Vrindavani Vastra
Vrindavani Vastra is a drape woven by Assamese weavers led by Mathuradas Burha Aata during 16th century under the guidance of Srimanta Sankardeva, a Vaishnavite saint and scholar who lived in present-day Assam. The lead weaver Mathuradas Burha Aata a disciple of Sri Sri Madhabdev was the first Satradhikar of the great Barpeta satra. Mathuradas Burha Aata along with his 12 assistant weavers wove the Brindavani Bastra. The large drape illustrates the childhood activities of Lord Krishna in Vrindavan. Parts of the original ''Vrindavani vastra'' are presently owned by the Victoria and Albert Museum in London and Musee Guimet (the Guimet Museum) in Paris. The piece of cloth demonstrates the skillful weaving methods developed during medieval times and such complexity is rarely seen in present-day Assam. History Assamese silk weavers depicted scenes from Bhagavatha, Mahabharatha, mainly of the childhood days of Lord Krishalala on silk clothes under the supervision of Saint, scholar, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vrindavani Vastra
Vrindavani Vastra is a drape woven by Assamese weavers led by Mathuradas Burha Aata during 16th century under the guidance of Srimanta Sankardeva, a Vaishnavite saint and scholar who lived in present-day Assam. The lead weaver Mathuradas Burha Aata a disciple of Sri Sri Madhabdev was the first Satradhikar of the great Barpeta satra. Mathuradas Burha Aata along with his 12 assistant weavers wove the Brindavani Bastra. The large drape illustrates the childhood activities of Lord Krishna in Vrindavan. Parts of the original ''Vrindavani vastra'' are presently owned by the Victoria and Albert Museum in London and Musee Guimet (the Guimet Museum) in Paris. The piece of cloth demonstrates the skillful weaving methods developed during medieval times and such complexity is rarely seen in present-day Assam. History Assamese silk weavers depicted scenes from Bhagavatha, Mahabharatha, mainly of the childhood days of Lord Krishalala on silk clothes under the supervision of Saint, scholar, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bhaona
Bhaona ( as, ভাওনা) is a traditional form of entertainment, with religious messages, prevalent is Assam, India. It is a creation of Mahapurusha Srimanta Sankardeva, written in the early sixteenth century. He created the form to convey religious messages to villagers through entertainment. Later Srimanta Madhavdeva also wrote some plays. The plays of bhaona are popularly known as Ankiya Nats and their staging is known as bhaona. Bhaona is generally staged at xatras and namghars in Assam. There are some special characteristics of Bhaona like the plays, dialogues, costumes, ornaments, entry and foot-steps of the characters. These characteristics helps to differentiate Bhaona from other plays. The bhaonas are written in the Assamese and Brajavali languages. In order to witness the Bhaona culture and traditions, one ought to visit Majuli, the largest river island in the world. Majuli receives a huge footfall of foreign tourists from all over the world every year. The n ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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16th Century In India
16 (sixteen) is the natural number following 15 and preceding 17. 16 is a composite number, and a square number, being 42 = 4 × 4. It is the smallest number with exactly five divisors, its proper divisors being , , and . In English speech, the numbers 16 and 60 are sometimes confused, as they sound very similar. Sixteen is the fourth power of two. For this reason, 16 was used in weighing light objects in several cultures. The British have 16 ounces in one pound; the Chinese used to have 16 ''liangs'' in one ''jin''. In old days, weighing was done with a beam balance to make equal splits. It would be easier to split a heap of grains into sixteen equal parts through successive divisions than to split into ten parts. Chinese Taoists did finger computation on the trigrams and hexagrams by counting the finger tips and joints of the fingers with the tip of the thumb. Each hand can count up to 16 in such manner. The Chinese abacus uses two upper beads to represent the 5s and 5 low ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Textile Arts Of India
Textile is an Hyponymy and hypernymy, umbrella term that includes various Fiber, fiber-based materials, including fibers, yarns, Staple (textiles)#Filament fiber, filaments, Thread (yarn), threads, different #Fabric, fabric types, etc. At first, the word "textiles" only referred to woven fabrics. However, weaving is not the only manufacturing method, and many other methods were later developed to form textile structures based on their intended use. Knitting and Nonwoven, non-woven are other popular types of fabric manufacturing. In the contemporary world, textiles satisfy the material needs for versatile applications, from simple daily clothing to Bulletproof vest, bulletproof jackets, spacesuits, and Medical gown, doctor's gowns. Textiles are divided into two groups: Domestic purposes [consumer textiles] and technical textiles. In consumer textiles, Aesthetics (textile), aesthetics and Textile performance#Comfort, comfort are the most important factors, but in technical tex ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Asian Objects In The Victoria And Albert Museum
Asian may refer to: * Items from or related to the continent of Asia: ** Asian people, people in or descending from Asia ** Asian culture, the culture of the people from Asia ** Asian cuisine, food based on the style of food of the people from Asia ** Asian (cat), a cat breed similar to the Burmese but in a range of different coat colors and patterns * Asii (also Asiani), a historic Central Asian ethnic group mentioned in Roman-era writings * Asian option, a type of option contract in finance * Asyan, a village in Iran See also * * * East Asia * South Asia * Southeast Asia Southeast Asia, also spelled South East Asia and South-East Asia, and also known as Southeastern Asia, South-eastern Asia or SEA, is the geographical south-eastern region of Asia, consisting of the regions that are situated south of mainlan ... * Asiatic (other) {{disambiguation ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Los Angeles County Museum Of Art
