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Veillantif
Veillantif ( French), Vielantiu (Old French); Vegliantin, Vegliantino or Brigliadoro (Italian) is the name of Roland the paladin's trustworthy and swift steed in the stories derived from the '' chansons de geste''. The French name comes from an expression meaning "vigilant". ''Veillantif'' is first mentioned in ''The Song of Roland'' (v. 2032; laisse 151). Veillantif was given various origins. In the 12th century ''chanson de geste'' '' Aspremont'', the horse is said to have formerly been in the possession of King Agolant's son Aumon. After Aumon's defeat, the horse (and his sword Durendal) was given to Roland. Andrea da Barberino's (1370–1431) Italian prose adaptation ''L'Aspramonte'' stated that the horse was called Briadoro when it belonged to Almonte (Aumon), but renamed Vegliantino after being conquered by Orlandino ("little Roland").: notes to Orlando. Luigi Pulci's (1432–1484) ''Morgante'' refers to the horse as Vegliantino whereas Matteo Maria Boiardo's (1440–14 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamorato'' and ''Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto respectively), are even fur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Song Of Roland
''The Song of Roland'' (french: La Chanson de Roland) is an 11th-century ''chanson de geste'' based on the Frankish military leader Roland at the Battle of Roncevaux Pass in 778 AD, during the reign of the Carolingian king Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity in Medieval and Renaissance literature from the 12th to 16th centuries. The epic poem written in Vulgar Latin is the first and one of the most outstanding examples of the ''chanson de geste'', a literary form that flourished between the 11th and 16th centuries in Medieval Europe and celebrated legendary deeds. The date of composition is put in the period between 1040 AD and 1115 AD; an early version began around 1040 AD with additions and alterations made up until about 1115 AD. The final text contains about 4,000 lines of poetry. Manuscripts and dating Although set in the Carolingian era, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durendal
Durendal, also spelled Durandal, is the sword of Roland, a legendary paladin and partially historical officer of Charlemagne in French epic literature. It is also said to have belonged to young Charlemagne at one point, and, passing through Saracen hands, came to be owned by Roland. The sword has been given various provenances. Several of the works of the Matter of France agree that it was forged by Wayland the Smith, who is commonly cited as a maker of weapons in chivalric romances. Etymology The name Durendal arguably begins with a French ''dur-'' stem, meaning "hard". Thus Rita Lejeune argued it may break down into ''durant'' + ''dail'', renderable in English as "strong scythe" or explained in more detailed to mean "a scimitar or scythe which holds, up, resists, endures". Gerhard Rohlfs suggested ''dur'' + ''end'art'' or "strong flame". The name may also connote the meaning of "enduring". The '' Pseudo-Turpin'' explains that the name "Durenda is interpreted to mean it give ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayard (legend)
Bayard (french: Bayard, nl, (Ros) Beiaard, it, Baiardo) is a magic bay horse in the legends derived from the medieval '' chansons de geste''. These texts, especially that of ''The Four Sons of Aymon'', attribute to him magical qualities and a supernatural origin. He is known for his strength and intelligence, and possesses the supernatural ability to adjust his size to his riders. Since the Middle Ages, Bayard has been an important figure in northern French and Belgian folklore, particularly in the Ardennes, notably in Bogny-sur-Meuse, Dinant, Namur and Dendermonde. Folk processions stage it among the processional giants, namely the Ducasse d'Ath and the Ommegang van Dendermonde. The widespread dissemination of his legend and its success have influenced many artists, as well as popular beliefs. Legend Bayard first appears as the property of Renaud de Montauban (Italian: ''Rinaldo'') in the Old French twelfth century ''chanson de geste'' ''The Four Sons of Aymon''. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aspremont (chanson De Geste)
''Chanson d'Aspremont'' (or simply ''Aspremont'', or ''Agolant'') is a 12th-century Old French ''chanson de geste'' (before 1190). The poem comprises 11, 376 verses (unusually long for a ''chanson de geste''), grouped into rhymed laisses. The verses are decasyllables mixed with alexandrines. In this tale, the African Saracen king Agolant and his son Aumon (Almons,, passim. Eaumond) invade Calabria and defy Charlemagne (Charles) through their messenger Balan (vv. 1ff; 604ff). Charlemagne's troops come to fight them, but Charlemagne's nephew Roland is not allowed to join the battle due to his young age (referred to as "Rolandin", he is not considered a full adult). The armies reach Aspremont, and Charlemagne's paladins Naimes and Girart d'Eufrate prove their worth. Roland joins the battle by arming himself with a rod ( fro, tronçon) and mounting a horse (vv. 4969–71), and later commandeering Duke Naime's horse Morel (vv. 5749–5755). Charlemagne fights Aumon in single combat, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agolant
