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Vocal Fry Register
The vocal fry register (also known as pulse register, laryngealization, pulse phonation, creaky voice, creak, croak, popcorning, glottal fry, glottal rattle, glottal scrape) is the lowest vocal register and is produced through a loose glottal closure that permits air to bubble through slowly with a popping or rattling sound of a very low frequency. During this phonation, the arytenoid cartilages in the larynx are drawn together, which causes the vocal folds to compress rather tightly and become relatively slack and compact. This process forms a large and irregularly vibrating mass within the vocal folds that produces the characteristic low popping or rattling sound when air passes through the glottal closure. The register (if well controlled) can extend far below the modal voice register, in some cases up to 8 octaves lower, such as in the case of Tim Storms who holds the world record for lowest frequency note ever produced by a human, a G−7, which is only 0.189 Hz, inaudib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creaky Voice
In linguistics, creaky voice (sometimes called laryngealisation, pulse phonation, vocal fry, or glottal fry) refers to a low, scratchy sound that occupies the vocal range below the common vocal register. It is a special kind of phonation in which the arytenoid cartilages in the larynx are drawn together; as a result, the vocal folds are compressed rather tightly, becoming relatively slack and compact. They normally vibrate irregularly at 20–50 pulses per second, about two octaves below the frequency of modal voicing, and the airflow through the glottis is very slow. Although creaky voice may occur with very low pitch, as at the end of a long intonation unit, it can also occur with a higher pitch. All contribute to make a speaker's voice sound creaky or raspy. In phonology In the Received Pronunciation of English, creaky voice has been described as a possible realisation of glottal reinforcement. For example, an alternative phonetic transcription of ''attempt'' could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jalapa Mazatec Language
Jalapa Mazatec is a Mazatecan language. An estimate from 1990 suggested it was spoken by 15,000 people, one-third of whom are monolingual, in 13 villages in the vicinity of the town of San Felipe Jalapa de Díaz in the Tuxtepec District of the Mexican state of Oaxaca. A 2016 study, published in 2019, estimated the Mazatec dialects to have 220,000 speakers. Egland (1978) found 73% intelligibility with Huautla, the prestige variety of Mazatec. Literacy in Jalapa is taught alongside Spanish in local schools. Grammar Jalapa Mazatec root words are primarily monosyllabic, and the intricate inflectional system is largely subsyllablic (Silverman 1994). Phonology Jalapa Mazatec syllables are maximally CC G V. However, vowels distinguish several phonations, and like all Mazatec languages, Jalapa has tone. Tone Jalapa roots distinguish three tones, low , mid , and high . In morphologically complex situations, combinations of these may form short (or perhaps mid-length) vowels with cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glottal Stop
The glottal plosive or stop is a type of consonantal sound used in many spoken languages, produced by obstructing airflow in the vocal tract or, more precisely, the glottis. The symbol in the International Phonetic Alphabet that represents this sound is . As a result of the obstruction of the airflow in the glottis, the glottal vibration either stops or becomes irregular with a low rate and sudden drop in intensity. Features Features of the glottal stop: * It has no phonation, as there is no airflow through the glottis. It is voiceless, however, in the sense that it is produced without vibration of the vocal cords. Writing In the traditional Romanization of many languages, such as Arabic, the glottal stop is transcribed with the apostrophe or the symbol ʾ, which is the source of the IPA character . In many Polynesian languages that use the Latin alphabet, however, the glottal stop is written with a rotated apostrophe, (called '' ‘okina'' in Hawaiian and Sam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Throat Singing
Throat singing refers to several vocal practices found in different cultures around the world. The most distinctive feature of such vocal practices is to be associated to some type of guttural voice, that contrasts with the most common types of voices employed in singing, which are usually represented by chest ( modal) and head (light, or falsetto) registers. Also, throat singing is often described as producing the sensation of more than one pitch at a time, i.e., the listener perceives two or more distinct musical notes, while the singer is producing a single vocalization. Throat singing, therefore, consists of a wide range of singing techniques that originally belong to particular cultures and seem to share some sounding characteristics that make them especially noticeable by other cultures and users of mainstream singing styles. The term originates from the translation of the Tuvan/Mongolian word Xhöömei/Xhöömi, that literally means throat, guttural. Ethnic groups from Rus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death Growl
A death growl, or simply growl, is an extended vocal technique usually employed in extreme styles of music, particularly in death metal and other extreme subgenres of heavy metal music. Death growl vocals are sometimes criticized for their "ugliness", but their unintelligibility contributes to death metal's abrasive style and often dark and obscene subject matter.Sharpe-Young, Garry. ''Death Metal'', Definition Death metal, in particular, is associated with growled vocals; it tends to be lyrically and thematically darker and more morbid than other forms of metal, and features vocals which attempt to evoke chaos, death, and misery by being "usually very deep, guttural, and unintelligible." Natalie Purcell notes, "Although the vast majority of death metal bands use very low, beast-like, almost indiscernible growls as vocals, many also have high and screechy or operatic vocals, or simply deep and forcefully-sung vocals."Purcell, Natalie J. ''Death Metal Music:The Passion and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creaky Voice
