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Valentine (Maurice Chevalier Song)
"Valentine" is a song by French actor, cabaret singer and entertainer Maurice Chevalier. Its first public performance was in 1925. The song was strongly associated with him, and his imitators use it as "an instant identification symbol". Chevalier performed the song, in French, in two American movies, '' Innocents of Paris'' (1928) and ''Folies Bergère de Paris'' (1935), but to not offend American sensibilities the word tétons (breasts) was replaced with a mysterious ''piton'', which translates as peg or protuberance. "Piton" was needed for the rhyme scheme, but Chevalier always pointed to his nose at that moment in the song, to indicate what part of his lover's anatomy he was supposedly fondling. History In 1924, Maurice Chevalier was no longer a stranger to the public eye. His passionate love affair with the French songstress Mistinguett and "Dans la vie faut pas s'en faire" ("You mustn't worry so much in your life"), a song that became his first hit the following year, had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Chevalier
Maurice Auguste Chevalier (; 12 September 1888 – 1 January 1972) was a French singer, actor and entertainer. He is perhaps best known for his signature songs, including " Livin' In The Sunlight", " Valentine", "Louise", " Mimi", and "Thank Heaven for Little Girls" and for his films, including ''The Love Parade'', ''The Big Pond'', ''The Smiling Lieutenant'', '' One Hour with You'' and ''Love Me Tonight''. His trademark attire was a boater hat and tuxedo. Chevalier was born in Paris. He made his name as a star of musical comedy, appearing in public as a singer and dancer at an early age before working in menial jobs as a teenager. In 1909, he became the partner of the biggest female star in France at the time, Fréhel. Although their relationship was brief, she secured him his first major engagement, as a mimic and a singer in ''l'Alcazar'' in Marseille, for which he received critical acclaim by French theatre critics. In 1917, he discovered jazz and ragtime and went to London, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yves Montand
Ivo Livi (), better known as Yves Montand (; 13 October 1921 – 9 November 1991), was an Italian-French actor and singer. Early life Montand was born Ivo Livi in Monsummano Terme, Italy, to Giovanni Livi, a broom manufacturer, Ivo held strong Communist beliefs. Montand's mother Giuseppina Simoni was a devout Catholic. The family left Italy for France in 1923 following Benito Mussolini's Fascist regime. He grew up in Marseille, where, as a young man, he worked in his sister's beauty salon (Salon de Coiffure), and later on the docks. He began a career in show business as a music-hall singer. In 1944, he was discovered by Édith Piaf in Paris and she made him part of her act. Career Montand achieved international recognition as a singer and actor, starring in many films. His recognizably crooner songs, especially those about Paris, became instant classics. He was one of the best known performers at Bruno Coquatrix's Paris Olympia music hall, and toured with musicians includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1925 Songs
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertrand Tavernier
Bertrand Tavernier (25 April 1941 – 25 March 2021) was a French director, screenwriter, actor and producer. Life and career Tavernier was born in Lyon, France, the son of Geneviève (née Dumond) and René Tavernier, a publicist and writer, several years president of the French PEN club. He said his father's publishing of a wartime resistance journal and aid to anti-Nazi intellectuals shaped his moral outlook as an artist. According to Tavernier, his father believed that words were "as important and as lethal as bullets". Tavernier wanted to become a filmmaker from the age of 13 or 14 years. He said that his cinematic influences included filmmakers John Ford, William Wellman, Jean Renoir, Jean Vigo and Jacques Becker. Tavernier was influenced by the 1968 general strike in France. He associated with the OCI between 1973 and 1975, and was particularly struck by the writing of Leon Trotsky. The first film director with whom he worked was Jean-Pierre Melville. Later, his first fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Pierre Coursodon
Jean-Pierre Coursodon (23 July 1935 – 31 December 2020) was a French film critic and historian. He wrote film reviews and journal articles to the magazines including ''Cinéma'' (1958–1965, 1977–1986) and ''Anthologie du Cinéma'' (1966–1969). In 1967, Coursodon began living in the United States where he contributed essays to ''Film Comment'' (1973–1975) and ''Cinéma d'Aujourd'hui'' (1975–1976). Since 1988, Coursodon served as an American correspondent for '' Positif'' magazine. In 1970, Coursodon also co-wrote with Bertrand Tavernier an encyclopedic book ''30 ans de cinéma Américain'' (translated as ''30 Years of American Cinema''). The book was updated in 1991 as ''50 ans de cinéma américain'' to encompass two more decades. Both encyclopedia editions have yet to be translated into English. Coursodon was the co-editor (along with Pierre Sauvage) of the two-volume, English-language work ''American Directors'' (1983). Coursodon also worked as a translator, being re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Tulard
Jean Tulard (born 22 December 1933, Paris) is a French academic and historian, specialising in the history of cinema, of the French Consulate and the First French Empire. He is a member of the Académie des sciences morales et politiques since 1994. Career Tulard was one of the experts involved in verifying the heart believed to be that of Louis XVII of France, actually the Dauphin of France as the heir apparent to the throne, who died in 1795 in imprisonment. Scientists using DNA samples from Queen Anne of Romania, and her brother Andre de Bourbon-Parme, maternal relatives of Louis XVII, and from a strand of Marie-Antoinette's hair, proved the young royal's identity. Historic evidence as to the location of the heart over the decades was also considered. In a summary of the investigation in 2004, Tulard wrote: "This heart is ... almost certainly that of Louis XVII. We can never be 100 per cent sure but this is about as sure as it gets". In April 2010, he became Commander of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Achard
