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Verdana
Verdana is a humanist sans-serif typeface designed by Matthew Carter for Microsoft Corporation, with hand-hinting done by Thomas Rickner, then at Monotype. Demand for such a typeface was recognized by Virginia Howlett of Microsoft's typography group and commissioned by Steve Ballmer. The name "Verdana" is derived from " verdant" (green) and "Ana" (the name of Howlett's eldest daughter). Bearing similarities to humanist sans-serif typefaces such as Frutiger, Verdana was designed to be readable at small sizes on the low-resolution computer screens of the period. Like many designs of this type, Verdana has a large x-height (tall lower-case characters), with wider proportions and looser letter-spacing than on print-orientated designs like Helvetica. The counters and apertures are wide, to keep strokes clearly separate from one another, and similarly shaped letters are designed to appear clearly different to increase legibility for body text. The bold weight is thicker than would b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verdana
Verdana is a humanist sans-serif typeface designed by Matthew Carter for Microsoft Corporation, with hand-hinting done by Thomas Rickner, then at Monotype. Demand for such a typeface was recognized by Virginia Howlett of Microsoft's typography group and commissioned by Steve Ballmer. The name "Verdana" is derived from " verdant" (green) and "Ana" (the name of Howlett's eldest daughter). Bearing similarities to humanist sans-serif typefaces such as Frutiger, Verdana was designed to be readable at small sizes on the low-resolution computer screens of the period. Like many designs of this type, Verdana has a large x-height (tall lower-case characters), with wider proportions and looser letter-spacing than on print-orientated designs like Helvetica. The counters and apertures are wide, to keep strokes clearly separate from one another, and similarly shaped letters are designed to appear clearly different to increase legibility for body text. The bold weight is thicker than would b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthew Carter
Matthew Carter (born 1 October 1937) is a British type designer.Christophe_Plantin.html" ;"title="y Christophe Plantin">y Christophe Plantin' in typography's golden age was in perfect condition (some muddle aside) [along with] Plantin's accounts and inventories which names the cutters of his types." Carter also advised IBM as an independent consultant in the 1980s. Bitstream In 1981, Carter and his colleague Mike Parker created Bitstream Inc. This digital type foundry was one of the largest suppliers of type before its acquisition by Monotype in 2012. The company however did receive extensive criticism for its strategy of cheaply offering digitisations of pre-existing typefaces that it had not designed, often under alternative names (for example, Times New Roman as 'Dutch 801'). While technically not illegal, this selling of large numbers of typefaces on CD would be described by font designer John Hudson as "one of the worst instances of piracy in the history of type". In h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiryo
is a Japanese sans-serif gothic typeface. Microsoft bundled Meiryo with Office Mac 2008 as part of the standard install, and it replaces MS Gothic as the default system font for Vista on Japanese systems. Meiryo was created out of a growing need for legible CJK fonts compatible with Microsoft ClearType's hinting and subpixel rendering system. It was meant to increase the legibility of Japanese text on LCD screens, and would thus take the place of MS Gothic and MS Mincho, both of which had been widely used at the time. While most Latin fonts were able to use hinting at any size, most CJK fonts were incompatible with the technology (with the exception of some fonts such as Arial Unicode MS). Meiryo did away with embedding bitmap images into fonts for use at small sizes, a strategy employed by many CJK fonts (including MS Gothic and MS Mincho) to compensate for a lack of hinting support. Meiryo UI Meiryo UI is a version that uses condensed kana and reduced line height compared t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tahoma (typeface)
Tahoma is a humanist sans-serif typeface that Matthew Carter designed for Microsoft Corporation. Microsoft first distributed it, along with Carter's Verdana, as a standard font in the initial release of Windows 95. While similar to Verdana, Tahoma has a narrower body, smaller counters, much tighter letter spacing, and a more complete Unicode character set. Carter first designed Tahoma as a bitmap font, then "carefully wrapped" TrueType outlines around those bitmaps. Carter based the bold weight on a double pixel width, rendering it closer to a heavy or black weight. In contrast with some other sans-serif typefaces, including Arial, the uppercase "" (eye) is distinguishable from lowercase "" (ell), which is especially important in technical publications. Since 2010, Ascender Corporation has offered italic and small caps versions of Tahoma. Tahoma is often compared with Frutiger, another humanist sans-serif typeface. In an interview by Daniel Will-Harris, Carter acknowledge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Rickner