The Los Angeles County Museum of Art (LACMA) is an art museum located on Wilshire Boulevard in the Miracle Mile, Los Angeles, California, Miracle Mile vicinity of Los Angeles. LACMA is on Museum Row, adjacent to the La Brea Tar Pits (George C. Page Museum). LACMA was founded in 1961, splitting from the Los Angeles Museum of History, Science and Art. Four years later, it moved to the Wilshire Boulevard complex designed by William Pereira. The museum's wealth and collections grew in the 1980s, and it added several buildings beginning in that decade and continuing in subsequent decades. In 2020, four buildings on the campus were demolished to make way for a reconstructed facility designed by Peter Zumthor. His design drew strong community opposition and was lambasted by architectural critics and museum curators, who objected to its reduced gallery space, poor design, and exorbitant costs. LACMA is the list of largest art museums, largest art museum in the western United States. It a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Khol
The khol is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music (''bhakti''). It is also known as a mridanga (< + , ), not to be confused with ''''. It originates from the Indian states of , and . The drum is played with palms and fingers of both hands. Description The khol is regarded as resembling to the ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kirtan Ghoxa
The Kirtan Ghosha (Assamese: ) is a collection of poetical works, primarily composed by the medieval saint Srimanta Sankardev in the Brajavali language. It was meant for community singing in the Ekasarana religion. Its importance in the religion is second only to the primary text, the Bhagavat of Sankardeva. Texual history The text of the ''kirtan ghoxa'' consists of twenty six sections and thirty one ''kirtans'' (or narratives of Krishna). Sankardev had instructed Madhabdev during his last visit to Patbausi to compile the kirtans that were scattered then at different places—and they were posthumously compiled into a single text by Ramcharan Thakur, the nephew of Madhabdev. All the ''kirtans'' were composed by Srimanta Sankardeva, except for one by Ratnakar Kandali and another by Madhabdeva. Two of Sankardeva's kirtans were later additions to Ramcharan Thakur's compilation. In some versions, there is an additional ''kirtan'' composed by Sridhar Kandali Sridhara Kanda ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hiranaam
Hiranaam is a form of ''Sattriya'' music related to the Vaishnava religious scriptures. The singers, the ''Gayan''s accompany themselves with cymbals played by the ''Bayan''s. The singing mainly involves chanting the names of Krishna, in a call and response style. See also *Music of Assam The music of Assam consists various genres of folk and modern music, drawing its artistic basis from the history of Assam, from Assamese culture and its ancient traditions. In recent times, starting from the late eighties, popular artistes have mo ... ReferencesHiranaam Music of Assam Oral literature of Assam Hindu music {{music-genre-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dihanaam
Dihanaam is a type of congregational prayer sung by women in Assam in praise of the Assamese saint Sankardev. Instruments like the '' Negera'', '' taal'', ''khol The khol is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music (''bhakti''). It is also known as a mridanga (< hand-clapping is used in it. The songs are derived from Vaishnava religious scriptures like '' Kirtan-ghosa''. The songs are sung in call and response style.
References * Music of Assam [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ankia Naat
Ankia Naats ( as, অংকীয়া নাট) are a class of one act plays performed in Assam, India. The invention of the Ankia Naat is usually attributed to the medieval saint and social reformer Srimanta Sankardeva. These plays were written in an artificial old medieval period poetic Assamese mixed language called Brajavali and are primarily centered on Krishna. A particular presentation of an Ankia Naat is called a ''Bhaona Bhaona ( as, ভাওনা) is a traditional form of entertainment, with religious messages, prevalent is Assam, India. It is a creation of Mahapurusha Srimanta Sankardeva, written in the early sixteenth century. He created the form to conve ...''. The plays usually combine live instruments and singers, dance and elaborate costumes in production. The performance of an Ankia Naat starts with benediction in Sanskrit followed by eulogy to God in Brajavali. The play usually starts with the prelude, or ''Purvaranga''. Playing of the traditional p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Srimanta Sankardeva
Srimanta Sankardev( শ্ৰীমন্ত শংকৰদেৱ )(; ; 1449–1568) was a 15th–16th century Assamese polymath; a saint-scholar, poet, playwright, dancer, actor, musician, artist social-religious reformer and a figure of importance in the cultural and religious history of Assam, India. He is widely credited with building on past cultural relics and devising new forms of music (Borgeet), theatrical performance (Ankia Naat, Bhaona), dance (Sattriya), literary language ( Brajavali). Besides, he has left an extensive literary oeuvre of trans-created scriptures (Bhagavat of Sankardev), poetry and theological works written in Sanskrit, Assamese and Brajavali. The Bhagavatic religious movement he started, Ekasarana Dharma and also called Neo-Vaishnavite movement, influenced two medieval kingdoms – Koch and the Ahom kingdom – and the assembly of devotees he initiated evolved over time into monastic centers called Sattras, which continue to be important soci ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |