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Valérie Soudères
Valérie Soudères (19 September 1914 – March 1995) ''née'' Briggs, also known in her early days as ''Valerie Hamilton'', was a French pianist, composer, and pedagogue. Biography Born in 1914, Soudères was the daughter of Georges-Hamilton Briggs, an English architect living in France. She entered the Conservatoire de Paris where she was a student of Maurice Emmanuel and won the First Prizes of the Conservatoire for piano, harmony, history of music, fugue and counterpoint, and accompaniment as well as a Second prize for musical composition. She launched herself as a pianist by adopting the pseudonym of Valérie Hamilton. A refugee in London during World War II, she married François-Robert Soudères, originally from Béarn, and became Valérie Soudères. Back in France, she teaches the piano and sight-reading at the Conservatoire de Paris with in particular, Isabelle Henriot and Bill Finegan as students. A renowned pianist, she performed, on 29 February 1948, Béla Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservatoire De Paris
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Dervaux
Pierre Dervaux (born 3 January 1917 in Juvisy-sur-Orge, France; died 20 February 1992 in Marseilles, France) was a French operatic conductor, composer, and pedagogue. At the Conservatoire de Paris, he studied counterpoint and harmony with Marcel Samuel-Rousseau and Jean and Noël Gallon, as well as piano with Isidor Philipp, Armand Ferté, and Yves Nat. He also served as principal conductor of the Opéra-Comique (1947–53), and the Opéra de Paris (1956–72). In this capacity he directed the French première of Poulenc’s ''Dialogues des Carmélites''. He was also Vice-President of the Concerts Pasdeloup (1949–55), President and Chief conductor of the Concerts Colonne (1958–92), Musical Director of the Orchestre des Pays de Loire (1971–79) as well as holding similar posts at the Quebec Symphony Orchestra (1968–75), where he collaborated with concertmaster Hidetaro Suzuki, and the Nice Philharmonic (1979–82). He taught at the École Normale de Musique de Paris (1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Schaeffer
Pierre Henri Marie Schaeffer (English pronunciation: , ; 14 August 1910 – 19 August 1995) was a French composer, writer, broadcaster, engineer, musicologist, acoustician and founder of Groupe de Recherche de Musique Concrète (GRMC). His innovative work in both the sciences—particularly communications and acoustics—and the various arts of music, literature and radio presentation after the end of World War II, as well as his anti-nuclear activism and cultural criticism garnered him widespread recognition in his lifetime. Amongst the vast range of works and projects he undertook, Schaeffer is most widely and currently recognized for his accomplishments in electronic and experimental music, at the core of which stands his role as the chief developer of a unique and early form of avant-garde music known as musique concrète. The genre emerged in Europe from the utilization of new music technology developed in the post-war era, following the advance of electroacoustic and acous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of '' elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of '' musique concrète'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Office De Radiodiffusion Télévision Française
L'Office de Radiodiffusion-Télévision Française (ORTF; ) was the national agency charged, between 1964 and 1975, with providing public radio and television in France. All programming, and especially news broadcasts, were under strict control of the national government. History Background In 1945, the provisional French government established a public monopoly on broadcasting with the formation of Radiodiffusion Française (RDF). This nationalisation of all private radio stations marked the beginning of a new era of state-controlled broadcasting in France. As part of its mandate, the RDF also established a 441-line television station known as ''Télévision française''. This station made use of the frequencies previously utilised by the Nazi-operated ''Fernsehsender Paris''. In 1949, the RDF underwent a name change to Radiodiffusion-Télévision Française (RTF) in order to reflect the organisation's growing focus on television broadcasting. By the end of the year, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hélène Jourdan-Morhange
Hélène Jourdan-Morhange (30 January 1888 – 15 May 1961) was a French classical violinist. Biography ''Née'' Hélène Morhange, she married the French painter Jacques Jean Raoul Jourdan (born 22 June 1880 in Paris), who died at the Battle of Verdun 25 March 1916. An interpreter inspired by the works of her contemporaries, she was noticed as early as 1917 by Maurice Ravel, of whom she became a friend and favourite interpreter. In 1927, Ravel dedicated to her his '' Violin Sonata No. 2'' and ensured the premiere of the '' Sonata for Violin and Cello'' in 1922. She was the companion of the painter and engraver , whom she presented to Ravel. With arthritis in her hands, she had to end her career early. Publications * ''Ravel et nous'', Éditions du Milieu du monde, Geneva, 1945, (Biography of Maurice Ravel, with a foreword by Colette and illustrated by Luc-Albert Moreau). * ''Ravel d'après Ravel'', Éditions du Cervin, Lausanne, 1953; a work reissued by Jean Roy, ''Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre National De France
