Varaha Upanishad
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Varaha Upanishad
''Varaha Upanishad'' ( sa, वराह उपनिषद्, "boar") is a minor Upanishad of Hinduism composed between the 13th and 16th centuries CE. Composed in Sanskrit, it is listed as one of the 32 Krishna Yajurveda Upanishads, and classified as one of 20 Yoga Upanishads. The text has five chapters, structured primarily as a discussion between Vishnu in his Varaha (boar) avatar and the sage Ribhu. The discussion covers the subjects of Tattvas, the nature and relationship between the individual soul (Self, Atman) and the Ultimate Reality (Brahman), the seven stages of learning, the characteristics of Jivanmukti (inner sense of freedom while living), and the four types of ''Jivanmuktas'' (liberated persons). The last chapter of the text is dedicated to Yoga, its goals and methods. It is, as an Upanishad, a part of the corpus of Vedanta literature that presents the philosophical concepts of Hinduism. The ''Varaha Upanishad'' emphasizes that liberation from sorrow and fear r ...
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Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcend ...
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Asteya
''Achourya'' (Sanskrit: अचौर्यः, IAST: Acauryaḥ ) or ''Asteya'' (Sanskrit: अस्तेय; IAST: ''asteya'') is the Sanskrit term for "non-stealing". It is a virtue in Hinduism . The practice of ''asteya'' demands that one must not steal, nor have the intent to steal another's property through action, speech and thoughts.KN Tiwari (1998), Classical Indian Ethical Thought, Motilal Banarsidass, , page 87 Asteya is considered one of five major vows of Hinduism and Ethics of Jainism#Maha vratas (Major vows), Jainism. It is also considered one of ten forms of Temperance (virtue), temperance (virtuous self-restraint) in Indian philosophy.KN Aiyar (1914), Thirty Minor Upanishads, Kessinger Publishing, , Chapter 22, pages 173–176 Etymology The word "''asteya''" is a compound derived from Sanskrit language, where "''a''" refers to "non-" and "''steya''" refers to "practice of stealing" or "something that can be stolen". Thus, ''asteya'' means "non-stealing". ''(lit.) ...
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Yoga Sutras Of Patanjali
The ''Yoga Sutras of Patañjali'' is a collection of Sanskrit sutras (aphorisms) on the theory and practice of yoga – 195 sutras (according to Vyāsa and Krishnamacharya) and 196 sutras (according to others, including BKS Iyengar). The ''Yoga Sutras'' was compiled in the early centuries CE, by the sage Patanjali in India who synthesized and organized knowledge about yoga from much older traditions. The ''Yoga Sutras'' is best known for its reference to '' ashtanga'', eight elements of practice culminating in ''samadhi''. The eight elements are ''yama'' (abstinences), ''niyama'' (observances), '' asana'' (yoga postures), ''pranayama'' (breath control), ''pratyahara'' (withdrawal of the senses), '' dharana'' (concentration of the mind), ''dhyana'' (meditation) and ''samadhi'' (absorption). The main aim of practice is ''kaivalya'', discernment of ''purusha'', the witness-consciousness, as distinct from '' prakriti'', the cognitive apparatus, and disentanglement of ''purush ...
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Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ...
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Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ...
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Itihasa
Itihasa () refers to the collection of written descriptions of important events in Hinduism. It includes the Mahabharata, the Puranas and the Ramayana. The Mahabharata includes the story of the Kurukshetra War and preserves the traditions of the Lunar dynasty in the form of embedded tales. The Puranas narrate universal history – the books discuss in depth the topics of cosmogony, myth, legend and history. The Ramayana contains the story of Rama and is incidentally related to the legends of the Solar dynasty. A story is considered to be ''itihasa'' only when the author of the story has himself witnessed or is part of the story. Vyasa, who wrote the ''Mahabharata'', is himself a character in the story. Similarly, Valmiki, who wrote the ''Ramayana'', was also a character in the story. Many classical Indian poets derive the plots of their poetry and drama from the Itihasa. The tradition of itihāsa is generally understood to be developed by the bardic tradition of Sūtas and C ...
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