|
Verleih Uns Frieden (Mendelssohn)
(Grant us peace) is a chorale cantata by Felix Mendelssohn, setting a prayer for peace by Martin Luther. Mendelssohn composed the short work in one movement for mixed choir and orchestra in 1831. It is also known as . History The text is Martin Luther's "", a paraphrase of Da pacem Domine, a Latin prayer for peace from the 6th or 7th century based on biblical verses , and . It was a regular close of church services in Luther's time. Mendelssohn was exposed to Lutheran hymns during his studies with Carl Friedrich Zelter, and when he revived Bach's ''St Matthew Passion'' in 1829, which was at the time thought to be the centenary of its first performance. He composed in 1831 as one of eight chorale cantatas based on Lutheran hymns which he wrote as studies. He later chose only for publication. The composition was published, edited by Julius Rietz, by Breitkopf & Härtel as part of Mendelssohn's complete works in 1875. Carus-Verlag published it in 1980, edited by Günter Grauli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata
A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the Germany, German Baroque music, Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chorale cantata includes multiple movements or parts. Most chorale cantatas were written between approximately 1650 and 1750. By far the most famous are by Johann Sebastian Bach, especially the Church cantata (Bach), cantatas composed in his Bach's second cantata cycle, second annual cycle of cantatas, started in Leipzig in 1724. Description The chorale cantata developed out of the chorale concerto, an earlier form much used by Samuel Scheidt in the early 17th century, which incorporated elements of the Venetian School (music), Venetian School, such as the concertato style, into the liturgical music of the Protestant Reformation. Later the chorale cantata developed into three general forms: * a form in which each verse (strophe) of the chora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the Bach-Gesells ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Felix Mendelssohn
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choral Public Domain Library
The Choral Public Domain Library (CPDL) is a sheet music archive which focuses on choral and vocal music in the public domain or otherwise freely available for printing and performing (such as via permission from the copyright holder). It is a 501(c)(3), tax-deductible organization, whose contents are published under a specific copyright license, and editing articles can be allowed only for registered contributors. Overview The site CPDL.org was launched in December 1998 by Rafael Ornes. In 2005 CPDL was ported, or converted, to wiki format, and is known as ChoralWiki.Main Page ''www3.cpdl.org'', accessed 6 November 2021 In July 2008, Ornes stepped back from the site administration and turned the operational responsibilities to a group of the site administrators. A transition committee was formed which subsequently incorporated CPDL as a non ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the ''Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christe, Du Lamm Gottes
"" (lit. "Christ, you Lamb of God") is a Lutheran hymn, often referred to as the German Agnus Dei. Martin Luther wrote the words of the hymn as a translation of the Latin Agnus Dei from the liturgy of the mass. The tune, Zahn 58, was taken from an older liturgy. The hymn was first published in 1528 and has been the basis for several musical settings by composers such as Bach, Mendelssohn and Hessenberg. It appears in modern German hymnals, both the Protestant '' Evangelisches Gesangbuch'' (EG 190:2) and the Catholic ''Gotteslob'' (GL 208). Background and usage When Luther began the Reformation, he wanted to keep most of the order of the mass but to have it performed in German. In 1526, he published ''Deutsche Messe'' as a German language alternative to the Catholic liturgy. Before this publication, his liturgy was first used in the Advent of 1525. The document contains several German hymns, rather than using a German translation of the Credo and Agnus Dei from the Latin lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Günter Graulich
Günter Graulich (born 2 July 1926)Klaus Hofmann: Carus-Verlag. In Ludwig Finscher (edit.): ''Die Musik in Geschichte und Gegenwart''. Second edition, Sachteil, volume 2 (Bolero – Encyclopedie). Bärenreiter/Metzler, Kassel u. a. 1995, Online-Ausgabe Subscription required for full access) is a German church musician and music publisher. Life and work Born in Stuttgart, after his studies Graulich worked as a teacher and church music director at the protestant Matthäuskirche in Stuttgart. He was founder and for 50 years director of the . Graulich had special importance by his extensive editing activity of works of church music. One of his main focuses was the Stuttgart Schütz Edition with works by Heinrich Schütz, which strongly meets practical performance needs. In 1972 he founded the Carus-Verlag with his wife Waltraud. Honours * 2009: Order of Merit of the Federal Republic of Germany The Order of Merit of the Federal Republic of Germany (german: Verdienstorden der Bund ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carus-Verlag
Carus-Verlag is a German music publisher founded in 1972 and based in Stuttgart. Carus was founded by choral conductor Günter Graulich and his wife Waltraud with an emphasis on choral repertoire. The catalogue currently includes more than 26,000 works (January 2016). The company produces the standard editions of the complete works of Josef Rheinberger and Max Reger.''Harald Wanger, Rheinberger-Archivar, Organist, Pädagoge'' Harald Wanger, Franz-Georg Rössler, Robert Allgäuer - 2003 p. 48 Carus-Verlag, Musikalische Schätze abseits bekannter Pfade - Harald Wanger und der Carus-Verlag "Für den Carus-Verlag ist die Verbindung zu Harald Wanger und dem Josef Rheinberger-Archiv ein Glücksfall." Record label The company also produces CDs to accompany some of its printed editions. Currently the publishers are working on recordings accompanying the complete editions of Wilhelm Friedemann Bach. Opera rarities include Schubert's ''Sakuntala'' and Johann Rudolf Zumsteeg Johann Rudo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
