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Vazhuvoor (Dance)
Vazhuvoor (or Vizhuvur) is one of the original styles of Bharatanatyam, a major form of Indian classical dance. The main distinctive features include: *rich ''sringar'' elements *wide range of dancing pace *softer facial ''abhinaya'' *extremely elaborate movements *deep sitting positions *variety of positions on the floor In the older, Pandanallur style ''pani'', ''abhinaya'' is more ritualistic (i.e. in conformity with the rules as set by the ancient texts) than realistic, so the spectators are supposed know the rules to appreciate it. The Vazhuvur ''pani'' evolved later than the Pandanallur, and while this did not deviate from the rules of the performing arts treatise ''Natya Shastra'', it adopted the ''abhinayas'' that were relatively more realistic. However, some contemporary Bharatanatyam dancers, such as seen in the external link below, have created several transitional sub-styles. This style of Bharatanatyam was made famous and was introduced by Vazhuvoor B. Ramiah Pilla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharatanatyam
Bharatanatyam () is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of Shaivism and in general of Hinduism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of Bharatanatyam from the 2nd century CE can be found in the ancient Tamil epic ''Silappatikaram'', while temple sculptures of the 6th to 9th century CE suggest it was a highly refined performance art by the mid-1st millennium CE. Bharatanatyam is the oldest classical dance tradition in India. Bharatanatyam is the state dance form of Tamil Nadu. Bharatanatyam contains different types of ''baanis''. ''Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhinaya
Abhinaya (Sanskrit ''abhi-'' 'towards' + ''nii-'' 'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (') of a sentiment ('). The concept, derived from Bharata Muni's ''Natya Shastra'', is used as an integral part of all Indian classical dance styles. ''Abhinaya'' can be divided into four, according to the ''Natya Shastra''. pp. 131–186 Expression of the limbs (''Āṅgika Abhinaya'') Angika Abhinaya denotes the movements of angas like head, hands, waist and face. Pratyangas like shoulder, shoulder arm's, thighs, knees and elbows and upangas like eyes, eyelid, cheeks, nose, lips and teeth. Additional hastas (hand gestures) have always played a significant role in conveyance of the emotion and through of a soul. Many of the natural gestures are found common to mankind and their meaning easily understood. Expression of speech (''Vāchika Abhinaya'') Speech is used in drama and also in music when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandanallur Style
The Pandanallur style is a style of Bharatanatyam Indian dance. It is mainly attributed to Dance Guru Meenakshi sundaram Pillai (1869–1964), a dance guru who lived in the village of Pandanallur, in the Thanjavur district in the south Indian state of Tamil Nadu. Teachers Meenakshisundaram Pillai, whose ancestors were nattuvanars, was a descendant from the Thanjavur Quartet, which comprised four brothers: Chinnaiah, Ponniah, Sivanandam and Vadivel. The works of these four brothers, who were court composers in the early 19th century in Thanjavur, form the main classical masterpieces of Bharata Natyam. Baroda Guru Kubernath Tanjorkar (1916 - 2007), a disciple of Pillai, later established Tanjor Dance Music & Art Research Centre in Baroda, Gujarat. Thiruvallaputhur Swaminatha Pillai, also known as T.K.Swaminatha Pillai, was one of the leading disciples of Pillai. He learned Bharathanatiyam under the Gurukula of Pillai for more than ten years. He also mentored Ram Gopal, who becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra
The ''Nāṭya Śāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic Rasa (aesthetics), "Rasa" theory, which asserts that entertainment is a desired effect of performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vazhuvoor B
Vazhuvoor (or Vizhuvur) is one of the original styles of Bharatanatyam, a major form of Indian classical dance. The main distinctive features include: *rich ''sringar'' elements *wide range of dancing pace *softer facial '' abhinaya'' *extremely elaborate movements *deep sitting positions *variety of positions on the floor In the older, Pandanallur style ''pani'', '' abhinaya'' is more ritualistic (i.e. in conformity with the rules as set by the ancient texts) than realistic, so the spectators are supposed know the rules to appreciate it. The Vazhuvur ''pani'' evolved later than the Pandanallur, and while this did not deviate from the rules of the performing arts treatise '' Natya Shastra'', it adopted the ''abhinayas'' that were relatively more realistic. However, some contemporary Bharatanatyam dancers, such as seen in the external link below, have created several transitional sub-styles. This style of Bharatanatyam was made famous and was introduced by Vazhuvoor B. Ramiah Pill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thodaya Mangalam