Thomas Rickner (born October 8, 1966, Rochester, New York) is an American type designer who, while Lead Typographer at Apple Inc., supervised the production of the first TrueType fonts released in 1991 as part of Apple’s System 7 operating system for the Macintosh. Rickner provided TrueType production and font hinting of Matthew Carter’s Georgia, Verdana, and Tahoma typeface families, commissioned by Microsoft and widely distributed in the Windows operating system and Apple’s Mac OS X. Rickner’s original type designs include Amanda, Buffalo Gal and Hamilton. Rickner began his career in type design in 1987 as a bitmap editor for Omnipage Corporation, of Rochester, New York. In 1988, he was graduated from the Rochester Institute of Technology School of Printing Management and Sciences with a bachelor's degree, and started at QMS/Imagen Corporation, a laser printer manufacturer in Santa Clara, California. There, under the direction of noted type designer Charles Bigelow, R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typeface
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are list of typefaces, thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundry, type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for character (symbol), characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font Hinting
Font hinting (also known as instructing) is the use of mathematical instructions to adjust the display of an outline font so that it lines up with a rasterized grid. At low screen resolutions, hinting is critical for producing clear, legible text. It can be accompanied by antialiasing and (on liquid crystal displays) subpixel rendering for further clarity. Overview For the purpose of on-screen text display, font hinting designates which primary pixels are interpolated to more clearly render a font. Hints are usually created in a font editor during the typeface design process and embedded in the font. A font can be hinted either automatically (through processed algorithms based on the character outlines) or set manually. Most font editors are able to do automatic hinting, and this approach is suitable for many fonts. However, high-quality commercial fonts are often manually hinted to provide the sharpest appearance on computer displays. Verdana is one example of a font that cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virginia Howlett
Virginia Howlett (born 1951 in Edmonton, Alberta) is a designer and painter. With an MFA in Painting from The Art Institute of Chicago, Howlett was one of the first designers hired into Microsoft in 1985. After writing an email to Bill Gates explaining the necessity for having designated graphic user interface designers, she built the company's first user interface design team. She led the team that designed the 3D graphic interface for Windows 95 Windows 95 is a consumer-oriented operating system developed by Microsoft as part of its Windows 9x family of operating systems. The first operating system in the 9x family, it is the successor to Windows 3.1x, and was released to manufacturin .... She was also instrumental in starting Microsoft's corporate art collection. Working in Microsoft's typography group, she collaborated with Matthew Carter to develop a number of typefaces including ''Verdana'' (which is named after her daughter, Ana). In 1996 her book ''Visual Interface ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bitstream Vera Sans
Vera is a digital typeface (computer font) superfamily with a liberal license. It was designed by Jim Lyles from the now-defunct Bitstream Inc. type foundry, and it is closely based on Bitstream Prima, for which Lyles was also responsible. It is a TrueType font with full hinting instructions, which improve its rendering quality on low-resolution devices such as computer monitors. The font has also been repackaged as a Type 1 PostScript font, called ''Bera'', for LaTeX users. Vera consists of serif, sans-serif, and monospace fonts. The Bitstream Vera Sans Mono typeface in particular is suitable for technical work, as it clearly distinguishes "l" (lowercase L) from "1" (one) and "I" (uppercase i), and "0" (zero) from "O" (uppercase o), in similar fashion as Verdana and Tahoma fonts. Bitstream Vera Sans is also the default font used by the Python library Matplotlib to produce plots. Unicode coverage Bitstream Vera itself covers Basic Latin and Latin 1-Supplement letters. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helvetica
Helvetica (originally Neue Haas Grotesk) is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann. Helvetica is a neo-grotesque design, one influenced by the famous 19th century (1890s) typeface Akzidenz-Grotesk and other German and Swiss designs. Its use became a hallmark of the International Typographic Style that emerged from the work of Swiss designers in the 1950s and '60s, becoming one of the most popular typefaces of the mid-20th century. Over the years, a wide range of variants have been released in different weights, widths, and sizes, as well as matching designs for a range of non-Latin alphabets. Notable features of Helvetica as originally designed include a high x-height, the termination of strokes on horizontal or vertical lines and an unusually tight spacing between letters, which combine to give it a dense, solid appearance. Developed by the ''Haas'sche Schriftgiesserei'' (Haas Type Foundry) of Münchenst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humanist Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