The Orchestre national de France (ONF; literal translation, ''National Orchestra of France'') is a French symphony orchestra based in Paris, founded in 1934. Placed under the administration of the French national radio (named Radio France since 1975), the ONF performs mainly in the Théâtre des Champs-Élysées from where all its concerts are broadcast. Some concerts are also held in the ''Salle Olivier Messiaen'' in the Maison de Radio France (formerly known as Maison de la Radio). History The orchestra has had several names over its history: * 1934–1945: ''Orchestre national'' (National Orchestra) * 1945–1949: ''Orchestre national de la Radiodiffusion française'' (French Radio National Orchestra) * 1949–1964: ''Orchestre national de la Radio-télévision française'' or ''Orchestre national de la RTF'' (French Radio and Television National Orchestra) * 1964–1974: ''Orchestre national de l'Office de radiodiffusion-télévision française'' or ''Orchestre national ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Giono
Jean Giono (30 March 1895 – 8 October 1970) was a French writer who wrote works of fiction mostly set in the Provence region of France. First period Jean Giono was born to a family of modest means, his father a cobbler of Piedmontese descent and his mother a laundry woman. He spent the majority of his life in Manosque, Alpes-de-Haute-Provence. Forced by family needs to leave school at the age of sixteen and get a job in a bank, he nevertheless continued to read voraciously, in particular the great classic works of literature including the Bible, Homer's ''Iliad'', the works of Virgil, and the ''Tragiques'' of Agrippa d'Aubigné. He continued to work at the bank until he was called up for military service at the outbreak of World War I, and the horrors he experienced on the front lines turned him into an ardent and lifelong pacifist. In 1919, he returned to the bank, and a year later, married a childhood friend with whom he had two children. Following the success of his first pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joy Of Man's Desiring
''Joy of Man's Desiring'' () is a 1936 novel by the French writer Jean Giono. The story takes place in an early 20th-century farmer's community in southern France, where the inhabitants suffer from a mysterious disease, while a healer tries to save them by teaching the value of joy. The title is taken from Johann Sebastian Bach's chorale '' Jesu, Joy of Man's Desiring''. An English translation by Katherine Allen Clarke was published in 1940. Reception Isabella W. Athey of '' The Saturday Review'' described Giono's novel as "an expression of his revolt against the effects of industrial materialism, more poetical and radical than any garden-city retreat from urban life. His territory is whole forests, whole plateaux, and this intensity perhaps explains why he is frequently described as a pagan." Athey continued: "The term seems inexact as well as inadequate, for the only pagan world with which the average reader is familiar is that of Greek and Roman cultures, and the classical va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre Philharmonique De Radio France
The Orchestre Philharmonique de Radio France is a French radio orchestra, affiliated with Radio France. The orchestra performs principally at the auditorium of the Maison de la Radio in Paris, along with several concerts at the Philharmonie de Paris. History ''Radiodiffusion Française'' established the orchestra in Paris in June 1937 under the name of the ''Orchestre Radio-Symphonique'', under the auspices of ''Les Postes, Télégraphes et Téléphones'' (PTT) and its minister, Robert Jardillier. The orchestra was initially under the direction of Rhené-Baton, who guided the orchestra until his death in 1940. Eugène Bigot subsequently directed the orchestra musicians through the 1944 Liberation. Following World War II, Henry Barraud became director of music for the ORTF, and reorganised the orchestra, appointing Bigot as its music director in 1947. The orchestra performed regularly at the Salle Érard, and later the Théâtre des Champs-Élysées in the 1950s. The orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre De La Suisse Romande
The Orchestre de la Suisse Romande (OSR) is a Swiss symphony orchestra, based in Geneva at the Victoria Hall. In addition to symphony concerts, the OSR performs as the opera orchestra in productions at the Grand Théâtre de Genève. History Ernest Ansermet founded the OSR in 1918, together with Paul Lachenal, with a contingent of 48 players and a season of six months' duration. Besides Swiss musicians, the OSR players initially came from other countries, including Austria, France, Germany and Italy. Ansermet gradually increased the percentage of Swiss musicians in the orchestra, attaining 80% Swiss personnel by 1946. He remained the music director of the OSR for 49 years, from 1918 to 1967. A Swiss radio orchestra based in Lausanne was merged into the OSR in 1938. Subsequently, the OSR began to broadcast radio concerts regularly on Swiss radio. The orchestra had a long-standing contract for recordings with Decca Records, dating from the tenure of Ansermet, and made over 300 rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Bigot
Eugène Bigot (28 February 1888 – 17 July 1965) was a French composer and conductor. Life Bigot was born in Rennes, Brittany, and taught at the Conservatoire de Paris where his notable pupils included Émilien Allard, Louis de Froment, Henri-Claude Fantapié, António Fortunato de Figueiredo, Karel Husa, Paul Kuentz, Jean-Bernard Pommier, Pierre Rolland, and Mikis Theodorakis Michail "Mikis" Theodorakis ( el, Μιχαήλ "Μίκης" Θεοδωράκης ; 29 July 1925 – 2 September 2021) was a Greek composer and lyricist credited with over 1,000 works. He Film score, scored for the films ''Zorba the Greek (film) .... He died in Paris. External linksBiography (in French)Jean-Philippe Mousnier: "Albert Wolff - Eugène Bigot", Editions l'Harmattan, 2001. 1888 births 1965 deaths 20th-century French composers Breton musicians French ballet composers French male conductors (music) French male classical composers Conservatoire de Paris alumni Conserva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