In linguistics, creaky voice (sometimes called laryngealisation, pulse phonation, vocal fry, or glottal fry) refers to a low, scratchy sound that occupies the vocal range below the common vocal register. It is a special kind of phonation in which the arytenoid cartilages in the larynx are drawn together; as a result, the vocal folds are compressed rather tightly, becoming relatively slack and compact. They normally vibrate irregularly at 20–50 pulses per second, about two octaves below the frequency of modal voicing, and the airflow through the glottis is very slow. Although creaky voice may occur with very low pitch, as at the end of a long intonation unit, it can also occur with a higher pitch. All contribute to make a speaker's voice sound creaky or raspy. In phonology In the Received Pronunciation of English, creaky voice has been described as a possible realisation of glottal reinforcement. For example, an alternative phonetic transcription of ''attempt'' could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breathy Voice
Breathy voice (also called murmured voice, whispery voice, soughing and susurration) is a phonation in which the vocal folds vibrate, as they do in normal (modal) voicing, but are adjusted to let more air escape which produces a sighing-like sound. A simple breathy phonation, (not actually a fricative consonant, as a literal reading of the IPA chart would suggest), can sometimes be heard as an allophone of English between vowels, such as in the word ''behind'', for some speakers. In the context of the Indo-Aryan languages like Sanskrit and Hindi and comparative Indo-European studies, breathy consonants are often called ''voiced aspirated'', as in the Hindi and Sanskrit stops normally denoted ''bh, dh, ḍh, jh,'' and ''gh'' and the reconstructed Proto-Indo-European phoneme ''gʷʰ''. , as breathy voice is a different type of phonation from aspiration. However, breathy and aspirated stops are acoustically similar in that in both cases there is a delay in the onset of full vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Profondo
Basso profondo (Italian: "deep bass"), sometimes basso profundo, contrabass or oktavist, is the lowest bass voice type. While ''The New Grove Dictionary of Opera'' defines a typical bass as having a range that is limited to the second E below middle C ( E2),; ''The Oxford Dictionary of Music'' gives E2 to E4 or F4 operatic bassi profondi can be called on to sing low C ( C2), as in the role of Baron Ochs in ''Der Rosenkavalier''. Often choral composers make use of lower notes, such as G1 or even F1; in such rare cases the choir relies on exceptionally deep-ranged bassi profondi termed oktavists or octavists, who sometimes sing an octave below the bass part. Bass singer Tim Storms holds the Guinness World Record for the "lowest note produced by a human". Definition According to Rousseau (1775): "Basse-contres – the most profound of all voices, singing lower than the bass like a double bass, and should not be confused with contrabasses, which are instruments." Oktavist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kargyraa
Tuvan throat singing, the main technique of which is known as ''khoomei'' ( tyv, хөөмей, xöömej, mn, хөөмий; ᠬᠦᠭᠡᠮᠡᠢ, khöömii, russian: хоомей, Chinese: 呼麦, pinyin: ''hūmài''), includes a type of overtone singing practiced by people in Tuva, Mongolia, and Siberia. In 2009, it was included in the Representative List of the Intangible Cultural Heritage of Humanity of UNESCO. The term ''hömey'' / ''kömey'' means ''throat'' and '' larynx'' in different Turkic languages. That could be borrowed from Mongolian ''khooloi'', which means throat as well, driven from Proto-Mongolian word ''*koɣul-aj''. Overview In Tuvan throat singing, the performer produces a fundamental pitch and—simultaneously—one or more pitches over that. The history of Tuvan throat singing reaches far back. Many male herders can throat sing, but women have begun to practice the technique as well. The popularity of throat singing among Tuvans seems to have arisen as a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overtone Singing
Overtone singing – also known as overtone chanting, harmonic singing, polyphonic overtone singing, and diphonic singing – is a set of singing techniques in which the vocalist manipulates the resonances of the vocal tract, in order to arouse the perception of additional, separate notes beyond the fundamental frequency being produced. From a fundamental pitch, made by the human voice, the belonging harmonic overtones can be selectively amplified by changing the vocal tract, i.e. the dimensions and shape of the resonant cavities of the mouth and human pharynx, the pharynx. This resonant tuning allows singers to create more than one pitch at the same time (the fundamental and one or more selected overtones), while usually generating a single fundamental frequency with their vocal folds. Overtone singing should not be confused with throat singing, in spite of the fact that many throat singing techniques comprise overtone singing. As mentioned, overtone singing involves the ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Screaming (music)
Screaming is an extended vocal technique that is popular in "aggressive" music genres such as heavy metal, punk rock, and noise music and others. It is common in the more extreme subgenres of heavy metal, such as death and black metal as well as many other subgenres. Genres Classical and experimental music Although screams are often suggested in stories performed in the grand opera tradition, they were never performed literally, always being sung. The first significant example of an actual scream in an opera is in Alban Berg's ''Wozzeck'' (1922), where the eponymous character screams "Murder! Murder!" in the fourth scene of Act III. Even more strikingly, Berg's unfinished ''Lulu'', written mainly in 1934, features a blood-curdling scream as the heroine is murdered by Jack the Ripper in the closing moments of the final scene. In Mascagni's 1890 ''Cavalleria rusticana'' the final line "They've murdered Turiddu!" is spoken, not sung, and often accompanied by a scream. Othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death Growl
A death growl, or simply growl, is an extended vocal technique usually employed in extreme styles of music, particularly in death metal and other extreme subgenres of heavy metal music. Death growl vocals are sometimes criticized for their "ugliness", but their unintelligibility contributes to death metal's abrasive style and often dark and obscene subject matter.Sharpe-Young, Garry. ''Death Metal'', Definition Death metal, in particular, is associated with growled vocals; it tends to be lyrically and thematically darker and more morbid than other forms of metal, and features vocals which attempt to evoke chaos, death, and misery by being "usually very deep, guttural, and unintelligible." Natalie Purcell notes, "Although the vast majority of death metal bands use very low, beast-like, almost indiscernible growls as vocals, many also have high and screechy or operatic vocals, or simply deep and forcefully-sung vocals."Purcell, Natalie J. ''Death Metal Music:The Passion and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
