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Vaslav Fomich Nijinsky
Vaslav (or Vatslav) Nijinsky (; rus, Вацлав Фомич Нижинский, Vatslav Fomich Nizhinsky, p=ˈvatsləf fɐˈmʲitɕ nʲɪˈʐɨnskʲɪj; pl, Wacław Niżyński, ; 12 March 1889/18908 April 1950) was a ballet dancer and choreographer cited as the greatest male dancer of the early 20th century. Born in Kiev to Polish parents, Nijinsky grew up in Imperial Russia but considered himself to be Polish. He was celebrated for his virtuosity and for the depth and intensity of his characterizations. He could dance '' en pointe'', a rare skill among male dancers at the time, and was admired for his seemingly gravity-defying leaps. Nijinsky was introduced to dance by his parents, who were senior dancers with the travelling Setov opera company, and his early childhood was spent touring with the company. His elder brother Stanislav and younger sister Bronislava "Bronia" Nijinska also became dancers; Bronia also became a choreographer, working closely with him for much of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Legat
Nikolai Gustavovich Legat (russian: Никола́й Густа́вович Лега́т) (30 December 1869, Moscow – 24 January 1937, London) was a premier dancer with the Russian Imperial Ballet from 1888 to 1914, and also with the Mariinsky Ballet. Both he and his younger brother, Sergey, became ballet masters and caricaturists. Legat is considered to be the main successor to Pavel Gerdt. Legat later served as a balletmaster in Russia, teaching and passing on the repertoire of the Imperial ballet company, whose groundwork was the legacy of the great choreographer-balletmaster, Marius Petipa. He left Russia with his third wife, Nadine, in 1922 and eventually settled in England in 1926. The couple opened their first ballet school in Kent. They were later able to start classes in Hammersmith, London. Among their notable pupils were Ninette de Valois and Margot Fonteyn. Legat's wife, Nadine Nicolaeva, was a ballerina of the Imperial and State theatres of Moscow and St. Pet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choreographer
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreography involves the specification of huma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romola De Pulszky
Romola de Pulszky (or Romola Pulszky), (married name Nijinsky; 20 February 1891 – 8 June 1978), was a Hungarian aristocrat, the daughter of a politician and an actress. Her father had to go into exile when she was a child, and committed suicide in Australia. As a young woman she became interested in dance and specifically Vaslav Nijinsky, the noted ''premier danseur'' of the Ballets Russes. They married in Buenos Aires in 1913 while the company was on tour. They had two daughters, before he was institutionalized for the remaining 30 years of his life for schizophrenia. In 1934 Romola de Pulszky published her first biography of Nijinsky, covering his early life and dance career. She discovered his diary, written before he went into an asylum, which she published in a "bowdlerized" version in 1936. She published a biography of her husband's later years in 1952, two years after his death in London. Biography Romola de Pulszky was born in Hungary as the second daughter of Emil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Till Eulenspiegel's Merry Pranks
''Till Eulenspiegel's Merry Pranks'' (german: Till Eulenspiegels lustige Streiche, ), Opus number, Op. 28, is a tone poem written in 1894–95 by Richard Strauss. It chronicles the misadventures and pranks of the German peasant folk hero Till Eulenspiegel, who is represented by two themes. The first, played by the French horn, horn, is a lilting melody that reaches a peak, falls downward, and ends in three long, loud notes, each progressively lower. The second, for D clarinet, is crafty and wheedling, suggesting a trickster doing what he does best. (Till Eulenspiegel is a well-known Schnickelfritz.) Analysis The work opens with a "Once upon a time" theme, : \relative c as a solo horn bursts in with two repetitions of the first Till theme. : \relative c' The theme is taken by the rest of the orchestra in a rondo form (which Strauss spelled in its French form, rondeau), and this beginning section concludes with the tutti orchestra repeating two notes. The clarinet theme is h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeux
