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Violin Concerto No. 6 (Mozart)
The so-called Violin Concerto No. 6 in E major, K. 268/365b/Anh.C. 14.04, was once thought to have been composed by Wolfgang Amadeus Mozart, but is now considered to be the work of (1767–1838). Structure The concerto has the usual fast-slow-fast structure and lasts around 23 minutes. The movements are: : \relative c' Background This violin concerto was first published by Johann André in 1799. A contemporary writer had stated the work to have been composed in 1784 and that it had been played to Eck by Mozart, although Mozart's widow Constanze stated that if authentic, the work must have been composed earlier. Ludwig von Köchel dated the work to 1776 in his catalogue, labelling it K. 268. A common hypothesis made in the later half of the 19th century was that the piece was based on authentic Mozart material but constructed by a less skilled composer. Cecil B. Oldman believed that the work had stylistic similarities to Mozart's sinfonia concertante fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Köchel Catalogue
The Köchel catalogue (german: Köchel-Verzeichnis, links=no) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated ''K.'', or ''KV''. The numbers of the Köchel catalogue reflect the continuing establishment of a complete chronology of Mozart's works, and provide a shorthand reference to the compositions. According to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated ''K. 626''; Köchel's original catalogue (1862) has been revised twice; catalogue numbers from the sixth edition are indicated either by parentheses or by superscript: K. 49 (47d) or K. 47d. History In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann André
Johann André (28 March 1741 – 18 June 1799) was a German musician, composer and music publisher of the Classical period. He was born and died in Offenbach am Main. In 1774, as the patriarch of a Huguenot family, André founded one of the first music publishing houses to be independent of a bookshop, in Offenbach am Main. Among his closest friends in Offenbach were Goethe, at the time of his engagement to Anna Elisabeth Schönemann, and he is pictured in the seventeenth book of Goethe's autobiography ''Dichtung und Wahrheit'' with an Offenbach am Main background in 1775. In 1777, André was appointed musical director at the German theatre in Berlin, the Deutsches Theater, without having to abandon Offenbach am Main, however. He composed some 30 operas, ballads and songs. His son, Johann Anton André (1775–1842), followed his footsteps into composing and music theory. After taking over the music publishing business from his father in 1799, Johann Anton André acquired Mozar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constanze Mozart
Maria Constanze Cäcilia Josepha Johanna Aloysia Mozart (née Weber; 5 January 1762 – 6 March 1842) was a trained Austrian singer. She was married twice, first to Wolfgang Amadeus Mozart; then to Georg Nikolaus von Nissen. She and Mozart had six children: Karl Thomas Mozart, Franz Xaver Wolfgang Mozart, and four others who died in infancy. She became Mozart's biographer jointly with her second husband. Early years Constanze Weber was born in Zell im Wiesental, a town near Lörrach in Baden-Württemberg, in the southwest of Germany, then Further Austria. Her mother was Cäcilia Weber, née Stamm. Her father, Fridolin Weber, worked as a "double bass player, prompter, and music copyist". Fridolin's half-brother was the father of composer Carl Maria von Weber. Constanze had two older sisters, Josepha and Aloysia, and one younger one, Sophie. All four were trained as singers and Josepha and Aloysia both went on to distinguished musical careers, later on performing in the premieres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Von Köchel
Ludwig may refer to: People and fictional characters * Ludwig (given name), including a list of people and fictional characters * Ludwig (surname), including a list of people * Ludwig Ahgren, or simply Ludwig, American YouTube live streamer and content creator Arts and entertainment * ''Ludwig'' (cartoon), a 1977 animated children's series * ''Ludwig'' (film), a 1973 film by Luchino Visconti about Ludwig II of Bavaria * '' Ludwig: Requiem for a Virgin King'', a 1972 film by Hans-Jürgen Syberberg about Ludwig II of Bavaria * "Ludwig", a 1967 song by Al Hirt Other uses * Ludwig (crater), a small lunar impact crater just beyond the eastern limb of the Moon * Ludwig, Missouri, an unincorporated community in the United States * Ludwig Canal, an abandoned canal in southern Germany * Ludwig Drums, an American manufacturer of musical instruments * ''Ludwig'' (ship), a steamer that sank in 1861 after a collision with the '' Stadt Zürich'' See also * Ludewig * Ludvig * Ludwik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinfonia Concertante For Violin, Viola And Orchestra (Mozart)
