Veiled Rebecca
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Veiled Rebecca
''The Veiled Rebecca'' or ''The Veiled Rebekah'' is a 19th century sculpture carved out of marble in Italian neoclassical style by the sculptor Giovanni Maria Benzoni.The sculpture is also referred as The Veiled Lady in several records. It depicts a biblical figure of Rebecca placed on a marble pedestal. Originally several copies of the sculpture were made by Benzoni in two different sizes. Presently, location of five sculptures are identified - High Museum of Art in Atlanta, Georgia, listed in the catalog as ''The Veiled Rebekah'' and dated 1864, Berkshire Museum, Pittsfield, Massachusetts Dated c. 1866,Detroit Institute of Arts, Detroit, Michigan (This smaller version (113 cm tall) is listed in the catalog as ''The Veiled Lady'' and dated 1872),Salar Jung Museum, Hyderabad, India. Dated 1876 (three years after Benzoni's death). Cedarhurst Center for the Arts, Mount Vernon, Illinois.) The one located in Detroit Institute of Arts, is the smaller version. The same is noted in 1 ...
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Salar Jung Museum
The Salar Jung Museum is an art museum located at Dar-ul-Shifa, on the southern bank of the Musi River, India, Musi River in the city of Hyderabad, Telangana, India. It is one of the List of museums in India, notable National Museums of India. Originally a private art collection of the Salar Jung family, it was endowed to the nation after the death of Mir Yousuf Ali Khan, Salar Jung III, Salar Jung III. It was inaugurated on 16 December 1951. It has a collection of sculptures, paintings, carvings, textiles, manuscripts, ceramics, metallic artifacts, carpets, clocks, and furniture from Japan, China, Burma, Nepal, India, Persia, Egypt, Europe, and North America. It is one of the list of largest art museums in the world, largest museums in the world. History A nobleman of the Salar Jung family of Hyderabad, Mir Yousuf Ali Khan, Salar Jung III, Nawab Mir Yousuf Ali Khan, Salar Jung III (1889–1949) served as Prime Minister of Hyderabad, prime minister of Hyderabad during the Ni ...
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Mir Osman Ali Khan And Salar Jung III, Along With Various Noblemen Standing Around The Veiled Rebecca, Diwan Deori
''Mir'' (russian: Мир, ; ) was a space station that operated in low Earth orbit from 1986 to 2001, operated by the Soviet Union and later by Russia. ''Mir'' was the first modular space station and was assembled in orbit from 1986 to 1996. It had a greater mass than any previous spacecraft. At the time it was the largest artificial satellite in orbit, succeeded by the International Space Station (ISS) after ''Mir'''s orbital decay, orbit decayed. The station served as a microgravity research laboratory in which crews conducted experiments in biology, human biology, physics, astronomy, meteorology, and spacecraft systems with a goal of developing technologies required for permanent occupation of Outer space, space. ''Mir'' was the first continuously inhabited long-term research station in orbit and held the record for the longest continuous human presence in space at 3,644 days, until it was surpassed by the ISS on 23 October 2010. It holds the record for the longes ...
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The Veiled Virgin
''The Veiled Virgin'' is a Carrara marble statue carved in Rome by Italian sculptor Giovanni Strazza (1818–1875), depicting the bust of a veiled Virgin Mary. The exact date of the statue's completion is unknown, but it was probably in the early 1850s. The veil gives the appearance of being translucent, but in fact is carved of marble. The technique is similar to Giuseppe Sanmartino's 1753 statue '' Veiled Christ'' in the Cappella Sansevero in Naples. The statue was transported to Newfoundland in 1856, as recorded on December 4 in the diary of Bishop John Thomas Mullock: "Received safely from Rome, a beautiful statue of the Blessed Virgin Mary in marble, by Strazza. The face is veiled, and the figure and features are all seen. It is a perfect gem of art". ''The Veiled Virgin'' was then kept at the Episcopal Palace next to the Roman Catholic Cathedral in St. John's until 1862, when Bishop Mullock presented it to Mother Mary Magdalene O'Shaughnessy, the Superior of Presentat ...
