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Veiled Christ
The ''Veiled Christ'' (Italian: ''Cristo velato'') is a 1753 marble sculpture by Giuseppe Sanmartino exhibited in the Cappella Sansevero, Naples, Italy. ''Veiled Christ'' is considered one of the world's most remarkable sculptures, and legendarily thought to have been created by alchemy. Sculptor Antonio Canova, who tried to acquire the work, declared that he would willingly give up ten years of his life to produce a similar masterpiece. History and description ''Veiled Christ''s production was originally assigned to the sculptor Antonio Corradini, who specialized in veiled statues. However, Corradini died a short time later, having produced only a terracotta bozzetto (today displayed at the Museo Nazionale di San Martino). The job thus passed to Giuseppe Sanmartino, who was charged with producing "a marble statue sculpted with the greatest realism, representing Our Lord Jesus Christ in death, covered by a transparent shroud carved from the same block of stone as the sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Sanmartino
Giuseppe Sanmartino or Giuseppe Sammartino (1720 – 1793) was an Italian sculptor during the Rococo period. Sanmartino was born in Naples. His first dated (1753) work is '' Veiled Christ'' or ''Christ lying under the Shroud'', commissioned initially from the Venetian sculptor Antonio Corradini who did not live to complete the work. Sammartino interpreted his sketches freely to create a masterly sculpture which can be seen in Sansevero Chapel (also called ''Cappella Sansevero'' or ''Pietatella'') in Naples. Other contributors to this chapel were Francesco Celebrano and the Genoese sculptor Francesco Queirolo. The statue of ''Veiled Christ'' is elaborately artificial (art historian Wittkower labeled it as a ''hypertrophic'' effort) by reproducing in stone the effect of a thin veil. In the same chapel, Corradini's antecedent statue of ''Chastity'' (also called ''Modesty'') is present. Innocenzo Spinazzi, a contemporary Florentine sculptor, also completed statues with this effect. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco De Mura - Raimondo Di Sangro
Francesco, the Italian (and original) version of the personal name "Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bibiena (1659 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Art About Death
Christians () are people who follow or adhere to Christianity, a monotheistic Abrahamic religion based on the life and teachings of Jesus Christ. The words ''Christ'' and ''Christian'' derive from the Koine Greek title ''Christós'' (Χριστός), a translation of the Biblical Hebrew term ''mashiach'' (מָשִׁיחַ) (usually rendered as ''messiah'' in English). While there are diverse interpretations of Christianity which sometimes conflict, they are united in believing that Jesus has a unique significance. The term ''Christian'' used as an adjective is descriptive of anything associated with Christianity or Christian churches, or in a proverbial sense "all that is noble, and good, and Christ-like." It does not have a meaning of 'of Christ' or 'related or pertaining to Christ'. According to a 2011 Pew Research Center survey, there were 2.2 billion Christians around the world in 2010, up from about 600 million in 1910. Today, about 37% of all Christians live in the Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statues Of Jesus
There are many statues of Jesus, including: Monumental statues * '' Christ the Redeemer'' is perhaps the most famous statue of Jesus Christ, located in Rio de Janeiro, Brazil. Many other monumental statues of Jesus, include: * El Santisimo in Bucaramanga, Colombia * Cerro del Cubilete in Guanajuato, Mexico * Cerro de los Ángeles on a hill located in Getafe, Spain * Christ at El Picacho in the north area of Tegucigalpa, capital of Honduras * ''Christ Blessing'' in Manado, North Sulawesi, Indonesia * '' Christ of Havana'' in Havana, Cuba * ''Christ of the Abyss'' in various underwater locations * ''Christ of the Mercy'' in the city of San Juan del Sur, Nicaragua * '' Christ of the Ozarks'' in Arkansas, United States * Christ of the Sacred Heart above the town of El Morro, near the city of Rosarito, Baja California, Mexico * Christ of Vũng Tàu in Vung Tau city, Vietnam * Christ the King (Almada) overlooking the city of Lisbon, Portugal * ''Christ the King'' in Świebodzin, west ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marble Sculptures In Italy
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This stem is also the ancestor of the English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French , most other European languages (with words like "marmoreal") more closely resemble the original Ancient Greek. Physical origins Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Sculptures
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veiled Rebecca
''The Veiled Rebecca'' or ''The Veiled Rebekah'' is a 19th century sculpture carved out of marble in Italian neoclassical style by the sculptor Giovanni Maria Benzoni.The sculpture is also referred as The Veiled Lady in several records. It depicts a biblical figure of Rebecca placed on a marble pedestal. Originally several copies of the sculpture were made by Benzoni in two different sizes. Presently, location of five sculptures are identified - High Museum of Art in Atlanta, Georgia, listed in the catalog as ''The Veiled Rebekah'' and dated 1864, Berkshire Museum, Pittsfield, Massachusetts Dated c. 1866,Detroit Institute of Arts, Detroit, Michigan (This smaller version (113 cm tall) is listed in the catalog as ''The Veiled Lady'' and dated 1872),Salar Jung Museum, Hyderabad, India. Dated 1876 (three years after Benzoni's death). Cedarhurst Center for the Arts, Mount Vernon, Illinois.) The one located in Detroit Institute of Arts, is the smaller version. The same is noted in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Veiled Nun
