Vaidhegi Kaathirunthaal
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Vaidhegi Kaathirunthaal
''Vaidehi Kathirunthal'' () is a 1984 Indian Tamil-language romantic drama film written and directed by R. Sundarrajan. The film stars Vijayakanth and Revathi as two villagers, Vellaisamy and Vaidehi, whose lives undergo a drastic turn when they meet. They discover that they must join forces to save a young couple from the wrath of the other villagers. ''Vaidehi Kaathirundhal''s story was developed based on songs that Ilaiyaraaja had composed, hoping to use them in potential film. The film was released on 23 October 1984, became a huge commercial success and emerged a breakthrough in Vijayakanth's career. It was remade in Telugu as ''Manchi Manasulu'' (1986), and in Kannada as ''Preethi Nee Illade Naa Hegirali'' (2004). Plot Vellaisamy is an unkempt derelict who lives by the village temple doing menial jobs to survive but has an impressive singing ability. Vaidehi is a young widow who lives in the village with her sorrowing, alcoholic father. Minutes after Vaidehi's marriag ...
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Vijayakanth
Narayanan Vijayaraj Alagarswami (born 25 August 1952), better known by his stage name Vijayakanth, is an Indian politician and former actor who has worked predominantly in Tamil cinema. He was the Leader of the Opposition in the Tamil Nadu Legislative Assembly from 2011 to 2016. Before entering politics Vijayakanth was a successful actor, producer and director. Vijayakanth is also the current DMDK chairman of Tamil Nadu legislative assembly. He is the founder and president, general secretary of the Desiya Murpokku Dravida Kazhagam (DMDK) Political party and served as a Member of Legislative Assembly twice representing the constituency of Virudhachalam and Rishivandiyam respectively. Personal life Vijayakanth was born as Vijayaraj Alagarswami in Madurai on 25 August 1952. his parents are K. N. Alagarswami and Aandal Azhagarswami. He married Premalatha on 31 January 1990 and has two sons named Vijaya Prabhakaran and Shanmuga Pandian, an actor. Acting career Vijayakanth is one of ...
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Hindu Tamil Thisai
''Hindu Tamil Thisai'' (colloquially known as ''The Hindu Tamil'') is a Tamil daily newspaper headquartered at Chennai. It is published by The Hindu Group The Hindu Group is an Indian publishing company based in Chennai. Its first publication was ''The Hindu'', a daily newspaper that began publication in 1878. Hindu Group Publications The Hindu Group publishes a number of newspapers and magazines .... The first issue was published on 16 September 2013. It is printed in seven centres including Chennai. The printing centres are at Chennai, Coimbatore, Madurai, Tiruchirappalli, Thiruvananthapuram, Bengaluru and Tirupathi. The Tamil newspaper covers news related to business, education, knowledge, sports, quiz and entertainment. The daily has extensive regional, national and international news coverage. References External links Hindu Tamil websiteThe Hindu pdf Mass media in Chennai Mass media in Madurai Tamil-language newspapers published in India The Hindu Grou ...
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Uma Ramanan
Uma Ramanan is an Indian playback singer, singing predominantly in Tamil. She is also a Live stage performer who has performed for more than 6,000 concerts spanning 35 years. She hails from Tamil Nadu state of India. Personal life and background While at studies, Uma had gone through her classical music training under Pazhani Vijayalakshmi. She participated in many inter-collegiate competitions and won several rewards and accolades. Later, she met A. V. Ramanan, a Television host, performer and actor, who was on the look out for fresh voices for his stage concerts. From then, Uma and Ramanan became duo stage performers. They are married and have a son who also is a budding musician. She also is a dancer trained under Padma Subrahmanyam. Career Playback singing During Uma's engagement with Ramanan's stage shows, noted producer — cameraman, Janakiraman offered both of them a duet in his 1976 released Hindi film ''Play Boy''. The same pair got an offer to sing for the ...
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Vaali (poet)
Tiruchirapalli Srinivasan Rangarajan, professionally credited by his pseudonym Vaali (born 29 October 1931 – 18 July 2013) was an Indian poet who is the highest songs wrote lyricist in cinema and whose works were in Tamil, had a five-decade long association with the Tamil film industry, wrote over 15,000 songs. He acted in a number of films, including '' Sathya'', ''Hey Ram'', '' Paarthale Paravasam'' and '' Poikkal Kudhirai''. He was honoured by the Government of India with the Padma Shri, India's fourth highest civilian honour in 2007. Biography Vaali was born in a Iyengar brahmin family as T. S. Rangarajan on 29 October 1931 to Srinivasan Iyengar and Ponnammal Iyengar. His native place is Thirupparaithurai, Tiruchirappalli district. Growing up, he studied at Higher Secondary School for Boys, Srirangam, Srirangam till he finished his SSLC. He went to Madras in the 1950 seeking an opportunity in Tamil film industry. In the 1960s and 1970s, he received patronage from actor ...
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The Times Of India
''The Times of India'', also known by its abbreviation ''TOI'', is an Indian English-language daily newspaper and digital news media owned and managed by The Times Group. It is the third-largest newspaper in India by circulation and largest selling English-language daily in the world. It is the oldest English-language newspaper in India, and the second-oldest Indian newspaper still in circulation, with its first edition published in 1838. It is nicknamed as "The Old Lady of Bori Bunder", and is an Indian " newspaper of record". Near the beginning of the 20th century, Lord Curzon, the Viceroy of India, called ''TOI'' "the leading paper in Asia". In 1991, the BBC ranked ''TOI'' among the world's six best newspapers. It is owned and published by Bennett, Coleman & Co. Ltd. (B.C.C.L.), which is owned by the Sahu Jain family. In the Brand Trust Report India study 2019, ''TOI'' was rated as the most trusted English newspaper in India. Reuters rated ''TOI'' as India's most trus ...
