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Voice Of Jamaica
''Voice of Jamaica'' is the third studio album by Jamaican dancehall reggae artist Buju Banton. It was released on August 3, 1993 via Mercury Records/PolyGram and was his international debut. Its remastered and expanded edition was released in 2002 with additional tracks. Recorded in Kingston and New York City, the album is considered to be the one that introduced Banton to the world outside Jamaica, also bringing dancehall to the wider world. Production was handled by Donovan Germain, Steely & Clevie, Dave Kelly, Bobby "Digital" Dixon, Busta Rhymes, Mikey Bennett and Sly Dunbar. It features guest appearances from Beres Hammond, Brian and Tony Gold, Busta Rhymes, Terry Ganzie, Tony Rebel and Wayne Wonder. The album peaked at number 159 on the ''Billboard'' 200 albums chart in the United States. Music and lyrics Musically the album shows a wide range of reggae music, with rhythms that vary from mainly hardcore dancehall, to roots reggae, R&B and ragga hip hop. Lyrically it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Til Shiloh
''Til Shiloh'' is the fourth album by Jamaican dancehall artist Buju Banton, released in 1995 by Loose Cannon Records, a short-lived subsidiary of Island Records.Cooke, Mel (2015)Two Decades Since Til Shiloh, ''Jamaica Gleaner'', July 19, 2015. Retrieved July 19, 2015 In 2019 the album was certified gold by the Recording Industry Association of America (RIAA). The album marked a significant change in Banton's artistrty, going to a direction closer to roots reggae. ''Til Shiloh'' was widely acclaimed by critics, and is considered to be a classic album for reggae music. Music and lyrics ''Til Shiloh'' was described as an introspective record. Its themes mainly explore Buju's then newfound faith in the Rastafari movement, with songs such as "Til I'm Laid to Rest", and "Untold Stories". This could be seen as a transition from the rude-bwoy style, made of glorifications of gun violence, to a more roots-oriented fashion. Jo-Ann Greene of AllMusic said that the album "consolidated hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violence
Violence is the use of physical force so as to injure, abuse, damage, or destroy. Other definitions are also used, such as the World Health Organization's definition of violence as "the intentional use of physical force or Power (social and political), power, threatened or actual, against oneself, another person, or against a group or community, which either results in or has a high likelihood of resulting in injury, death, psychological harm, maldevelopment, or deprivation."Krug et al."World report on violence and health", World Health Organization, 2002. Internationally, violence resulted in deaths of an estimated 1.28 million people in 2013 up from 1.13 million in 1990. However, global population grew by roughly 1.9 billion during those years, showing a dramatic reduction in violence per capita. Of the deaths in 2013, roughly 842,000 were attributed to self-harm (suicide), 405,000 to interpersonal violence, and 31,000 to collective violence (war) and legal intervention. Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love
Love encompasses a range of strong and positive emotional and mental states, from the most sublime virtue or good habit, the deepest Interpersonal relationship, interpersonal affection, to the simplest pleasure. An example of this range of meanings is that the love of a mother differs from the love of a spouse, which differs from the love for food. Most commonly, love refers to a feeling of a strong attraction and emotional attachment (psychology), attachment.''Oxford Illustrated American Dictionary'' (1998) Love is considered to be both positive and negative, with its virtue representing human kindness, compassion, and affection, as "the unselfish loyal and benevolent concern for the good of another" and its vice representing human morality, moral flaw, akin to vanity, selfishness, amour-propre, and egotism, as potentially leading people into a type of mania, Obsessive love, obsessiveness or codependency. It may also describe compassionate and affectionate actions towards ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roots Reggae