''The Veiled Nun'' is a marble bust depicting a female figure that was sculpted by an unidentified Italian workshop in c. 1863. Despite its name, the woman depicted is not a nun. The bust was popular with visitors to the Corcoran Gallery of Art in Washington, D.C. from 1874 until the museum closed in 2014. The bust is now displayed in the National Gallery of Art. Description ''The Veiled Nun'' is a tall marble bust depicting a female figure wearing a veil. The fine details give the illusion that the veil is transparent. Although the title, ''The Veiled Nun'', was already in use in 1874 when the work was first displayed in public, she is not a nun, but rather a woman of means or an allegorical figure. Neither the woman's stylish coiffure that is visible through the veil nor the embroidered border of the veil are consistent with a nun's appearance. Sculptures depicting veiled figures were popular during the 19th century based on an Italian tradition that began in the 18th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Veiled Virgin
''The Veiled Virgin'' is a Carrara marble statue carved in Rome by Italian sculptor Giovanni Strazza (1818–1875), depicting the bust of a veiled Virgin Mary. The exact date of the statue's completion is unknown, but it was probably in the early 1850s. The veil gives the appearance of being translucent, but in fact is carved of marble. The technique is similar to Giuseppe Sanmartino's 1753 statue '' Veiled Christ'' in the Cappella Sansevero in Naples. The statue was transported to Newfoundland in 1856, as recorded on December 4 in the diary of Bishop John Thomas Mullock: "Received safely from Rome, a beautiful statue of the Blessed Virgin Mary in marble, by Strazza. The face is veiled, and the figure and features are all seen. It is a perfect gem of art". ''The Veiled Virgin'' was then kept at the Episcopal Palace next to the Roman Catholic Cathedral in St. John's until 1862, when Bishop Mullock presented it to Mother Mary Magdalene O'Shaughnessy, the Superior of Presentat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veiled Vestal
The ''Veiled Vestal'' is an 1847 sculpture by Rafaelle Monti. It was commissioned by William Cavendish, 6th Duke of Devonshire during an 1846 trip to Naples. It is a representation of a Vestal Virgin, the priestesses of the Ancient Roman goddess Vesta. The subject was popular at this time due to the then recent discovery of the House of the Vestals in Pompeii. The depiction of translucent fabrics was popular at the time and Monti was requested to use the technique in this sculpture. Monti completed the sculpture in April 1847 and it was afterwards displayed at Cavendish's West London Chiswick House. The ''Veiled Vestal'' was moved to Chatsworth House, the seat of the Cavendish family, in 1999. In 2005 it appeared in Joe Wright's ''Pride and Prejudice'' film. The sculpture was featured prominently in a scene where the protagonist Elizabeth Bennet visits Pemberley, the house of Mr. Darcy. One critic noted that the sculpture was used as a representation of Elizabeth, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modesty (Corradini Sculpture)
''Modesty'' or ''Chastity'' ( it, La Pudicizia) or ''Veiled Truth'' by Antonio Corradini is a sculpture completed in 1752 during the Rococo period. Corradini was commissioned by Raimondo di Sangro to sculpt a memorial for his mother in the Cappella Sansevero in Naples, where the marble sculpture remains today. About the work Corradini worked mostly in Venice but also spent some time in Vienna and Naples before his death in 1752. ''Modesty'' was the last in Corradini's series of veiled female nudes, a subject he developed and refined throughout his career. His mastery of the medium of marble is seen in the increasingly skilled representation of seemingly weightless cloth over human flesh in his commissioned pieces. ''Modesty'' is positioned on a pedestal in the chapel and can sometimes be lost in the beauty of the space and its surrounding statues created by other various artists. Raimondo wanted this commemoration to depict his mother's untimely death when he was not even a ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vestal Virgin Tuccia (Corradini Sculpture)
''The Vestal Virgin Tuccia'' ( it, La Vestale Tuccia) or ''Veiled Woman'' ( it, La Velata) is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath. The work is housed in the Palazzo Barberini, Rome. Description and history Corradini's subject is Tuccia, an ancient Roman Vestal Virgin who was wrongly accused of being unchaste. She proved her innocence by miraculously carrying water in a sieve from the Tiber River to the Temple of Vesta without spilling a drop. In Corradini's depiction, she holds the sieve on her left hip. The artist began working on ''Tuccia'' shortly after he arrived in Rome from Vienna. He must have been aware of the significance of Tuccia and Vestals to the city. In antiquity, a Vestal's virginity ensured the smooth functioning of the Roman Republic. If a Vestal were sexually active, her impure s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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