Venetian Gothic Architecture
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Venetian Gothic Architecture
Venetian Gothic is the particular form of Italian Gothic architecture typical of Venice, originating in local building requirements, with some influence from Byzantine architecture, and some from Islamic architecture, reflecting Venice's trading network. Very unusually for medieval architecture, the style is both at its most characteristic in secular buildings, and the great majority of survivals are secular. The best-known examples are the Doge's Palace and the Ca' d'Oro. Both feature loggias of closely spaced small columns, with heavy tracery with quatrefoil openings above, decoration along the roofline, and some coloured patterning to plain wall surfaces. Together with the ogee arch, capped with a relief ornament, and ropework reliefs, these are the most iconic characteristics of the style. Ecclesiastical Gothic architecture tended to be less distinctively Venetian, and closer to that in the rest of Italy. The beginning of the style probably goes back no further than th ...
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Istrian Stone
Istrian stone, ''pietra d'Istria'', the characteristic group of building stones in the architecture of Venice, Istria and Dalmatia, is a dense type of impermeable limestones that was quarried in Istria, nowadays Croatia; between Portorož and Pula. Limestone is a biogenetic stone composed of calcium carbonate from the tests and shells of marine creatures laid down over eons. Istrian stone approaches the compressive strength and density of marble, which is metamorphosed limestone. It is often loosely referred to as "marble", which is not strictly correct. Venice, isolated in its lagoon, had no building stone at hand. The freshly quarried stone is salt-white or light yellowish, which weathers to a pale gray; the whiteness of Istrian stone contrasts well with coloured stones and brick. When Francesco, son of the architect Jacopo Sansovino, wrote ''Venetia citta nobilissima et singolare'' (1580) he emphasized the distinctive quality that Istrian stone and the coppery-red Veron ...
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Portego
Portego ("porch" in Venetian dialect) is a characteristic compositional element of the Venetian civil buildings built during the years of the Republic of Venice. The portego is similar to a reception hall but has peculiar features. History The portego is known from the ancient times; it is present even in the oldest Venetian palaces. In later centuries and especially during the emergence of the Renaissance architecture, the portego original central structure has changed substantially, allowing for T-shaped and L-shaped halls. Function In a typical Venetian palace, the portego is the local passage hall that joins the water portal with the land portal. On the ground floor, it serves as an entrance hall for loading goods, while on the upper floors the portego is used both as a reception hall and as a passing hall to access other rooms, located on both sides. Furthermore, the portego was crucial in providing ventilation and air circulation for the palazzo which, especially during medie ...
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Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the '' cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as lon ...
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View Of Venice
''View of Venice'', also known as the de' Barbari Map, is a monumental woodcut print showing a bird's-eye view of the city of Venice from the southwest. It bears the title and date "VENETIE MD" ("Venice 1500"). It was printed from six wooden blocks designed from 1498 to 1500 by Jacopo de' Barbari, and then published in late 1500 by the Nuremberg publisher Anton Kolb on six large sheets of paper, each measuring about , to create a composite image measuring approximately . The individual sheets of paper were the largest produced in Europe up to that time. The finished work has an approximate scale of 1:1,250 (east-west) and 1:2,750 (north-south) and was probably intended for display on a wall. Examples of the three states of the print are held by public collections. The six large wooden printing blocks would have been carved by professional cutters, following preparatory drawings made by Jacopo de' Barbari. The six original blocks, probably made from walnut, now with splits an ...
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Woodcut
Woodcut is a relief printing technique in printmaking Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed techniq .... An artist carves an image into the surface of a block of wood—typically with Chisel#Gouge, gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a dif ...
