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Valentine D'Aubigny
''Valentine d'Aubigny'' is an opéra comique in three acts composed by Fromental Halévy to a libretto by Jules Barbier and Michel Carré. It premiered in Paris on 26 April 1856 at the Théâtre de l'Opéra-Comique (2° Salle Favart). The comic story is set in Fontainebleau and Paris at the beginning of the 18th century and revolves around mistaken identities and the machinations of the Chevalier de Boisrobert and Sylvia, an actress at the Théâtre-Italien, who try but ultimately fail to prevent the marriage of Gilbert de Mauléon and Valentine d'Aubigny.Clément, Félix; Larousse, Pierre (1873)''Dictionnaire lyrique, ou Histoire des operas'' p. 688. Larousse Background and reception ''Valentine d'Aubigny'' was first and only time that Halévy used a libretto by Barbier and Carré, who went on to co-write several libretti for operas by other composers including Gounod and Ambroise Thomas. It was also the last opéra comique composed by Halévy. He completed only one more stag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne), M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" ''Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; ''Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina ( Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toussaint-Eugène-Ernest Mocker
Toussaint-Eugène-Ernest Mocker (16 July 1811 – 3 October 1895) was a French opera singer and stage director. In his 30-year career as a principal singer at the Théâtre Impérial de l'Opéra-Comique he created numerous roles in the company's world premieres and from 1860 served as a stage director there. In his later years he was a singing teacher at the Conservatoire de Paris. Roles created Roles created by Mocker at the Opéra-Comique include: *Lelio in Montfort's ''Polichinelle'' (1839) *Albert in Clapisson's ''La symphonie, ou Maître Albert'' (1839) *Comte d'Elvas in Adam's ''La reine d'un jour'' (1839) *Charles VI in Auber's ''Zanetta'' (1840) *Don Sébastien d'Aveyro in Auber's ''Les diamants de la couronne'' (1841) *Tracolin in Adams's ''Le toréador'' (1849) *Danilowitch in Meyerbeer's ''L'étoile du nord'' (1854) *Chevalier de Boisrobert in Halévy's ''Valentine d'Aubigny ''Valentine d'Aubigny'' is an opéra comique in three acts composed by Fromental Halév ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caroline Duprez
Caroline Duprez (10 April 1832 - 17 April 1875) was a French soprano. She was the daughter and pupil of the tenor Gilbert Duprez. À member of the troupe of the Opéra-Comique from 1852 to 1857, she premiered numerous roles in the opéras-comiques composed at that time by Auber, Meyerbeer, Massé and Halévy. on Gallica Life Born in Florence, Duprez was the daughter the famous French tenor Gilbert Duprez and Alexandrine Duperron. She studied with her father and began performing in Reims in 1850. She then joined the[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Charles-Amable Battaille
Charles-Amable Battaille (30 September 1822 – 2 May 1872) was a French operatic bass. Appreciated both for his voice and his acting skills, he premiered the main bass roles for the works represented at the Opéra-Comique between 1848 and 1857, and is especially notable as the first singer of the role of Peter the Great in Meyerbeer's '' L'Étoile du nord'' (1854). Life Born in Nantes, son of a doctor, he studied medicine in Caen where he was admitted as a doctor. He returned to Nantes, but decided to enter the Conservatoire de Paris in 1845 where he was a student of Manuel Garcia. François-Joseph Fétis and Arthur Pougin, « Charles-Amable Battaille », ''Biographie universelle des musiciens et bibliographie générale de la musique : Supplément et complément'', vol. 1, Paris, Firmin-Didot, 1878, p. 53-5Read online He won first prizes in singing, opera and opéra comique in 1847 Andrew Gann, « Charles-Amable Battaille », ''Dictionnaire de la musique en France au X ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caroline Vandenheuvel Duprez By Auguste Lemoine
Caroline may refer to: People * Caroline (given name), a feminine given name * J. C. Caroline (born 1933), American college and National Football League player * Jordan Caroline (born 1996), American (men's) basketball player Places Antarctica * Caroline Bluff, a headland in the South Shetland Islands Australia *Caroline, South Australia, a locality in the District Council of Grant * Hundred of Caroline, a cadastral sub-unit of the County of Grey in South Australia Canada *Caroline, Alberta, a village Kiribati *Caroline Island, an uninhabited coral atoll in the central Pacific Micronesia *Caroline Islands an archipelago in the western Pacific, northeast of New Guinea *Caroline Plate, a small tectonic plate north of New Guinea United States *Caroline, New York, a town * Caroline, Ohio, an unincorporated community * Caroline, Wisconsin, an unincorporated census-designated place *Caroline County, Maryland *Caroline County, Virginia *Fort Caroline, the first French colony in what is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
