Viva! Suburbs! Live At First Avenue
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Viva! Suburbs! Live At First Avenue
''Viva! Suburbs! Live at First Avenue'' is a live album by the American New wave band The Suburbs that was recorded "mostly" on April 24, 1993 at First Avenue, a music venue in Minneapolis, Minnesota. ''Viva! Suburbs! Live at First Avenue'' was released by Twin/Tone in 1994. Track listing # "Waiting" # "Rattle My Bones" # "DD 69" # "Idiot Voodoo" # "Cig Machine" # "Goggles On" # "Tape Your Wife to the Ceiling" # "Life is Like" # "Every Night's A Friday Night in Hell" # "Spring Came" # "Urban Guerillas" # "Music for Boys" # "Drinkin' with an Angel" # "It's Alright" # "Cows" # "Black Leather Stick" # "Love Is the Law" # "Girlfriend" # "Underwater Lovers" # "Even Stars Fade" Personnel * Bruce C. Allen – guitar, banshee vocals * Beej Chaney – vocals, Beejtar * Michael Halliday – bass * Hugo Klaers – drums * Chan Poling Chandler Hall "Chan" Poling (born October 3, 1957) is an American musician and composer. Early life and education Chandler Hall Poling was born in 1957 i ...
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The Suburbs (band)
The Suburbs are an alternative punk rock/ funk/ new wave band from Minneapolis, Minnesota that was popular in the late 1970s and 1980s. The band frequently headlined at Minneapolis's most influential music clubs, including Jay's Longhorn Bar and First Avenue. Band history The Suburbs were formed in the western suburbs of Minneapolis in November 1977 following introductions by Chris Osgood of the Suicide Commandos. Following live performances, they released ''The Suburbs'' on the Twin/Tone label (the label's first release) in early 1978. The record was a nine-song 7-inch red vinyl EP. The band also saw two songs, "Urban Guerrillas" and "Ailerons O.K.", included on the compilation ''Big Hits of Mid-America, Volume Three.'' Guitarist Bruce C. Allen did the art direction for the compilation. After building a following playing basement parties, the Suburbs had their first major success at influential Minneapolis punk/New Wave nexus Jay's Longhorn Bar; drummer Hugo Klaers said t ...
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New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ...
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Twin/Tone Records
Twin/Tone Records was an independent record label based in Minneapolis, Minnesota, which operated from 1977 until 1994. It was the original home of influential Minnesota bands the Replacements and Soul Asylum and was instrumental in helping the Twin Cities music scene achieve national attention in the 1980s. Along with other independent American labels such as SST Records, Touch and Go Records, and Dischord, Twin/Tone helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie-rock scene. These labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging. Twin/Tone originated in the Minneapolis punk rock scene. The label was begun by Peter Jesperson, music and sports writer Charley Hallman, and Paul Stark. Releases by the pop/rock group The Suburbs were both Twin/Tone's first release (''The Suburbs EP'' in 1978) and its last (''Viva! ...
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Ladies And Gentlemen, The Suburbs Have Left The Building
''Ladies and Gentlemen, The Suburbs Have Left the Building'' is a compilation album by the American New wave band The Suburbs that focuses on their releases from 1978 through 1984. The album does not contain any songs from their 1986 self-titled release. It was released by Twin/Tone Records in 1992. Reception Writing for Allmusic, music critic Stewart Mason wrote of the album "An excellent although not perfect introduction to the art rock and dance-pop world of the Suburbs... It's not all the Suburbs one will ever need—at the very least, ''In Combo'' and '' Credit in Heaven'' are essential—but it's a fine entry into the group for newcomers." Track listing All songs composed by The Suburbs. # "Love Is the Law" – 4:40 # "Tape Your Wife to the Ceiling" – 1:51 # "Black Leather Stick" – 2:47 # "Music for Boys" – 6:46 # "Rattle My Bones" – 3:29 # "Cig In Backwards" – 3:46 # "World War III" – 2:56 # "Baby Heartbeat" – 2:41 # "Goggles" – 3:21 # "Prehistoric Jaws" ...
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Songs Of The Suburbs 1977–1987
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers ...
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First Avenue (nightclub)
First Avenue & 7th St Entry are two historic music venues housed in the same landmark building in downtown Minneapolis, Minnesota. The nightclub sits on the corner of First Avenue North and 7th Street North, from which the venues get their names. The two are colloquially distinguished by locals as The Mainroom and The Entry. The building was constructed in 1937 as the Minneapolis depot of the Greyhound Lines bus system and operated for 31 years. Allan Fingerhut purchased the facility in 1970 and converted it into a nightclub. During the 1980s, First Avenue flourished and became a landmark in the music and entertainment industry, playing a seminal role in establishing the '80s funk rock sub genre via the Minneapolis sound, and being the primary local venue for hometown star Prince. Since its rise to fame in the 1980s, First Avenue has hosted many notable local and national music acts. The building is marked by more than 400 large stars on its exterior commemorating these performers ...
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Twin/Tone
Twin/Tone Records was an independent record label based in Minneapolis, Minnesota, which operated from 1977 until 1994. It was the original home of influential Minnesota bands the Replacements and Soul Asylum and was instrumental in helping the Twin Cities music scene achieve national attention in the 1980s. Along with other independent American labels such as SST Records, Touch and Go Records, and Dischord, Twin/Tone helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie-rock scene. These labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging. Twin/Tone originated in the Minneapolis punk rock scene. The label was begun by Peter Jesperson, music and sports writer Charley Hallman, and Paul Stark. Releases by the pop/rock group The Suburbs were both Twin/Tone's first release (''The Suburbs EP'' in 1978) and its last (''Viva! ...
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Chan Poling
Chandler Hall "Chan" Poling (born October 3, 1957) is an American musician and composer. Early life and education Chandler Hall Poling was born in 1957 in Evanston, Illinois. He moved to Minnesota with his family in 1961. He studied composition at MacPhail Center for Music in Minneapolis, Minnesota, and, after graduating from The Blake School, went on to study composition and performance at the California Institute of the Arts from 1975 to 1977 under the tutelage of his mentor the composer Harold Budd. Career Music Chan Poling has written and performed music in a variety of musical genres, including dance, theater, film, and rock. He founded, and continues to perform in the band The Suburbs. He has been influenced by jazz, music for the theater, punk and new wave pop music, film music, Harold Budd, musician, director and composer Meredith Monk, and composers such as Terry Riley and Philip Glass. After returning to Minneapolis after attending CalArts, Poling consulted with his fr ...
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1994 Live Albums
File:1994 Events Collage.png, From left, clockwise: The 1994 Winter Olympics are held in Lillehammer, Norway; The Kaiser Permanente building after the 1994 Northridge earthquake; A model of the MS Estonia, which sank in the Baltic Sea; Nelson Mandela casts his vote in the 1994 South African general election, in which he was elected South Africa's first president, and which effectively brought Apartheid to an end; NAFTA, which was signed in 1992, comes into effect in Canada, the United States, and Mexico; The first passenger rail service to utilize the newly-opened Channel tunnel; The 1994 FIFA World Cup is held in the United States; Skulls from the Rwandan genocide, in which over half a million Tutsi people were massacred by Hutus., 300x300px, thumb rect 0 0 200 200 1994 Winter Olympics rect 200 0 400 200 Northridge earthquake rect 400 0 600 200 Sinking of the MS Estonia rect 0 200 300 400 Rwandan genocide rect 300 200 600 400 Nelson Mandela rect 0 400 200 600 1994 FIFA World Cup ...
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The Suburbs Albums
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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