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Valor (comic Book)
''Valor'' was a comic book published by EC Comics in 1955 as the second title in its New Direction line. The bi-monthly comic was published by Bill Gaines and edited by Al Feldstein. It lasted a total of five issues before being cancelled, along with EC's other New Direction comics. ''Valor'' was dedicated to tales of action and adventure in various period settings, including Ancient Egypt, the Roman Empire, the Middle Ages, the Crusades, the French Revolution, and the Napoleonic era. It was similar in vein to the historical stories that previously appeared in EC's '' Two-Fisted Tales'' and '' Frontline Combat'' from 1950 through 1954. Artists included Reed Crandall, George Evans, Gardner Fox, Graham Ingels, Bernard Krigstein, Joe Orlando, Angelo Torres, Al Williamson and Wally Wood. ''Valor'' was reprinted as part of publisher Russ Cochran Russell Earl Cochran (born October 31, 1958) is an American professional golfer who plays on the PGA Tour Champions, ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Williamson
Alfonso Williamson (March 21, 1931 – June 12, 2010) was an American cartoonist, comic book artist and illustrator specializing in adventure, Western, science fiction and fantasy. Born in New York City, he spent much of his early childhood in Bogotá, Colombia before moving back to the United States at the age of 12. In his youth, Williamson developed an interest in comic strips, particularly Alex Raymond's ''Flash Gordon''. He took art classes at Burne Hogarth's Cartoonists and Illustrators School, there befriending future cartoonists Wally Wood and Roy Krenkel, who introduced him to the work of illustrators who had influenced adventure strips. Before long, he was working professionally in the comics industry. His most notable works include his science-fiction/ heroic-fantasy art for EC Comics in the 1950s, on titles including '' Weird Science'' and ''Weird Fantasy''. In the 1960s, he gained recognition for continuing Raymond's illustrative tradition with his work on the ''Fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comics By Gardner Fox
a medium used to express ideas with images, often combined with text or other visual information. It typically the form of a sequence of panels of images. Textual devices such as speech balloons, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus amongst theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartooning and other forms of illustration are the most common image-making means in comics; '' fumetti'' is a form that uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comic albums, and ' have become increasingly common, while online webcomics have proliferated in the 21st century. The hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comics By Carl Wessler
a medium used to express ideas with images, often combined with text or other visual information. It typically the form of a sequence of panels of images. Textual devices such as speech balloons, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus amongst theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartooning and other forms of illustration are the most common image-making means in comics; ''fumetti'' is a form that uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comic albums, and ' have become increasingly common, while online webcomics have proliferated in the 21st century. The h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemstone Publishing
Gemstone Publishing is an American company that publishes comic book price guides. The company was formed by Diamond Comic Distributors President and Chief Executive Officer Steve Geppi in 1994 when he bought Overstreet. Gemstone published licensed Disney comic books from June 2003 until November 2008. The company has also reprinted EC Comics of the 1950s. BOOM! Kids acquired all comic publishing licenses regarding Disney characters in the second half of 2009. Disney comics Gemstone's flagship publications were comic books featuring Disney characters; particularly the Donald Duck/Uncle Scrooge comics of such Duck artists as Carl Barks and Don Rosa, and the Mickey Mouse comics of Floyd Gottfredson, César Ferioli, and Romano Scarpa, among others. While popularly known as a reprint house, Gemstone's comics were actually dominated by stories that were new to United States audiences. Vintage material, though popular with readers, was not the majority of the content. Gemstone is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russ Cochran (publisher)
Russ Cochran (; July 3, 1937 – February 23, 2020) was a publisher of EC Comics reprints, Disney comics, and books on Hopalong Cassidy, Chet Atkins, Les Paul, and vacuum tubes. He was a publisher for over 30 years, after quitting his job as a physics professor. His EC Comics reprints included the black-and-white '' The Complete EC Library'', the four-color '' EC Annuals'', and the full-color hardcover EC Archives. In 1982, he was awarded an Inkpot Award. Cochran was associated with Another Rainbow Publishing, Gladstone Publishing, and Gemstone Publishing. EC Comics reprints Cochran's reprints (which have been released through a number of publishers, including Cochran himself) were compiled primarily from copies of the original artwork pages (complemented when necessary by scans of the original printed comics), which were owned by EC Publisher William Gaines. Cochran befriended Gaines and also handled the resale of the original artwork to collectors via mail-auction catalogs duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wally Wood