The Sinfonia Concertante for Violin, Viola and Orchestra in E major, K. 364 (320d), was written by Wolfgang Amadeus Mozart. At the time of its composition in 1779, Mozart was on a tour of Europe that included Mannheim and Paris. He had been experimenting with the sinfonia concertante genre and this work can be considered his most successful realization in this cross-over genre between symphony and concerto. Instrumentation The piece is scored in three movements for solo violin, solo viola, two oboes, two horns, and strings, the last including a divided viola section, which accounts for the work's rich harmony. The solo viola part is written in D major instead of E major, and the instrument tuned a semitone sharper (scordatura technique), to give a more brilliant tone. This technique is uncommon when performed on the modern viola and is used mostly in performance on original instruments. Movements Recordings Richard Wigmore in '' Gramophone'' (October 2015) writes that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music & Letters
''Music & Letters'' is an academic journal published quarterly by Oxford University Press with a focus on musicology. The journal sponsors the Music & Letters Trust, twice-yearly cash awards of variable amounts to support research in the music field. A. H. Fox Strangways established the journal in 1920 and served as editor-in-chief until 1937. Eric Blom served as editor from 1937 to 1950 and again from 1954 to 1959. Other editors-in-chief have included Richard Capell, J.A. Westrup, Denis Arnold, Edward Olleson, Nigel Fortune, John Whenham John Whenham is an English musicologist and academic who specializes in early Italian baroque music. He earned both a Bachelor of Music and a Master of Music from the University of Nottingham, and a Doctor of Philosophy from the University of Oxfor ..., and Tim Carter. References External links * {{DEFAULTSORT:Music and Letters Music journals Oxford University Press academic journals Publications established in 1920 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Einstein
Alfred Einstein (December 30, 1880February 13, 1952) was a German-American musicologist and music editor. He was born in Munich and fled Nazi Germany after Hitler's ''Machtergreifung'', arriving in the United States by 1939. He is best known for being the editor of the first major revision of the Köchel catalogue, which was published in the year 1936. The Köchel catalogue is the extensive catalogue of the works of Wolfgang Amadeus Mozart. Biography Einstein was born in Munich. Though he originally studied law, he quickly realized his principal love was music, and he acquired a doctorate at Munich University, focusing on instrumental music of the late Renaissance and early Baroque eras, in particular music for the viola da gamba. In 1918 he became the first editor of the ''Zeitschrift für Musikwissenschaft''; slightly later he became music critic for the ''Münchner Post''; and in 1927 became music critic for the ''Berliner Tageblatt''. In this period he was also a friend of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Musikforschung
''Die Musikforschung'' is a quarterly peer-reviewed academic journal of musicological which since 1948 is published on behalf of the Gesellschaft für Musikforschung by Bärenreiter. The editors-in-chief are Panja Mücke (Hochschule für Musik und Darstellende Kunst Mannheim), Manuel Gervink (Hochschule für Musik Carl Maria von Weber), and Friedrich Geiger (University of Hamburg). The journal covers music history, theory, and practice. A review section discusses German and foreign-language books and scholarly editions of sheet music. Reports provide summaries of relevant congresses and conferences. Abstracting and indexing The journal is abstracted and indexed in: *Arts and Humanities Citation Index *Current Contents/Arts & Humanities * L'Année philologique *Modern Language Association Database * RILM Abstracts of Music Literature *Scopus Scopus is Elsevier's abstract and citation database launched in 2004. Scopus covers nearly 36,377 titles (22,794 active titles and 13,583 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
