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Verband Deutscher Tonmeister
The ''Verband Deutscher Tonmeister e.V.'' (VDT) is a registered association for audio industry professionals. The VDT has evolved from the ''Deutsche Filmtonmeister-Vereinigung'' (which focused on film sound professionals) that was founded in Munich in 1950. There are currently more than 1900 members in the VDT that are either freelancers or employed in various institutions; e.g. in the film business, radio broadcasting, television, recording studios, record labels, theaters and performance venues, the audio equipment producing industry, research and development, multimedia education and other audio related areas of occupation. Students preparing for a job in the audio industry are also members of the VDT, making up roughly 10%. Even though the designation of Tonmeister is a fixed part of the name of the association its members carry many other job titles like audio engineer, sound director, music director, sound designer In physics, sound is a vibration that propagates as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMI REDD
The EMI REDD .17, .37 and .51 were vacuum-tube-based mixing consoles designed by EMI for their Abbey Road Studios. They were used to mix several influential albums, including most of the Beatles' albums and the first two Pink Floyd albums. History Abbey Road Studios’ technical engineer Lenn Page established the Record Engineering Development Department (REDD) in 1955 to develop equipment that would facilitate stereo recordings. At the time, mass-produced recording studio equipment was not available, and EMI/Abbey Road custom-built equipment in-house. The first REDD console, the REDD.17, was developed in 1958 by Peter Burkotwitz at EMI Electrola in West Germany, and was Abbey Road Studios' first dedicated stereo mixing system. Employing a modular design still used in large-format consoles today, the REDD.17 was one of the first modern-style mixing consoles. The REDD.37 and its successor, the REDD.51, had a similar design with added outputs needed to accommodate Abbey Road Studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcast Engineering
Broadcast engineering is the field of electrical engineering, and now to some extent computer engineering and information technology, which deals with radio and television broadcasting. Audio engineering and RF engineering are also essential parts of broadcast engineering, being their own subsets of electrical engineering. Broadcast engineering involves both the Television studio, studio and transmitter aspects (the entire airchain), as well as remote broadcasts. Every Broadcast network, station has a broadcast engineer, though one may now serve an entire station group in a city. In small media markets the engineer may work on a contract basis for one or more stations as needed. Duties Modern duties of a broadcast engineer include maintaining broadcast automation systems for the studio and automatic transmission systems for the transmitter physical plant, plant. There are also important duties regarding Radio masts and towers, radio towers, which must be Preventive maintenanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eberhard Sengpiel
Eberhard Sengpiel (1940 in Berlin – 29 August 2014) was a multiple Grammy award-winning sound engineer. He was also a musician in his own right and a lecturer at the Berlin University of the Arts, (Universität der Künste, Berlin) UdK-Berlin. Career Sengpiel studied electrical engineering in Berlin (Germany). As a musician, he studied composition and led several dance music bands. He was a development engineer in the field of audio technology and was among the developers of the HiFi standard DIN 45500. As a sound engineer, he worked with pop musicians such as Reinhard Mey, Peter Maffay, and the Fischer Choirs in the field of classical music, he is doing recordings of the New York Philharmonic, the Berlin Philharmonic, the National Symphony Orchestra (Washington, D.C.), the Saint Paul Chamber Orchestra, the Chicago Symphony Orchestra, The Cleveland Orchestra and various famous chamber music artists, to mention only Il Giardino Armonico, Andreas Staier, and Concerto Cologne ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lexicon (company)
Lexicon is an American company that engineers, manufactures, and markets audio equipment as a brand of Harman International Industries. The company was founded in 1971 with headquarters in Waltham, Massachusetts, and offices in Salt Lake City, Utah. It was acquired by Harman in 1993. Lexicon traces its history to the 1969 founding of American Data Sciences by MIT professor Dr. Francis F. Lee and engineer Chuck Bagnaschi, developers of digital audio devices for medical heart monitoring. The company is widely known for the design and development of the multi-speaker audio system for the Rolls-Royce Phantom, as well as the Hyundai Genesis, Hyundai Equus, and the Kia K900. Professional audio equipment Digital delay systems Lexicon is sometimes credited as the inventor of commercial digital delay products. The first product to market was the popular Gotham Delta T-101 delay in 1971, followed by the Delta T-102, the first product to bear the Lexicon name, in 1972. Reverb and effec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording The Beatles
