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Vox Cycle
''Vox Cycle'' is a six composition or independent movement cycle for four amplified voices, and electroacoustic music by Trevor Wishart, composed between 1980 and 1988, associated with extended vocal techniques and the contemporary vocal composition. The Cycle is focused on the relationship and the interpolation between natural sounds and human voice, the main musical interest of the composer on which he has been researching for a long time, starting from ''Red Bird'' composition released through analog means. The poetics at the base of the work has linguistic and philosophical marks, regarding the relationship between creation and disintegration of man, between natural developments and failure of western culture and society. ''The Raw and the Cooked'' by Claude Lévi-Strauss suggested to the composer this central idea for his album. All the movements included in the original record are performed by the Electric Phoenix ensemble, using the extended vocal techniques foll ...
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Trevor Wishart
Trevor Wishart (born 11 October 1946) is an English composer, based in York. Wishart has contributed to composing with digital audio media, both fixed and interactive. He has also written extensively on the topic of what he terms " sonic art", and contributed to the design and implementation of software tools used in the creation of digital music; notably, the Composers Desktop Project. Wishart was born in Leeds, West Riding of Yorkshire. He was educated at the University of Oxford (BA 1968), the University of Nottingham (MA 1969), and the University of York (PhD 1973). Although mainly a freelance composer, he holds an honorary position at the University of York. He was appointed as composer-in-residence at the University of Durham in 2006, and then at the University of Oxford Faculty of Music in 2010–11, supported by the Leverhulme Trust. Music Wishart's compositional interests deal mainly with the human voice, in particular with the transformation of it and the interpol ...
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Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of '' elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of '' musique concrète'' ...
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Virgin Classics
Virgin Classics was a record label founded in 1988 as part of Richard Branson's Virgin Records. The unit, along with EMI Classics, was acquired by Universal Music in 2012 as part of the takeover of the EMI Group, however the terms of the European Commission's September 2012 approval of the takeover requires divestment of the classical labels which were sold on 7 February 2013 to Warner Music Group. The European Union approved the deal in May 2013. Warner Music's Warner Classics unit absorbed the Virgin Classics artists roster and catalogue into Erato Records but lost the rights to use either EMI or Virgin names. Principal artists * Piotr Anderszewski * Leif Ove Andsnes * Nicholas Angelich * Fabio Biondi * Gautier Capuçon * Renaud Capuçon * Max Emanuel Cencic * William Christie * Hughes de Courson * Alan Curtis (conductor) * Diana Damrau * David Daniels * Natalie Dessay * Joyce DiDonato * David Fray * Vivica Genaux * Véronique Gens * Emmanuelle Haïm * Daniel Harding * Phili ...
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Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of '' elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of '' musique concrète'' ...
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Extended Vocal Techniques
Vocalists are capable of producing a variety of extended technique sounds. These alternative singing techniques have been used extensively in the 20th century, especially in art song and opera. Particularly famous examples of extended vocal technique can be found in the music of Luciano Berio, John Cage, George Crumb, Peter Maxwell Davies, Hans Werner Henze, György Ligeti, Demetrio Stratos, Meredith Monk, Giacinto Scelsi, Arnold Schoenberg, Salvatore Sciarrino, Karlheinz Stockhausen, Tim Foust, Avi Kaplan, and Trevor Wishart. Timbral techniques Phrasing Spoken Spoken text is frequently employed. The Italian term "parlando" has a similar meaning. Rapping ''Sprechgesang'' ''Sprechgesang'' is a combination singing and speaking. It is usually heavily associated with Arnold Schoenberg (particularly his Pierrot Lunaire which uses sprechgesang for its entire duration) and the Second Viennese School. Schoenberg notated sprechgesang by placing a small cross through the stem of a note w ...
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Contemporary Classical Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels ...
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Vocal
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and to ...