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Veiled Vestal
The ''Veiled Vestal'' is an 1847 sculpture by Rafaelle Monti. It was commissioned by William Cavendish, 6th Duke of Devonshire during an 1846 trip to Naples. It is a representation of a Vestal Virgin, the priestesses of the Ancient Roman goddess Vesta. The subject was popular at this time due to the then recent discovery of the House of the Vestals in Pompeii. The depiction of translucent fabrics was popular at the time and Monti was requested to use the technique in this sculpture. Monti completed the sculpture in April 1847 and it was afterwards displayed at Cavendish's West London Chiswick House. The ''Veiled Vestal'' was moved to Chatsworth House, the seat of the Cavendish family, in 1999. In 2005 it appeared in Joe Wright's ''Pride and Prejudice'' film. The sculpture was featured prominently in a scene where the protagonist Elizabeth Bennet visits Pemberley, the house of Mr. Darcy. One critic noted that the sculpture was used as a representation of Elizabeth, with ...
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Veiled Christ
The ''Veiled Christ'' (Italian: ''Cristo velato'') is a 1753 marble sculpture by Giuseppe Sanmartino exhibited in the Cappella Sansevero, Naples, Italy. ''Veiled Christ'' is considered one of the world's most remarkable sculptures, and legendarily thought to have been created by alchemy. Sculptor Antonio Canova, who tried to acquire the work, declared that he would willingly give up ten years of his life to produce a similar masterpiece. History and description ''Veiled Christ''s production was originally assigned to the sculptor Antonio Corradini, who specialized in veiled statues. However, Corradini died a short time later, having produced only a terracotta bozzetto (today displayed at the Museo Nazionale di San Martino). The job thus passed to Giuseppe Sanmartino, who was charged with producing "a marble statue sculpted with the greatest realism, representing Our Lord Jesus Christ in death, covered by a transparent shroud carved from the same block of stone as the sta ...
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Modesty (Corradini Sculpture)
''Modesty'' or ''Chastity'' ( it, La Pudicizia) or ''Veiled Truth'' by Antonio Corradini is a sculpture completed in 1752 during the Rococo period. Corradini was commissioned by Raimondo di Sangro to sculpt a memorial for his mother in the Cappella Sansevero in Naples, where the marble sculpture remains today. About the work Corradini worked mostly in Venice but also spent some time in Vienna and Naples before his death in 1752. ''Modesty'' was the last in Corradini's series of veiled female nudes, a subject he developed and refined throughout his career. His mastery of the medium of marble is seen in the increasingly skilled representation of seemingly weightless cloth over human flesh in his commissioned pieces. ''Modesty'' is positioned on a pedestal in the chapel and can sometimes be lost in the beauty of the space and its surrounding statues created by other various artists. Raimondo wanted this commemoration to depict his mother's untimely death when he was not even a ye ...
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Vestal Virgin Tuccia (Corradini Sculpture)
''The Vestal Virgin Tuccia'' ( it, La Vestale Tuccia) or ''Veiled Woman'' ( it, La Velata) is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath. The work is housed in the Palazzo Barberini, Rome. Description and history Corradini's subject is Tuccia, an ancient Roman Vestal Virgin who was wrongly accused of being unchaste. She proved her innocence by miraculously carrying water in a sieve from the Tiber River to the Temple of Vesta without spilling a drop. In Corradini's depiction, she holds the sieve on her left hip. The artist began working on ''Tuccia'' shortly after he arrived in Rome from Vienna. He must have been aware of the significance of Tuccia and Vestals to the city. In antiquity, a Vestal's virginity ensured the smooth functioning of the Roman Republic. If a Vestal were sexually active, her impure s ...