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Jacopo De' Barbari
Jacopo de' Barbari, sometimes known or referred to as de'Barbari, de Barberi, de Barbari, Barbaro, Barberino, Barbarigo or Barberigo (c. 1460/70 – before 1516), was an Italian painter, printmaker and miniaturist with a highly individual style. He moved from Venice to Germany in 1500, thus becoming the first Italian Renaissance artist of stature to work in Northern Europe. His few surviving paintings (about twelve) include the first known example of ''trompe-l'œil'' since antiquity. His twenty-nine engravings and three very large woodcuts were also highly influential. Life His place and date of birth are unknown, but he was described as a Venetian by contemporaries, including Albrecht Dürer ("van Venedig geporn"), and as 'old and weak' in 1511, so dates of between 1450 and 1470 have been proposed. Some believed that he was actually German-born before moving to Italy. However this belief is not conclusive and remains a hypothesis to researchers.Early Italian Engravings from the ...
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Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and " plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ...
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Marmorino
Marmorino Veneziano is a type of plaster or stucco. It is based on calcium oxide and used for interior and exterior wall decorations. Marmorino plaster can be finished via multiple techniques for a variety of matte, satin, and glossy final effects. It was used as far back as Roman times, but was made popular once more during the Renaissance 500 years ago in Venice. Marmorino is made from crushed marble and lime putty, which can be tinted to give a wide range of colours. This can then be applied to make many textures, from polished marble to natural stone effects. Widely used in Italy, its appeal has spread through North America especially, but now worldwide. Because of the hours of workmanship, the pricing places it in the high-end market. However, many examples can be seen in public buildings, bars, restaurants, etc. Its waterproofing and antibacterial qualities as well as visual effects have also made it very desirable for luxury bathrooms, honeymoon bedrooms and other wet areas ...
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Verona
Verona ( , ; vec, Verona or ) is a city on the Adige River in Veneto, Italy, with 258,031 inhabitants. It is one of the seven provincial capitals of the region. It is the largest city municipality in the region and the second largest in northeastern Italy. The metropolitan area of Verona covers an area of and has a population of 714,310 inhabitants. It is one of the main tourist destinations in northern Italy because of its artistic heritage and several annual fairs and shows as well as the opera season in the Arena, an ancient Roman amphitheater. Between the 13th and 14th century the city was ruled by the della Scala Family. Under the rule of the family, in particular of Cangrande I della Scala, the city experienced great prosperity, becoming rich and powerful and being surrounded by new walls. The Della Scala era is survived in numerous monuments around Verona. Two of William Shakespeare's plays are set in Verona: ''Romeo and Juliet'' (which also features Romeo's v ...
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Croatia
, image_flag = Flag of Croatia.svg , image_coat = Coat of arms of Croatia.svg , anthem = "Lijepa naša domovino"("Our Beautiful Homeland") , image_map = , map_caption = , capital = Zagreb , coordinates = , largest_city = capital , official_languages = Croatian language, Croatian , languages_type = Writing system , languages = Latin alphabet, Latin , ethnic_groups = , ethnic_groups_year = 2021 , religion = , religion_year = 2021 , demonym = , government_type = Unitary parliamentary republic , leader_title1 = President of Croatia, President , leader_name1 = Zoran Milanović , leader_title2 = Prime Minister of Croatia, Prime Minister , leader_name2 = Andrej Plenković , leader_title3 = Speaker of the Croatian Parliament, Speaker of P ...
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Domini Di Terraferma
The ( vec, domini de terraferma or , ) was the hinterland territories of the Republic of Venice beyond the Adriatic coast in Northeast Italy. They were one of the three subdivisions of the Republic's possessions, the other two being the original ''Dogado'' (Duchy) and the ''Stato da Màr'' (maritime territories). Geography At its greatest extent, it included the present-day Italian regions of Veneto, Western and Central Friuli-Venezia Giulia and the eastern parts of Lombardy (i.e. the present-day Bergamo and Brescia provinces) up to the Adda River, where it bordered on the Imperial Duchy of Milan. In the south the lower Po River (Polesine) formed the border with the Papal States. The ''Terraferma'' comprised the western and central parts of the historic Friuli region, except for the easternmost part along the Isonzo River, which was held by the Imperial Counts of Görz. In the north, the Carnic and Julian Alps marked the border with the Inner Austrian duchies of Carinthia ...
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