Roots reggae is a subgenre of reggae that deals with the everyday lives and aspirations of Africans and those in the African Diaspora, including the spiritual side of Rastafari, black liberation, revolution and the honoring of God, called Jah by Rastafarians.Thompson, Dave (2002) ''Reggae & Caribbean Music'', Backbeat Books, , p. 251-3 It is identified with the life of the ghetto sufferer,Barrow, Steve and Dalton, Peter: "Reggae: The Rough Guide", Rough Guides, 1997 and the rural poor. Lyrical themes include spirituality and religion, struggles by artists, poverty, black pride, social issues, resistance to fascism, capitalism, corrupt government and racial oppression. A spiritual repatriation to Africa is a common theme in roots reggae. History The increasing influence of the Rastafari movement after the visit of Haile Selassie to Jamaica in 1966 played a major part in the development of roots reggae, with spiritual themes becoming more common in reggae lyrics in the late 1960s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to furth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayne Wonder
Von Wayne Charles (born 26 July 1972), better known by his stage name Wayne Wonder, is a Jamaican reggae artist. While his early recordings were dancehall and reggae, he later moved towards hip hop and rap. His most popular single is the 2003 hit " No Letting Go". Biography Early life Wonder was born in Buff Bay, Portland, Jamaica. He sang in Sunday school as a child,Moskowitz, David V. (2006) ''Caribbean Popular Music: an Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall'', Greenwood Press, , p. 319-20 Wayne attended Camperdown High School in eastern Kingston, and began songwriting at the age of 13, getting a major career break when he was given a regular weekly slot at Metro Media in Allman Town. Auditioning and debut album He auditioned at Sonic Sounds studio, but while Sly Dunbar was impressed, his touring commitments with Black Uhuru prevented him from signing Wonder. He had more success, however, with King Tubby, who produced his first single, "Long and L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Rebel
Patrick George Anthony Barrett (born 15 January 1962), better known by his stage name Tony Rebel, is a Jamaican reggae deejay. Career Born in Manchester Parish, Jamaica, Barrett was initially a singer, appearing as Papa Tony or Tony Ranking in local talent contests and on sound systems including Sugar Minott's "Youth Promotion". His first release was the single "Casino" that appeared in 1988 on the MGB record label, although his career took off when he worked with Donovan Germain's Penthouse setup in the early 1990s. He had a big hit in 1990 with "Fresh Vegetable", and established a singjay style of delivery. He is notable as one of the few dreadlocked 'cultural' deejays of the ragga era. In 1992 he signed a deal with Columbia Records who released ''Vibes of the Times'', a predominantly reggae fusion album, the following year. It spawned some of his more well known international singles such as the title track "Vibes of the Times" and "Nazerite Vow" both of which had accompanyin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian And Tony Gold
Brian and Tony Gold are a Jamaican reggae duo from Portmore, St. Catherine, Jamaica.Johnson, Richard (2018)Introducing Anu Brian Gold, ''Jamaica Gleaner'', 30 December 2018. Retrieved 30 December 2018 History Contrary to many beliefs, Brian and Tony Gold are not actually brothers. Born Brian Derek Thompson in Birmingham, England and Patrick Anthony Morrison in Manchester, Jamaica, the duo participated in The Tastee Talent Competition held in Kingston, Jamaica in 1986. With Brian winning twice in October and again in December, while Tony placed second in the December edition. They were noted for having close and subtle harmonies, thus inviting them to join forces as a duo. In 1987, they had their first taste of fame with the song "Ebony Eyes" on the Red Rock Label. This was quickly followed by "What's Your Name" and "Bullseye" both for King Jammy's Records and "Sweet Baby" on Bobby Digital's imprint. These songs along with the success of single "Can You" which dealt with South ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beres Hammond
Beres Hammond Order of Jamaica, OJ (born Hugh Beresford Hammond; 28 August 1955, in Annotto Bay, Saint Mary Parish, Jamaica, Saint Mary, Jamaica)Moskowitz, David V. (2006) ''Caribbean Popular Music: an Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall'', Greenwood Press, , p. 128-9Huey, Steve "[ Beres Hammond Biography]", Allmusic, retrieved 2 February 2010 is a Jamaican reggae singer known in particular for his lovers rock music. While his career began in the 1970s, he reached his greatest success in the 1990s. Biography Born the ninth of ten children, Hammond grew up listening to his father's collection of American soul (music), soul and jazz music including Sam Cooke and Otis Redding. He was further influenced by the native music of ska and rocksteady, in particular Alton Ellis. Hammond began participating in local talent contests from 1972 to 1973, which led to his first sound recording and reproduction, recording, of Ellis' "Wanderer". In 1975 he joined the ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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