Wallace Allan Wood (June 17, 1927 – November 2, 1981) was an American comic book writer, artist and independent publisher, widely known for his work on EC Comics's titles such as ''Weird Science (comic), Weird Science'', ''Weird Fantasy'', and ''Mad (magazine), MAD Magazine'' from its inception in 1952 until 1964, as well as for ''T.H.U.N.D.E.R. Agents'', and work for Warren Publishing's ''Creepy (magazine), Creepy''. He drew a few early issues of Marvel Comics, Marvel's ''Daredevil (Marvel Comics series), Daredevil'' and established the title character's distinctive red costume. Wood created and owned the long-running characters ''Sally Forth (Wally Wood comic strip), Sally Forth'' and ''Cannon (Wally Wood comic strip), Cannon''. He wrote, drew, and self-published two of the three graphic novels of his Masterpiece, magnum opus, ''The Wizard King (comic), The Wizard King'' trilogy, about Odkin son of Odkin before his death by suicide. Much of his early professional artwork is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Torres
Angelo Torres (born April 14, 1932, in Santurce, Puerto Rico) is an American cartoonist and caricaturist whose work has appeared in many noteworthy comic books, as well as a long-running regular illustrator for '' Mad''. EC Comics Torres was friends with artist Al Williamson in the early 1950s and occasionally assisted him on work for EC Comics with fellow artists Frank Frazetta and Roy Krenkel (known as the Fleagle Gang). The story which was to be Torres' first solo EC story, "An Eye for an Eye" in ''Incredible Science Fiction ''#33 (Jan.-Feb. 1956), was rejected by the Comics Code and did not see print for the first time until 1971. Atlas Comics When the EC comics line ended after the enforcement of the Comics Code, Torres (and several other EC alumni) went to Atlas Comics (later to be known as the Marvel Comics Group) and drew a number of short stories for their mystery titles in 1956-57, titles such as Astonishing, Spellbound, Uncanny Tales, Marvel Tales and many others. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Orlando
Joseph Orlando (April 4, 1927 – December 23, 1998) was an Italian American illustrator, writer, editor and cartoonist during a lengthy career spanning six decades. He was the associate publisher of '' Mad'' and the vice president of DC Comics, where he edited numerous titles and ran DC's Special Projects department. Early life Orlando was born in Bari, Italy, emigrating to the United States in 1929. He began drawing at an early age, going to art classes at a neighborhood boys' club when he was seven years old. He continued there until he was 14, winning prizes annually in their competitions, including a John Wanamaker bronze medal. In 1941, he began attending the School of Industrial Art (later the High School of Art and Design), where he studied illustration. This school was a breeding ground for a number of comics artists, including Richard Bassford, Frank Giacoia, Carmine Infantino, Rocke Mastroserio, Alex Toth and future comics letterer Gaspar Saladino. Infantino and Orla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Krigstein
Bernard Krigstein (; March 22, 1919 – January 8, 1990), was an American illustrator and gallery artist who received acclaim for his innovative and influential approach to comic book art, notably in EC Comics. His artwork usually displayed the signature B. Krigstein. His best-known work in comic books is the eight-page story "Master Race", originally published in the debut issue (cover-dated April 1955) of EC Comics' ''Impact''. Biography Born in Brooklyn, New York City to a Jewish household, Krigstein studied art at Brooklyn College. Krigstein's earliest confirmed work in comics is penciling and inking the 10-page, patriotic "kid gang" feature "The Liberty Lads" in Harvey Comics' ''Champ Comics'' #25 (cover-dated April 1943). He went on to draw for Harvey and for Prize Comics through 1943, during the period fans and historians call the Golden Age of Comic Books. Following his service in World War II, he returned to comic books in 1945, working for publishers including Fawcett Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Ingels
Graham J. Ingels (; June 7, 1915April 4, 1991) was a comic book and magazine illustrator best known for his work in EC Comics during the 1950s, notably on ''The Haunt of Fear'' and ''Tales from the Crypt'', horror titles written and edited by Al Feldstein, and '' The Vault of Horror'', written and edited by Feldstein and Johnny Craig. Ingels' flair for horror led EC to promote him as Ghastly Graham Ingels, and he began signing his work "Ghastly" in 1952. Pulp illustrator Born in Cincinnati, Ingels began working at age 14 after the death of his father, commercial artist Don Ingels. Graham was 16 when he entered the art field drawing theater displays. He studied at New York's Hawthorne School of Art Graham and Gertrude Ingels married when he was starting as a freelancer at age 20. He entered the U.S. Navy in 1943, and he began working that same year for Fiction House Publications, both in their pulp magazines and their comic book division. Black and white illustrations signed G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