''Jeux'' (''Games'') is a ballet written by Claude Debussy. Described as a "poème dansé" (literally a "danced poem"), it was written for Sergei Diaghilev's Ballets Russes with choreography by Vaslav Nijinsky. Debussy initially objected to the scenario but reconsidered the commission when Diaghilev doubled the fee. Debussy wrote the score quickly, from mid-August to mid-September 1912. Robert Orledge has analysed the chronology of Debussy's composition and preserved manuscripts of the score. ''Jeux'' premiered on 15 May 1913 at the Théâtre des Champs-Élysées, Paris, conducted by Pierre Monteux. The work was not well received and was soon eclipsed by Stravinsky's ''The Rite of Spring'', which was premiered two weeks later by Diaghilev's company. The first commercial recording was made by Victor de Sabata with the Orchestra Stabile Accademica di Santa Cecilia in 1947. A critical edition of the score, prepared by Pierre Boulez and Myriam Chimènes, was published in 1988. Ther ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rite Of Spring
''The Rite of Spring''. Full name: ''The Rite of Spring: Pictures from Pagan Russia in Two Parts'' (french: Le Sacre du printemps: tableaux de la Russie païenne en deux parties) (french: Le Sacre du printemps, link=no) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography List of classical music concerts with an unruly audience response, caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afternoon Of A Faun (Nijinsky)
Afternoon is the time after solar noon. It is the time when the sun is descending from its peak in the sky to somewhat before its terminus at the horizon in the west. In human life, it occupies roughly the latter half of the standard work and school day. In literal terms, it refers to a time specifically after noon. The equivalent of Earth's afternoon on another planet would refer to the time the principal star of that planetary system would be in descent from its prime meridian, as seen from the planet's surface. Terminology Afternoon is often defined as the period between noon and evening. If this definition is adopted, the specific range of time varies in one direction: noon is defined as the time when the sun reaching its highest point in the sky, but the boundary between afternoon and evening has no standard definition. However, before a period of transition from the 12th to 14th centuries, ''noon'' instead referred to 3:00 pm. Possible explanations include shiftin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Ballet
Russian ballet (russian: Русский балет) (french: Ballet russe) is a form of ballet characteristic of or originating from Russia. Imperial Russian Ballet Until 1689, ballet in Russia was nonexistent (ballet has its origins in the courts of the Italian Renaissance in the 15th and 16th centuries.) The Tsarist control and isolationism in Russia allowed for little influence from the West. It wasn't until the rise of Peter the Great that Russian society opened up to the West. St. Petersburg was erected to embrace the West and compete against Moscow's isolationism. Peter the Great created a new Russia which rivaled the society of the West with magnificent courts and palaces. His vision was to challenge the west. Classical ballet entered the realm of Russia not as entertainment, but as a “standard of physical comportment to be emulated and internalized - an idealized way of behaving.”Homans (2010), 244. The aim was not to entertain the masses of Russians, but to cultivate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Diaghilev
Sergei Pavlovich Diaghilev ( ; rus, Серге́й Па́влович Дя́гилев, , sʲɪˈrɡʲej ˈpavləvʲɪdʑ ˈdʲæɡʲɪlʲɪf; 19 August 1929), usually referred to outside Russia as Serge Diaghilev, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise. The active years of Diaghilev’s career can be divided into two periods: the one in St Petersburg (1898–1906) and the other in emigration (1906–1929). Biography Sergei Diaghilev was born in Selishchi to a noble officer . His mother died from childbed fever soon after his birth. In 1873, Pavel met and married Elena Panaeva, who loved Sergei and raised him as her own child. The in Perm was a local cultural centre, and the Diaghilevs housed a musical evening every second Thursday, Modest Mussorgsky being one of the most frequent guests. Sergei Diaghilev composed his first romance at the age of 15. When he enter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets Russes
The Ballets Russes () was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there. Originally conceived by impresario Sergei Diaghilev, the Ballets Russes is widely regarded as the most influential ballet company of the 20th century, in part because it promoted ground-breaking artistic collaborations among young choreographers, composers, designers, and dancers, all at the forefront of their several fields. Diaghilev commissioned works from composers such as Igor Stravinsky, Claude Debussy, Sergei Prokofiev, Erik Satie, and Maurice Ravel, artists such as Vasily Kandinsky, Alexandre Benois, Pablo Picasso, and Henri Matisse, and costume designers Léon Bakst and Coco Chanel. The company's productions created a huge sensation, completely reinvigorat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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