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Cumbum, Tamil Nadu
Cumbum or Kambam (), is a town and municipality in Theni district (in the western part of the Madurai Region), an Indian state of Tamil Nadu. Geography and Climate Cumbum is located at . It has an average elevation of 391meters (1282 feet). One can see the backdrop of Kodaikanal Hills from Cumbum. Apart from that Cumbum has most vigorous activity in agriculture. Cumbum Municipality (First Grade) is located in the Theni District of Tamil Nadu, Near Kerala State, geographically located between 9°30′N and 10°11′N, and between 77°E and 77°30′E. It is the third largest town in Theni district after Theni. The soil in this region is mostly red soil in nature. Agriculture plays a vital role for its developmental activities. Crops like Paddy, Coconut, Black Grapes, Groundnut and various kinds of fruits and vegetables are being cultivated in this area. It has many worship places, among them Sri Kambaraya Perumal Kovil and Kasi Viswanathar Kovil (Sri Kambaraya Perumal Kovil ...
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Prank Call
A prank call (also known as a crank call) is a telephone call intended by the caller as a practical joke played on the person answering. It is often a type of nuisance call. It can be illegal under certain circumstances. Recordings of prank phone calls became a staple of the obscure and amusing cassette tapes traded among musicians, sound engineers, and media traders in the United States from the late 1970s. Among the most famous and earliest recorded prank calls are the Tube Bar prank calls tapes, which centered on Louis "Red" Deutsch. Comedian Jerry Lewis was an incorrigible phone prankster, and recordings of his hijinks, dating from the 1960s and possibly earlier, still circulate to this day. Very prominent people have fallen victim to prank callers, for example Elizabeth II, who was fooled by Canadian DJ Pierre Brassard posing as Canadian Prime Minister Jean Chrétien, asking her to record a speech in support of Canadian unity ahead of the 1995 Quebec referendum. Two othe ...
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Abhogi
Abhogi () is a raga in Carnatic music and has been adapted to Hindustani music. It is a pentatonic scale, an ''audava'' raga. It is a derived scale (''janya'' raga), as it does not have all the seven ''swaras'' (musical notes). ''Ābhōgi'' has been borrowed from Carnatic music into Hindustani music and is also quite popular in the latter.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Theory The Carnatic raga Abhogi is a symmetric pentatonic scale that does not contain ''panchamam'' and ''nishadam''. It is called an ''audava-audava'' raga, as it has 5 notes in both ascending and descending scales. Its ' structure is as follows: * : * : The notes used are ''shadjam, chathusruti rishabham, sadharana gandharam, shuddha madhyamam and chathusruthi dhaivatham''. ''Ābhōgi'' is considered a ''janya'' raga of ''Kharaharapriya'', the 22nd ''Melakarta'' raga, though it can be d ...
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Chandrakauns
Chandrakauns is a raga in Hindustani classical music. It is also used in tail pieces and lighter presentations of Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an .... Film Songs Language:Tamil References Hindustani ragas {{India-music-stub ...
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Shivaranjani
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one in Hindustani music and one in Carnatic music. The Hindustani rāga is a pentatonic scale, as is the Carnatic scale categorized as Audava-Audava (''audava'' meaning 'of 5') resulting in 5 notes in the Arohanam and 5 in the Avarohanam. Hindustani scale The Hindustani rāga ''Shivaranjani'' belongs to the '' Kaafi thaat'' in terms of classification of the scale.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Its structure is as follows: * : * : The ''komal''(soft) ''gandhar''(g) in place of ''shuddh gandhar'' (G) is the difference between this rāga and the global musical scale of '' Bhoop''. Borrowed into Carnatic music In Karnatic Music, this is a ''janya'' rāga (derived scale) from 22nd mela-kartha raga Kharaharapriya. It is a ''audava-audava'' rāgam in Carnatic music classification (i.e., a ragam that has five notes in both its arohana ...
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Carnatic Raga
Carnatic raga refers to ''ragas'' used in Carnatic music. A Carnatic raga has several components - primordial sound (''nāda''), tonal system (''swara''), pitch (''śruti''), scale, ornaments ('' gamaka'') and important tones. Origins and history Carnatic raga classification Janaka ragas (Melakarta ragas) and Janya ragas(Upanga ragas) Janaka ragas or Sampoorna ragas are parent ragas from which more ragas are derived. Sampoorna ragas as the name suggest are those in which all 7 swaras are present. They are also called Melakarta ragas. These ragas have all 7 swaras or otesin their scales (only one of each swara, Sa, Re, Ga, Ma, Pa, Dha, Ni), following strict ascending and descending scales and are sung in all octaves. Example of melakartha ragas are : Shankarabharanam, Kalyani, Natabhairavi, Chala Nattai, Harikambhoji, Kharaharapriya, Mayamalavagowla, Chakravakam etc. Janya ragas are ragas that are derived from Janaka ragas (Melakarta ragas). They may have less than 7 notes in the ...
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Raaga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ...
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