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Italian Unification
The unification of Italy ( it, Unità d'Italia ), also known as the ''Risorgimento'' (, ; ), was the 19th-century political and social movement that resulted in the consolidation of different states of the Italian Peninsula into a single state in 1861, the Kingdom of Italy. Inspired by the rebellions in the 1820s and 1830s against the outcome of the Congress of Vienna, the unification process was precipitated by the Revolutions of 1848, and reached completion in 1871 after the Capture of Rome and its designation as the capital of the Kingdom of Italy. Some of the states that had been targeted for unification ('' terre irredente'') did not join the Kingdom of Italy until 1918 after Italy defeated Austria-Hungary in the First World War. For this reason, historians sometimes describe the unification period as continuing past 1871, including activities during the late 19th century and the First World War (1915–1918), and reaching completion only with the Armistice of Villa ...
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Rafaelle Monti
Raffaele Monti (often misspelled Rafaelle or Raffaelle; Milan 1818–1881) was an Italian sculptor, author and poet. Born in Milan, he studied under his father, the noted sculptor Gaetano Matteo Monti, in the Imperial Academy. At the age of only 20, he was invited to Vienna where he received extensive patronage; he returned to Milan after two years. In 1846, Monti travelled to England for the year and later settled there. Monti exhibited at the Royal Academy, and soon earned recognition as a leading sculptor with his piece for the 6th Duke of Devonshire, the "Veiled Vestal", a figure with illusionistic veil, a specialism of his. A bust based on this work and cast in Parian porcelain by Copeland, entitled "The Bride" but often known as "The Veiled Bride", was issued in 1861 by the Crystal Palace Art Union. This became one of the most popular Parian busts ever produced. Monti produced sculptures in marble, but also created in metals and porcelain, while remaining active in the ...
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Hebe (mythology)
Hebe (; grc-gre, Ἥβη), in ancient Greek religion and mythology, is the goddess of youth or the prime of life. She is the beautiful daughter of Zeus and his wife, Hera. Hebe was the cupbearer for the gods and goddesses of Mount Olympus, serving their nectar and ambrosia until she married Heracles (Roman equivalent: Hercules); her successor was the divine hero Ganymede. Another title of hers for this reason is ''Ganymeda'', meaning "Gladdening Princess". Hebe was worshipped as the goddess of forgiveness or mercy at Sicyon. Hebe had influence over eternal youth and the ability to restore youth to mortals, a power that appears exclusive to her, as in Ovid's ''Metamorphoses'', some gods lament their favoured mortals aging. According to Philostratus the Elder, Hebe was the youngest of the gods. She was responsible for keeping them eternally young, and thus was the most revered by them. Her role of ensuring the eternal youth of the other gods is appropriate with her role o ...
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Antonio Canova
Antonio Canova (; 1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists,. his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.Jean Martineau & Andrew Robinson, ''The Glory of Venice: Art in the Eighteenth Century.'' Yale University Press, 1994. Print. Life Possagno In 1757, Antonio Canova was born in the Venetian Republic city of Possagno to Pietro Canova, a stonecutter, and Maria Angela Zardo Fantolini.. In 1761, his father died. A year later, his mother remarried. As such, in 1762, he was put into the care of his paternal grandfather Pasino Canova, who was a stonemason, owner of a quarry, and was a "sculptor who specialized in altars with statues and low reliefs in late Baroque style". He led Antonio into the art of sculpt ...
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Dewan Devdi
Dewan Devdi was the palace of the nobles, the Salar Jungs. It was situated close to Charminar and Chowmahalla Palace in Hyderabad. The word ''Diwan'' means Prime Minister, and ''Devdi'' refers to mansions of Hyderabadi noblemen. Dewan Devdi has some 78 rooms in it. It had different buildings like ''Aina Khana'', ''Lakkad Kotha'', ''Chini Khana'', ''Nizam Bagh'' and ''Noor Mahal'', which no more exist. The gateway to the palace still exists. There were five people from the family, who served as Prime Ministers of the Hyderabad state, the proximity of Dewan Devdi to the Nizams was important. Dewan Devdi also housed the Salar Jung Museum. The museum was inaugurated on 16 December 1951 by Jawaharlal Nehru Pandit Jawaharlal Nehru (; ; ; 14 November 1889 – 27 May 1964) was an Indian anti-colonial nationalist, secular humanist, social democrat— * * * * and author who was a central figure in India during the middle of the 20t ... and its priceless collect ...
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