Agolant or Agolante is a fictional character in Medieval and Renaissance romantic epics dealing with the Matter of France, including ''Orlando innamorato'' by Matteo Maria Boiardo and '' Orlando furioso'' by Ludovico Ariosto. He is a Saracen king from Africa. The character appears in the '' Historia Caroli Magni'', sometimes known as the ''Pseudo-Turpin Chronicle'', a 12th-century Latin forged chronicle of legendary material about Charlemagne's alleged conquest of Spain. In this text, Agolant, briefly, reconquers Spain from Charlemagne. In the subsequent war, several miracles occur, including flowers sprouting from the lances of the knights. Another war has Agolant invading south-western France and besieging the city of Agen, but he is forced to retreat to Pampeluna (Pamplona). In a last war, Charlemagne's great army sieges Pampeluna. After the death of Agolant, Charlemagne's troops pursue the Saracens through Spain. Agolant is a central character in the late 12th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morgante
''Morgante'' (sometimes also called , the name given to the complete 28-canto, 30,080-line edition published in 1483See Lèbano's introduction to the Tusiani translation, p. xxii.) is an Italian romantic epic by Luigi Pulci which appeared in its final form in 1483; a now-lost 23 canto version likely appeared in late 1478; two other 23 canto versions were published in 1481 and 1482. The work was commissioned by Lucrezia Tornabuoni. Based on popular Matter of France material, the poem tells the story of Orlando and Renaud de Montauban (in Italian, ''Renaldo'' or ''Rinaldo''), the most famous of Charlemagne's paladins, in a frequently burlesque fashion. The title character is a giant who becomes Orlando's loyal follower after the knight stops him from attacking the monastery of Chiaromonte and converts him to Christianity. After many strange adventures, Morgante is killed by a bite from a crab. Other characters include Morgante's friend, the gluttonous Margutte who dies in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Characters In The Song Of Roland
Character or Characters may refer to: Arts, entertainment, and media Literature * ''Character'' (novel), a 1936 Dutch novel by Ferdinand Bordewijk * ''Characters'' (Theophrastus), a classical Greek set of character sketches attributed to Theophrastus Music * ''Characters'' (John Abercrombie album), 1977 * ''Character'' (Dark Tranquillity album), 2005 * ''Character'' (Julia Kent album), 2013 * ''Character'' (Rachael Sage album), 2020 * ''Characters'' (Stevie Wonder album), 1987 Types of entity * Character (arts), an agent within a work of art, including literature, drama, cinema, opera, etc. * Character sketch or character, a literary description of a character type * Game character (other), various types of characters in a video game or role playing game ** Player character, as above but who is controlled or whose actions are directly chosen by a player ** Non-player character, as above but not player-controlled, frequently abbreviated as NPC Other uses in art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Reynolds
Eva Mary Barbara Reynolds (13 June 1914 – 29 April 2015) was an English scholar of Italian Studies, lexicographer and translator. She wrote and edited several books concerning Dorothy Sayers and was president of the Dorothy L. Sayers Society. She turned 100 in June 2014. Her first marriage was to the philologist and translator Lewis Thorpe. Early life The daughter of Alfred Charles Reynolds, and the god-daughter of writer Dorothy L. Sayers, Reynolds was educated at St. Paul's Girls' School and University College, London.REYNOLDS, Barbara at online (accessed 26 November 2007) Career Reynolds was an Assistant Lecturer in Italian at the |
Orlando Furioso
''Orlando furioso'' (; ''The Frenzy of Orlando'', more loosely ''Raging Roland'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. ''Orlando furioso'' is a continuation of Matteo Maria Boiardo's unfinished romance ''Orlando innamorato'' (''Orlando in Love'', published posthumously in 1495). In its historical setting and characters, it shares some features with the Old French ''Chanson de Roland'' of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French (and subsequently English) as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Sarace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Ariosto
Ludovico Ariosto (; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic ''Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal position of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Innamorato
''Orlando Innamorato'' (; known in English as "''Orlando in Love''"; in Italian titled "''Orlando innamorato''" as the " I" is never capitalized) is an epic poem written by the Italian Renaissance author Matteo Maria Boiardo. The poem is a romance concerning the heroic knight Orlando (Roland). It was published between 1483 (first two books) and 1495 (third book published separately, first complete edition). Composition and publication To material largely quarried from the Carolingian and Arthurian cycles, Boiardo added a superstructure of his own making. As the plot is not woven around a single pivotal action, the inextricable maze of most cunningly contrived episodes are seen to be linked, first, with the quest of beautiful Angelica by love-smitten Orlando and the other enamored knights, then with the defense of Albracca by Angelica's father, the King of Cathay, against the beleaguering Tartars, and, finally, with the Moors' siege of Paris and their struggle with Charlemagne's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