''Euryops'' is a genus of flowering plants in the sunflower family. They are native mostly to rocky sites in southern Africa, with a few species in other parts of Africa and on the Arabian Peninsula. They produce daisy-like flowerheads from fern-like foliage. The name ''Euryops'' is probably a contraction of the Greek words () meaning 'wide,' and () meaning 'eye,' possibly referring to the large flowerheads compared to the narrow leaves. ; Species ; Gallery Euryops abrotanifolius - Cape Town.jpg, '' Euryops abrotanifolius'', Western Cape, South Africa File:Euryops acraeus 1.JPG, '' Euryops acraeus'' File:Euryops annae 2c.JPG, '' Euryops annae'' File:Euryops brownei 02.jpg, '' Euryops brownei'', Kenya File:Margaritón - Margarita amarilla (Euryops chrysanthemoides) - Flickr - Alejandro Bayer.jpg, ''Euryops chrysanthemoides'', South Africa File:Euryops linearis KirstenboschBotGard09292010D.JPG, '' Euryops linearis'', Western Cape, South Africa File:Euryops pectinatus (hortul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Gnana Sabesar
Lord is an appellation for a person or deity who has authority, control, or power over others, acting as a master, chief, or ruler. The appellation can also denote certain persons who hold a title of the peerage in the United Kingdom, or are entitled to courtesy titles. The collective "Lords" can refer to a group or body of peers. Etymology According to the Oxford Dictionary of English, the etymology of the word can be traced back to the Old English word ''hlāford'' which originated from ''hlāfweard'' meaning "loaf-ward" or "bread-keeper", reflecting the Germanic tribal custom of a chieftain providing food for his followers. The appellation "lord" is primarily applied to men, while for women the appellation "lady" is used. This is no longer universal: the Lord of Mann, a title previously held by the Queen of the United Kingdom, and female Lords Mayor are examples of women who are styled as "Lord". Historical usage Feudalism Under the feudal system, "lord" had a wide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tillana
A Tillana or thillana is a rhythmic piece in Carnatic music that is generally performed at the end of a concert and widely used in classical indian dance performances. It was popularised by Dr. M Balamuralikrishna and some other musicians A Tillana uses tala-like phrases in the pallavi and anupallavi, and lyrics in the charanam. The ''thillana'' is based on the tarana which was introduced by Amir Khusrau Abu'l Hasan Yamīn ud-Dīn Khusrau (1253–1325 AD), better known as Amīr Khusrau was an Indo-Persian Sufi singer, musician, poet and scholar who lived under the Delhi Sultanate. He is an iconic figure in the cultural history of the Indian sub ... (1253-1325 CE). Popular Compositions * Kadanakuthuhalam Thillana composed by Dr.M. Balamuralikrishna (Ragam: Kadanakuthuhalam) * Kadanakuthuhalam Thillana composed by Lalgudi Jayaraman (Ragam: Kadanakuthuhalam) * Kalinga Narthana Thillana composed by Sri Oothukkadu Venkata Ravi (Ragam: Gambhira Natta) * Mohanakalyani Thillana c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adavu
Bharatanatyam () is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of Shaivism and in general of Hinduism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of Bharatanatyam from the 2nd century CE can be found in the ancient Tamil epic '''', while temple sculptures of the 6th to 9th century CE suggest it was a highly refined performance art by the mid-1st millennium CE. Bharatanatyam is the oldest classical dance tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lasya
The term Lāsya , in the context of Hindu mythology, describes the dance performed by the goddess Parvati as it expresses happiness and is filled with grace and beauty. She is believed to have danced the Lāsya in response to the male energy of the cosmic dance of Tandava performed by Lord Shiva. In a literal sense, Lāsya means beauty, happiness, enchanting, and grace. Professor Inayat Khan in his book ''Munqar Musicar'' (1912) wrote: "Women and men both perform this dance and there are a number of recognized masters (ustad) of it in India. Lasya is accompanied by two sarangi players and a tabid, and sometimes a manjira The taal, manjira (also spelled manjīrā or manjeera), jalra, karatala, kartal or gini is a pair of clash cymbals, originating in the Indian subcontinent, which make high-pitched percussion sounds. In its simplest form, it consists of a pai ... (small indian cymbals). It is danced by one woman, or by two together". Lāsya is an element which is graceful, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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