Marcel Achard (5 July 1899 – 4 September 1974) was a French playwright and screenwriter whose popular sentimental comedies Garzanti p. 3 maintained his position as a highly recognizable name in his country's theatrical and literary circles for five decades.New York Times He was elected to the Académie française in 1959. Themes and variations within a philosophical outlook A native of the Rhône département's Urban Community of Lyon, France's second largest metropolitan area, Marcel-Auguste Ferréol was born in Sainte-Foy-lès-Lyon, one of the city's suburbs, and adopted his pen name at the start of his writing career in the early 1920s. Able to absorb knowledge quickly, he became, in 1916, in the midst of World War I, a village schoolteacher at the age of 17. In 1919, a few months after the end of the war, the 20-year-old aspiring writer arrived in Paris and found jobs as a prompter at the Théâtre du Vieux-Colombier and as a journalist for various publications, includi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Del Ruth
Roy Del Ruth (October 18, 1893, Delaware – April 27, 1961) was an American filmmaker. Early career Beginning his Hollywood career as a writer for Mack Sennett in 1915, Del Ruth later directed his first short film ''Hungry Lions'' (1919) for the producer. By the early 1920s, he had moved over to features including ''Asleep at the Switch'' (1923), ''The Hollywood Kid'' (1924), '' Eve's Lover'' (1925) and ''The Little Irish Girl'' (1926). Following several more titles, many now lost, he directed ''The First Auto'' (1927), a charming look at the introduction of the first automobile to a small rural town. Also once believed lost, the film's almost entirely unsynchronised soundtrack features several elaborate sound effects for the time. Del Ruth directed another half dozen projects before the musical ''The Desert Song'' (1929), the first color film ever released by Warner Bros. That same year, Del Ruth directed ''Gold Diggers of Broadway'' (1929), Warner's second two-strip Tec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wallace (director)
Richard Wallace (August 26, 1894 – November 3, 1951) was an American film director. He began working in the editing department at Mack Sennett Studios in the early 1920s. He later moved on to rival Hal Roach Studios where he began directing two-reel films, on some of which he collaborated with Stan Laurel. In 1926, Wallace began directing feature-length films. Several of Wallace's memorable films include three Shirley Temple films, ''A Night to Remember (1943 film), A Night to Remember'' (1943) with Loretta Young, and ''The Little Minister (1934 film), The Little Minister'' (1934) with Katharine Hepburn. He was a founding member of the Directors Guild of America. He died of a heart attack. Filmography * ''Starvation Blues'' (1925) * ''Beware of Your Relatives'' (1925) * ''Jiminy Crickets'' (1925) * ''One Wild Night'' (1925) * ''Ice Cold'' 1925) * ''Raggedy Rose'' (1926) * ''Syncopating Sue'' (1926) * ''The Merry Widower'' (1926) * ''Along Came Auntie'' (uncredited, 1926 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippopotamus
The hippopotamus ( ; : hippopotamuses or hippopotami; ''Hippopotamus amphibius''), also called the hippo, common hippopotamus, or river hippopotamus, is a large semiaquatic mammal native to sub-Saharan Africa. It is one of only two extant species in the family Hippopotamidae, the other being the pygmy hippopotamus (''Choeropsis liberiensis'' or ''Hexaprotodon liberiensis''). Its name comes from the ancient Greek for "river horse" (). Aside from elephants and rhinos, the hippopotamus is the largest land mammal. It is also the largest extant land artiodactyl. Despite their physical resemblance to pigs and other terrestrial even-toed ungulates, the closest living relatives of the hippopotamids are cetaceans (whales, dolphins, porpoises, etc.), from which they diverged about 55 million years ago. Hippos are recognisable for their barrel-shaped torsos, wide-opening mouths with large canine tusks, nearly hairless bodies, pillar-like legs, and large size: adults average ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Café-chantant
(French: lit. 'singing café'), , or , is a type of musical establishment associated with the Belle Époque in France. The music was generally lighthearted and sometimes risqué or even bawdy but, as opposed to the cabaret tradition, not particularly political or confrontational. Although there is much overlap of definition with cabaret, music hall, vaudeville, etc., the was originally an outdoor café where small groups of performers performed popular music for the public. National variations The tradition of such establishments as a venue for music has its origins in Paris and London of the eighteenth century. Such establishments gained their widest popularity in the late nineteenth and early twentieth centuries with the growth of various other national "schools" of ''cafè chantant'' (besides French). Thus, one spoke of an Italian café chantant, German café chantant, or Austrian café chantant. For example, at least one Victorian era premises in England was known as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson
A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the '' ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word "chanson" literally means "song" in French and can thus less commonly refers to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ''bergerette'', ''brunette'', ''chanson pour boire'', ''pastourelle'', and vaudeville; art song of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