''Recording The Beatles'' is a book by Kevin Ryan and Brian Kehew, published by Curvebender Publishing in September 2006. Written over the course of a decade, the book addresses the technical side of the Beatles' sessions and was written with the assistance of many of the group's former engineers and technicians, chief among them ''Peter K. Burkowitz'', designer of the REDD mixing console. The book's full title is ''Recording The Beatles: The Studio Equipment and Techniques Used To Create Their Classic Albums''. It examines every piece of recording equipment used at Abbey Road Studios during the Beatles' sessions, including all microphones, outboard gear, mixing consoles, speakers, and tape machines. Each piece is examined in great detail, and the book is illustrated with hundreds of full color photographs, charts, drawings and illustrations. How the equipment was implemented during the group's sessions is also covered. The effects used on the Beatles' records are addressed in g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbey Road Studios
Abbey Road Studios (formerly EMI Recording Studios) is a recording studio at 3 Abbey Road, St John's Wood, City of Westminster, London, England. It was established in November 1931 by the Gramophone Company, a predecessor of British music company EMI, which owned it until Universal Music Group (UMG) took control of part of it in 2013. It is ultimately owned by UMG subsidiary Virgin Records Limited (until 2013 by EMI Records Limited, nowadays known as Parlophone Records and owned by UMG's competitor Warner Music Group). The studio's most notable client was the Beatles, who used the studio – particularly its Studio Two room – as the venue for many of the innovative recording techniques that they adopted throughout the 1960s. In 1976, the studio was renamed from EMI in honour of their final recorded album, ''Abbey Road''. In 2009, Abbey Road came under threat of sale to property developers. In response, the British Government protected the site, granting it English Herita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering Society
The Audio Engineering Society (AES) is a professional body for engineers, scientists, other individuals with an interest or involvement in the professional audio industry. The membership largely comprises engineers developing devices or products for audio, and persons working in audio content production. It also includes acousticians, audiologists, academics, and those in other disciplines related to audio. The AES is the only worldwide professional society devoted exclusively to audio technology. Established in 1948, the Society develops, reviews and publishes engineering standards for the audio and related media industries, and produces the AES Conventions, which are held twice a year alternating between Europe and the US. The AES and individual regional or national ''sections'' also hold ''AES Conferences'' on different topics during the year. History The idea of a society dedicated solely to audio engineering had been discussed for some time before the first meeting, but was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonmeister
Tonmeister is most often found as a job description in the music and recording industries. It describes a person who is a sound master (a literal translation of the German word): a person who creates recordings or broadcasts of music who is both deeply musically trained (in 'classical' and non-classical genres) and also who has a detailed theoretical and practical knowledge of virtually all aspects of sound recording, music mixing and mastering. Both competencies have equal importance in a tonmeister's work. A Tonmeister spans both art and technology: Working with musicians on a musical level to help them achieve the best Performance's and interpretation; and utilizing or directing the use of appropriate technology to produce the most communicative experience for the listener, including appropriate editing, sound balance and other post-production skills. One may say that a Tonmeister would utilize the techniques of scientific measurement (microphones, digital recorders, accurate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Supervisor
A music supervisor is a person who combines music and visual media. According to The Guild of Music Supervisors, a music supervisor is “a qualified professional who oversees all music related aspects of film, television, advertising, video games and other existing or emerging visual media platforms as required.”Guild of Music Supervisors. In the musical theatre industry, a music supervisor is often responsible for managing a team of music directors working on any number of musical productions. Description A music supervisor is somebody with a broad and encyclopedic music expertise and a sophisticated knowledge of music licensing and negotiation. Typically, a music supervisor proposes previously recorded songs to the director or producer of a film, advertisement, television show, trailer, promo, video game, or any other form of visual media.Sobel, Ron, and Dick Weissman. Music Publishing: The Roadmap to Royalties. New York: Routledge, 2008. A music supervisor will usually act a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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