made modern videotape editing possible and led eventually to the creation of non-linear editing systems. Basic concepts SMPTE timecode is presented in ''hour:minute:second:frame'' format and is typically represented in 32 bits using binary-coded decimal. There are also ''drop-frame'' and ''color framing'' flags and three extra ''bina ...
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