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Western Culture
Leonardo da Vinci's ''Vitruvian Man''. Based on the correlations of ideal Body proportions">human proportions with geometry described by the ancient Roman architect Vitruvius in Book III of his treatise ''De architectura''. image:Plato Pio-Clemetino Inv305.jpg, upPlato, arguably the most influential figure in all of Western philosophy and has influenced virtually all of subsequent Western and Middle Eastern philosophy and theology. Western culture, also known as Western civilization, Occidental culture, or Western society, is the Cultural heritage, heritage of social norms, ethical values, traditional customs, belief systems, political systems, artifacts and technologies of the Western world. The term applies beyond Europe to countries and cultures whose histories are strongly connected to Europe by immigration, colonization or influence. Western culture is most strongly influenced by Greco-Roman culture, Germanic culture, and Christian culture. The expansion of Greek cul ...
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Claude Lévi-Strauss
Claude Lévi-Strauss (, ; 28 November 1908 – 30 October 2009) was a French anthropologist and ethnologist whose work was key in the development of the theories of structuralism and structural anthropology. He held the chair of Social Anthropology at the Collège de France between 1959 and 1982, was elected a member of the Académie française in 1973 and was a member of the School for Advanced Studies in the Social Sciences in Paris. He received numerous honors from universities and institutions throughout the world. Lévi-Strauss argued that the "savage" mind had the same structures as the "civilized" mind and that human characteristics are the same everywhere. These observations culminated in his famous book ''Tristes Tropiques'' (1955) that established his position as one of the central figures in the structuralist school of thought. As well as sociology, his ideas reached into many fields in the humanities, including philosophy. Structuralism has been defined as "the sea ...
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Spectromorphology
Spectromorphology is the perceived sonic footprint of a sound spectrum as it manifests in time. A descriptive spectromorphological analysis of sound is sometimes used in the analysis of electroacoustic music, especially acousmatic music. The term was coined by Denis Smalley in 1986 and is considered the most adequate English term to designate the field of sound research associated with the French writer, composer, and academic, Pierre Schaeffer . Schaeffer's work at INA/GRM in Paris, beginning in the late 1940s, culminated in the publication of the book Traité des objets musicaux in 1966. Smalley's notion of spectromorphology builds upon Schaeffer's theories relating to the use of a classification system for various categories of sound.(Thoresen:2007) Smalley's term refers to the descriptive analysis of perceived morphological developments in sound spectra over time, and it implies that the "spectro" cannot exist without the morphology: something has to be shaped and that someth ...
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IRCAM
IRCAM (French: ''Ircam, '', English: Institute for Research and Coordination in Acoustics/Music) is a French institute dedicated to the research of music and sound, especially in the fields of avant garde and electro-acoustical art music. It is situated next to, and is organisationally linked with, the Centre Pompidou in Paris. The extension of the building was designed by Renzo Piano and Richard Rogers. Much of the institute is located underground, beneath the fountain to the east of the buildings. A centre for musical research Several concepts for electronic music and audio processing have emerged at IRCAM. John Chowning pioneered work on FM synthesis at IRCAM, and Miller Puckette originally wrote Max at IRCAM in the mid-1980s, which would become the real-time audio processing graphical programming environment Max/MSP. Max/MSP has subsequently become a widely used tool in electroacoustic music. Many of the techniques associated with spectralism, such as analyses based on ...
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Acousmatic
Acousmatic sound is sound that is heard without an originating cause being seen. The word ''acousmatic'', from the French ''acousmatique'', is derived from the Greek word ''akousmatikoi'' (ἀκουσματικοί), which referred to probationary pupils of the philosopher Pythagoras who were required to sit in absolute silence while they listened to him deliver his lecture from behind a veil or screen to make them better concentrate on his teachings. The term ''acousmatique'' was first used by the French composer and pioneer of musique concrète Pierre Schaeffer. In acousmatic art one hears sound from behind a "veil" of loudspeakers, the source cause remaining unseen. More generally, any sound, whether it is natural or manipulated, may be described as acousmatic if the cause of the sound remains unseen. The term has also been used by the French writer and composer Michel Chion in reference to the use of off-screen sound in film. More recently, in the article ''Space-form and the ac ...
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