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Visage (EP)
''Visage'' is the name of a compilation EP by the British band Visage, released in July 1981 by Polydor Records. Background The 5-track EP was released only in the U.S. and Canada, and featured extended dance mixes of " Fade to Grey", "Frequency 7" and "We Move", the latter two being the B-sides of the " Mind of a Toy" 12" single. Two other tracks were also included, "Blocks on Blocks" and "Tar", both from Visage's debut album. Track listing :A1. "We Move" (Dance Mix) – 6:28 :A2. "Frequency 7" (Dance Mix) – 5:03 :B1. "Blocks on Blocks" – 3:56 :B2. " Fade to Grey" (Dance Mix) – 6:44 :B3. "Tar Tar is a dark brown or black viscous liquid of hydrocarbons and free carbon, obtained from a wide variety of organic materials through destructive distillation. Tar can be produced from coal, wood, petroleum, or peat. "a dark brown or black bit ..." – 3:31 References {{Visage 1981 debut EPs Albums produced by Midge Ure Polydor Records albums Visage (band) albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visage (band)
Visage were a British synthpop band, formed in London in 1978. The band became closely linked to the burgeoning New Romantic fashion movement of the early 1980s, and are best known for their hit " Fade to Grey" which was released in late 1980. In the UK, the band achieved two Top 20 albums ('' Visage'' and '' The Anvil'') and five Top 30 singles before the commercial failure of their third album (''Beat Boy'') led to their break-up in 1985. The band has seen various line-up changes over the years, all fronted by vocalist Steve Strange, who resurrected the band name in the 2000s. In 2013, the most recent line-up of the band released ''Hearts and Knives'', the first new Visage album in 29 years. The band's fifth and final album, ''Demons to Diamonds'', was released in 2015, nine months after Strange had died following a heart attack. History First incarnation (1978–1985) Founding members Midge Ure and Rusty Egan started working on Visage to produce music to play at the clu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polydor Records
Polydor Records Ltd. is a German-British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon/Schallplatte Grammophon GmbH. It was renamed Polydor Ltd. in 1972. Notable current and past artists signed to the label include ABBA, Cream, The Moody Blues, The Who, Ringo Starr, Bee Gees, The Jam, Bing Crosby, The Shadows, James Brown, Level 42, Ellie Goulding, Juice WRLD, Piri & Tommy, James Last, Eric Clapton, Marie Osmond, Keith O'Conner Murphy, Yngwie Malmsteen, Lana Del Rey, Haim, and Buckingham Nicks. Label history Beginnings Polydor Records was founded on 2 April 1913 by German Polyphon-Musikwerke AG in Leipzig and registered on 25 July 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Midge Ure
James Ure (born 10 October 1953) is a Scottish musician, singer-songwriter and record producer. His stage name, Midge, is a phonetic reversal of Jim, the diminutive form of his actual name. Ure enjoyed particular success in the 1970s and 1980s in bands including Slik, Thin Lizzy, Rich Kids and Visage, and as the frontman of Ultravox. In 1984, he co-wrote and produced the charity single "Do They Know It's Christmas?", which has sold 3.7 million copies in the UK. The song is the second highest-selling single in UK chart history. Ure co-organised Band Aid, Live Aid and Live 8 with Bob Geldof. He acts as a trustee for the charity and also serves as an ambassador for Save the Children. Ure is the producer and writer of several other synth-pop and new wave hit singles of the 1980s, including " Fade to Grey" (1980) by Visage and the Ultravox signature songs "Vienna" (1980) and "Dancing with Tears in My Eyes" (1984). He achieved his first UK top 10 solo hit in 1982 with " No Regrets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visage (Visage Album)
''Visage'' is the debut studio album by the British new wave band Visage. It was recorded at Genetic Sound Studios in Reading, Berkshire and released in November 1980 by Polydor Records. Release ''Visage'' was released in November 1980. It reached No. 13 in the UK and was certified Silver by the British Phonographic Industry in March 1981. " Fade to Grey" was released as a single and became a hit, reaching No. 8 on the UK Singles Chart and Top 10 positions in Europe, including No. 1 in Germany and Switzerland. Further singles, " Mind of a Toy" and the title track " Visage" were also UK Top 30 hits. The album was reissued as an expanded CD edition remastered from the original master tapes by Rubellan Remasters in the US in 2018. Reception Aaron Krehbie of '' Digital Audio'' commented that "Moon over Moscow" and "Blocks on Blocks" are "perfect examples of Visage at its best". However, Krehbie also opined that the album was not "the group's best effort", preferring the gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Anvil (album)
