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Visual Impairment In Art
Visual impairment in art is a limited topic covered by research, with its focus being on how visually impaired people are represented in artwork throughout history. This is commonly portrayed through the inclusion of objects such as canes and dogs to symbolize blindness, which is the most frequently depicted visual impairment in art. Many notable figures in art history, such as Leonardo da Vinci, Claude Monet, and Georgia O'Keeffe, were visually impaired, or theorized to be so. Representation by era Antiquity The Moche culture of ancient Peru depicted the blind in their ceramics. In 1768, James Bruce discovered the tomb of Ramesses III, whereon its walls depicted images of blind harpists. Their visual impairment was represented by having slits for eyes. Medieval Representation of blind people in Medieval art often is portrayed with leashed dogs. Some examples include: * The Miracle at Mont St Michel in the Luttrell Psalter, held in the British Library. The image displays ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visually Impaired
Visual impairment, also known as vision impairment, is a medical definition primarily measured based on an individual's better eye visual acuity; in the absence of treatment such as correctable eyewear, assistive devices, and medical treatment– visual impairment may cause the individual difficulties with normal daily tasks including reading and walking. Low vision is a functional definition of visual impairment that is chronic, uncorrectable with treatment or correctable lenses, and impacts daily living. As such low vision can be used as a disability metric and varies based on an individual's experience, environmental demands, accommodations, and access to services. The American Academy of Ophthalmology defines visual impairment as the best-corrected visual acuity of less than 20/40 in the better eye, and the World Health Organization defines it as a presenting acuity of less than 6/12 in the better eye. The term blindness is used for complete or nearly complete vision loss. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter Bruegel The Elder
Pieter Bruegel (also Brueghel or Breughel) the Elder (, ; ; – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings. He was a formative influence on Dutch Golden Age painting and later painting in general in his innovative choices of subject matter, as one of the first generation of artists to grow up when religious subjects had ceased to be the natural subject matter of painting. He also painted no portraits, the other mainstay of Netherlandish art. After his training and travels to Italy, he returned in 1555 to settle in Antwerp, where he worked mainly as a prolific designer of prints for the leading publisher of the day. Only towards the end of the decade did he switch to make painting his main medium, and all his famous paintings come from the following perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Everett Millais
Sir John Everett Millais, 1st Baronet, ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting ''Christ in the House of His Parents'' (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, ''Ophelia'', in 1851–52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blind Girl
''The Blind Girl'' (1856) is a painting by John Everett Millais which depicts two itinerant beggars, presumed to be sisters, one of whom is a blind musician, her concertina on her lap. They are resting by the roadside after a rainstorm, before travelling to the town of Winchelsea, visible in the background. The painting has been interpreted as an allegory of the senses, contrasting the experiences of the blind and sighted sisters. The former feels the warmth of the sun on her face, and fondles a blade of grass, while the latter shields her eyes from the sun or rain and looks at a double rainbow that has just appeared. Some critics have interpreted the rainbow in Biblical terms, as the sign of God's covenant described in Genesis Genesis may refer to: Bible * Book of Genesis, the first book of the biblical scriptures of both Judaism and Christianity, describing the creation of the Earth and of mankind * Genesis creation narrative, the first several chapters of the Book of ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Wollaston (painter)
John Wollaston (active between 1742 and 1775) was an English painter of portraits who was active in the British colonies in North America for much of his career. He was one of a handful of painters to introduce the English Rococo style to the American colonies. Biography Little is known of Wollaston's early life. He is believed to have been the son of a painter, born in London. Some sources give his father's name as John Wollaston; others, citing Horace Walpole's ''Anecdotes of Painting in England'' of 1765, suggest that his father's name was John Woolston, and that he later changed his name to Wollaston. Similarly, little is known about his artistic training; Charles Willson Peale, in a letter dated 1812 and written to his son Rembrandt, mentions that Wollaston trained in London with a drapery painter, but nothing else has been recorded. It seems evident, from his painting style, that by the time of his American sojourn he had either acquired further training or had develop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Whitefield
George Whitefield (; 30 September 1770), also known as George Whitfield, was an Anglican cleric and evangelist who was one of the founders of Methodism and the evangelical movement. Born in Gloucester, he matriculated at Pembroke College at the University of Oxford in 1732. There he joined the "Holy Club" and was introduced to the Wesley brothers, John and Charles, with whom he would work closely in his later ministry. Whitefield was ordained after receiving his Bachelor of Arts degree. He immediately began preaching, but he did not settle as the minister of any parish. Rather he became an itinerant preacher and evangelist. In 1740, Whitefield traveled to North America, where he preached a series of revivals that became part of the " Great Awakening". His methods were controversial and he engaged in numerous debates and disputes with other clergymen. Whitefield received widespread recognition during his ministry; he preached at least 18,000 times to perhaps 10 million listeners ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nathaniel Hone The Elder
Nathaniel Hone (24 April 1718 – 14 August 1784) was an Irish-born portrait and miniature painter, and one of the founder members of the Royal Academy in 1768. Early life The son of a Dublin-based Dutch merchant, Hone moved to England as a young man and, after marrying Molly Earle - daughter of the Duke of Argyll - in 1742, eventually settled in London, by which time he had acquired a reputation as a portrait-painter. While his paintings were popular, his reputation was particularly enhanced by his skill at producing miniatures and enamels. He interrupted his time in London by spending two years (1750–1752) studying in Italy. Works As a portrait painter, several of his works are now held at the National Portrait Gallery in London. His sitters included magistrate Sir John Fielding and Methodist preacher John Wesley, and General Richard Wilford and Sir Levett Hanson in a double portrait. He often used his son John Camillus Hone (1745–1836) in some of his works, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Fielding
Sir John Fielding (16 September 1721 – 4 September 1780) was a notable English magistrate and social reformer of the 18th century. He was also the younger half-brother of novelist, playwright and chief magistrate Henry Fielding. Despite being blinded in a naval accident at the age of 19, John set up his own business and, in his spare time, studied law with Henry. Appointed Henry's personal assistant in 1750, John helped him to root out corruption and improve the competence of those engaged in administering justice in London. They formed the first professional police force, the Bow Street Runners. Through the regular circulation of a police gazette containing descriptions of known criminals, Fielding also established the basis for the first police criminal records department. When Henry died in 1754, John was appointed magistrate at Bow Street in his place, becoming renowned as the "Blind Beak", and allegedly being able to recognize three thousand criminals by the sounds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Art
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, liber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Velázquez
Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c.1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece ''Las Meninas'' (1656). Velázquez's paintings became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael (archangel)
Raphael (, "God has healed"), ''Rəfāʾēl'', Tiberian: ''Răp̄āʾēl''; lit. 'God has healed'; grc, Ραφαήλ, ''Raphaḗl''; cop, ⲣⲁⲫⲁⲏⲗ, ''Rafaêl''; ar, رافائيل, ''Rāfā’īl'', or , ''Isrāfīl''; am, ሩፋኤል, ''Rufaʾel''. is an archangel first mentioned in the Book of Tobit and in 1 Enoch, both estimated to date from between the 3rd and 2nd century BCE. In later Jewish tradition, he became identified as one of the three heavenly visitors entertained by Abraham at the Oak of Mamre. He is not named in either the New Testament or the Quran, but later Christian tradition identified him with healing and as the angel who stirred waters in the Pool of Bethesda in John 5:2–4, and in Islam, where his name is Israfil, he is understood to be the unnamed angel of Quran 6:73, standing eternally with a trumpet to his lips, ready to announce the Day of Judgment. In Gnostic tradition, Raphael is represented on the Ophite Diagram. Origins in post ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
