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Vol. 1 (Hurt Album)
''Vol. 1'' is the third official album, but first major label release, by the rock band HURT, released on March 21, 2006. This album contains many tracks that are very dark in nature. The album has themes such as twisted logic from over-obsession with religion in "Rapture"; pain from love in both "Falls Apart" and "Unkind"; and drug addiction in "Overdose". This album was released with two different packages. One was the standard jewel case, and the other a cardboard folding case, featuring a few more pieces of artwork inside, and a red bookmark attached to the case. Both pressings, however, contain exactly the same song material. "House Carpenter" ends at 6:45, and the track continues with a rainstorm sound effect until 8:29, when an apparent hidden track begins. The hidden track is a guitar and several strings playing over the rainstorm, and continues for 1:04. The rainstorm is also heard at the beginning of this band's fourth full-length release, '' Vol. II''. The song ends wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hurt (band)
Hurt was an American rock band formed in Virginia in 2000. The band has released four major label albums. The band first released the independent albums ''Hurt'' in 2000 and ''The Consumation'' in 2003. The band received worldwide acclaim with their major label debut album, '' Vol. 1'', released on March 21, 2006. Their singles "Rapture" and "Falls Apart" garnered significant radio airplay. Their second album was the critically acclaimed '' Vol. II'', released on September 25, 2007, and they gained their largest radio hit yet with the single "Ten Ton Brick". The band went on to release two more albums, '' Goodbye to the Machine'' and '' The Crux''. They then disbanded in 2014 shortly before a release of ''Self-Entitled'', a re-release of their first album which was self-titled. No new material has been released since 2012. Cryptic videos were posted to the band's official Facebook page on December 24 and 27, 2019, suggesting the band would be releasing new material. History For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hurt (band) Albums
Hurt may refer to: * Suffering, pain or injury Arts, entertainment, and media Films and television * ''Hurt'' (2003 film), a Canadian drama film * ''Hurt'' (2009 film), an American horror film * ''Hurt'' (2015 film), a Canadian documentary film * ''Hurt'' (2018 film), an American horror film * "Hurt" (''The Shield''), an episode of ''The Shield'' * “Hurt”, an episode of ''The Good Doctor'' Music Groups * Hurt (band), an American band * Hurts (duo) Albums * ''Hurt'' (EP), by Hawthorne Heights * '' Hurt: The EP'', an extended play by British singer Leona Lewis which features a cover of the Nine Inch Nails song Songs * "Hurt" (Christina Aguilera song) * "Hurt" (Nine Inch Nails song), covered by several other artists, most notably by Johnny Cash * "Hurt" (Roy Hamilton song), covered by several other artists, most notably by Timi Yuro * "Hurt" (T.I. song) * "Hurt", a song by Dean Chamberlain on the 1980s LP "Code Blue", covered by Spock's Beard on their album ''Day for N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justin Meldal-Johnsen
Justin Meldal-Johnsen (born March 26, 1970) is an American musician, record producer, songwriter and musical director. He is best known for his work with artists such as Beck, Paramore, Nine Inch Nails, M83, Air, and St. Vincent. Meldal-Johnsen served as the touring bassist, guitarist, and keyboardist for Nine Inch Nails between 2008 and 2009, and was Beck's bassist and musical director from 1996 until mid-2016. In 2021, he began work as a bassist, keyboardist and musical director for St. Vincent. Other artists Meldal-Johnsen has worked with include Garbage, The Mars Volta, Frank Ocean, Dixie Chicks, Tori Amos, Dido, Charlotte Gainsbourg, Goldfrapp, Blood Orange, Pete Yorn, Turin Brakes, Marianne Faithfull and Ladytron. As a producer, Meldal-Johnsen has worked with M83, Paramore, Metric, Tegan and Sara, Deafheaven, Poppy, Jimmy Eat World, The Naked and Famous, School of Seven Bells, Neon Trees, Young the Giant, Ken Andrews, Division Day and more. Musician career and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Gardner
Brian Knapp Gardner, also known as Brian "Big Bass" Gardner, is an American mastering engineer. He has worked on a number of recordings since the mid-1960s, including classic rock, funk, disco, alternative rock, R&B, hip hop, pop punk and dance-pop. He is known for his work on hip hop albums, including collaborations with Dr. Dre, who gave him the nickname "Big Bass". , Mixonline.com, March 1, 2002. Accessed October 3, 2007. He was last employed at Bernie Grundman Mastering, a mastering house founded and run by Bernie Grundman
Bernie Grundman is an American audio engineer.
He is most known for his mastering work and his studio, Bernie Grundman Mastering, which he opened ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mick Guzauski
Nathan "Mick" Guzauski is an American multi-platinum mixing engineer and sound engineer. His work spans a wide range of styles, including jazz, R&B, Latin, rock, pop, easy listening, funk and hip hop. He won a 2002 Latin Grammy for Thalía's "Arrasando", four 2004 Latin Grammys for Alejandro Sanz's " No Es Lo Mismo" (including Best Engineered Album), and the 2006 Grammy Award for Best Engineered Album, Non-Classical, for Eric Clapton's " Back Home." As of 2001, he had mixed 27 # 1 singles. He also won multiple awards for the engineering and mixing of the Daft Punk album Random Access Memories. Biography While living in Rochester, New York, Guzauski began his engineer career during the 1960s. In the 1970s, Guzauski was hired by Chuck Mangione. Throughout the 1980s, he primarily worked at Conway Studios. He remained in California before going to Sony Music Studios during the mid 1990s. In 2001, Guzauski worked with Michael Jackson to create 5.1-channel surround sound remixes of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Executive Producer
Executive producer (EP) is one of the top positions in the making of a commercial entertainment product. Depending on the medium, the executive producer may be concerned with management accounting or associated with legal issues (like copyrights or royalties). In films, the executive producer generally contributes to the film's budget and their involvement depends on the project, with some simply securing funds and others being involved in the filmmaking process. Motion pictures In films, executive producers may finance the film, participate in the creative effort, or work on set. Their responsibilities vary from funding or attracting investors into the movie project to legal, scripting, marketing, advisory and supervising capacities. Executive producers vary in involvement, responsibility and power. Some executive producers have hands-on control over every aspect of production, some supervise the producers of a project, while others are involved in name only. The creditin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