''The Anvil'' is the second studio album by the British rock/pop band Visage, released in March 1982 by Polydor Records. The album reached No. 6 in the UK and was certified "Silver" by the British Phonographic Industry in April 1982. Recording ''The Anvil'' was recorded in the latter part of 1981 at Mayfair Studios, London by the same line-up of the first album, except for John McGeoch who had left both Visage and Magazine to join Siouxsie and the Banshees. Original Visage bassist Barry Adamson rejoined as a session musician and contributed to several tracks. Release ''The Anvil'' was released in March 1982. It reached No. 6 on the UK Albums Chart, which was the band's highest ever chart peak in the UK, and was certified "Silver" by the British Phonographic Industry in April 1982. The album sparked a brief controversy at the time of its release for being named afteNew York's famous gay bar/nightclubof the era. The album's first single was "The Damned Don't Cry" which was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fade To Grey (Visage Song)
"Fade to Grey" is a 1980 song by British new wave band Visage, released as the second single from their debut album, '' Visage'' (1980), on Polydor Records. The song was the band's most successful single. It entered the singles charts in late 1980, peaking at no. 8 in the UK Singles Chart and reaching no. 1 in West Germany and Switzerland. Steve Strange was on lead vocals; the French lyrics were spoken by Rusty Egan's Belgian girlfriend Brigitte Arens. The music video became one of the first videoclips that Kevin Godley and Lol Creme directed, before they became known for their works with the Police, Duran Duran and Herbie Hancock. Background "Fade to Grey" was originally written as an instrumental by Billy Currie and Chris Payne. Payne came up with the bassline and the chords while Currie added the other parts. They worked on it during soundchecks on Gary Numan's 1979 tour. Cedric Sharpley, the drummer of Numan's backing band, was also heavily involved. In those days it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mind Of A Toy
"Mind of a Toy" is the third single by the British pop group Visage, released on Polydor Records in March 1981. It was taken from the band's eponymous debut album, following up their international hit " Fade to Grey". Music video The music video for the single was directed by former 10cc members Godley & Creme, who had branched out into video production by that time. The theme of the video was Steve Strange's idea, who decided on a Little Lord Fauntleroy look. In his autobiography, ''Blitzed!'', Strange claimed that the video was banned by the BBC's ''Top of the Pops'' as it was considered to be "frightening for children", however it was actually screened on the show on 19 March 1981. Track listing * 7" single (1981) :A. "Mind of a Toy" – 3:33 :B. "We Move" – 4:00 * 12" single (1981) :A. "Mind of a Toy" (Dance Mix) – 5:13 :B1. "We Move" (Dance Mix) – 6:30 :B2. "Frequency 7" (Dance Mix) – 5:02 Personnel *Steve Strange – lead vocals *Midge Ure – guitar, lead vocals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tar (song)
"Tar" is the debut single by the British pop group Visage, released in 1979. Background "Tar" was the band's sole release on Radar Records in November 1979, before they signed to Polydor Records the following year. The song's lyrics are centred on the habit of smoking cigarettes. As Steve Strange put it in his autobiography, the song is about "the pleasure and pain of nicotine". The B-side to the single is "Frequency 7", a rapid synthesizer composition with vocoder vocals. (An extended, instrumental "Dance Mix" of the song was released on the " Mind of a Toy" single in 1981. Both versions were re-released by the band in 2013). "Tar" was not a chart hit, and Radar's distribution deal collapsed shortly after the single was released. A newer version of the song appeared on Visage's eponymous debut album released in 1980. The "Tar" single is the only Visage release featuring bassist Barry Adamson as a member of the band, receiving composing credits for both songs. He played a small ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
