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Violin Concerto No. 3 (Saint-Saëns)
The Violin Concerto No. 3 in B minor, Op. 61, by Camille Saint-Saëns is a piece for violin and orchestra written in March 1880. Saint-Saëns dedicated the violin concerto, concerto to fellow composer-virtuoso Pablo de Sarasate, who performed the solo part at the premiere in October 1880 in Hamburg. Even though the third violin concerto seems to impose fewer technical demands on the soloist than its predecessors, its melodic invention and impressionistic subtlety present significant interpretive challenges. This stress is most notable in the second movement and the chorale of the finale, which is reminiscent of the conclusion of the Piano Concerto No. 4 (Saint-Saëns), Fourth Piano Concerto. Possibly because of this, the Third Concerto along with the ''Introduction and Rondo Capriccioso'', Op. 28, and the ''Havanaise (Saint-Saëns), Havanaise'', Op. 83 have endured as the major concertante works for violin by Saint-Saëns still heard regularly today.Vachon, Jean-Pascal. Liner notes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulf Hoelscher
Ulf Hoelscher (born 17 January 1942 in Kitzingen) is a German violinist. He has been soloist with the Berlin Philharmonic, the Vienna Symphony, the BBC Symphony Orchestra and the New York Philharmonic. He has recorded numerous concertos by Schoeck, Beethoven, Berg, Bruch, Schumann, Spohr, Saint-Saëns, and Tchaikovsky. He teaches violin at the Musikhochschule Karlsruhe and the Accademia di Cervo in Italy. He plays an 18th-century Guarneri violin. Selected recordings * Camille Saint-Saëns, ''Complete Violin Concertos (n°1, n°2, n°3),'' Ulf Hoelscher, violin'','' New Philharmonia Orchestra, conductor Pierre Dervaux Pierre Dervaux (born 3 January 1917 in Juvisy-sur-Orge, France; died 20 February 1992 in Marseilles, France) was a French operatic conductor, composer, and pedagogue. At the Conservatoire de Paris, he studied counterpoint and harmony with Marcel .... Recorded 1977 for EMI, reissued by Brillant Classics 2012 References {{DEFAULTSORT:Hoelscher, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vernon Handley
Vernon George "Tod" Handley (11 November 1930 – 10 September 2008) was a British conductor, known in particular for his support of British composers. He was born of a Welsh father and an Irish mother into a musical family in Enfield, Middlesex. He acquired the nickname "Tod" because his feet were turned in at his birth, which his father simply summarised: "They toddle". Handley preferred the use of the name "Tod" throughout his life over his given names. Education and studies Handley attended Enfield Grammar School. While in school, he watched the BBC Symphony Orchestra in its studio in Maida Vale, where by his own account he learned some of his conducting technique by observing Sir Adrian Boult. Later the two corresponded in the early 1950s and met around 1958. He spent a period in the Armed Forces and then attended Balliol College, Oxford, where he read English philology and became musical director of the University Dramatic Society. He also studied at the Guildhall Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison, Loire, Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), Aleatoric music, controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edouard Van Remoortel
Edouard van Remoortel (30 May 1926 in Brussels – 16 May 1977 in Paris) was a Belgian conductor. He studied cello and conducting at the Brussels conservatory. He was affiliated with the Belgian National Orchestra as of 1951. From 1958 to 1962, van Remoortel was music director of the Saint Louis Symphony Orchestra (SLSO). He was appointed after a successful guest-conducting appearance with the SLSO. However, troubles soon developed between him and the orchestra, because of his relative youth and conducting inexperience, and also because of personality clashes with the musicians. In his first season, he attempted to dismiss 42 of the orchestra's musicians, and in return, they voted at one point not to play for him. His last season with the SLSO featured him as conductor in only seven subscription concerts, and his contract was not renewed. While in St. Louis, van Remoortel did make a guest conducting appearance with the St. Louis Philharmonic, a non-professional community orchestr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henryk Szeryng
Henryk Szeryng (usually pronounced ''HEN-r-ik SHEH-r-in-g'') (22 September 19183 March 1988) was a Polish violinist. Early years He was born in Warsaw, Poland on 22 September 1918 into a wealthy Jewish family. The surname "Szeryng" is a Polish transliteration of his Yiddish surname, which nowadays would be spelled "Shering" in the modern Yiddish-to-English transliteration. Henryk started piano and harmony lessons with his mother when he was 5, and at age 7 turned to the violin, receiving instruction from Maurice Frenkel. After studies with Carl Flesch in Berlin (1929–32), he went to Paris to continue his studies with Jacques Thibaud at the Conservatory, graduating with a premier prix in 1937. Career He made his solo debut on 6 January 1933 playing the Brahms Violin Concerto with the Warsaw Philharmonic Orchestra under Romanian conductor George Georgescu. From 1933 to 1939 he studied composition in Paris with Nadia Boulanger. When World War II broke out, Wladyslaw Sikors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Rosenthal
Manuel Rosenthal (18 June 1904 – 5 June 2003) was a French composer and conductor who held leading positions with musical organizations in France and America. He was friends with many contemporary composers, and despite a considerable list of compositions is mostly remembered for having orchestrated the popular ballet score ''Gaîté Parisienne'' from piano scores of Offenbach operettas, and for his recordings as a conductor. Early life and career Rosenthal was born in Paris to Anna Devorsosky, of Russian-Jewish descent, and a French father he never met.Nichols R. Manuel Rosenthal: Obituary. ''The Guardian'', 9 June 2003. His surname was taken from his stepfather, Bernard Rosenthal. He started his musical studies on violin at age 6, which he played in cafés and cinemas after his stepfather's death in 1918 to support his mother and sisters.Anderson, Martin, "A Century in Music: Manuel Rosenthal in Conversation" (April 2000). ''Tempo'' (New Ser.) (212): pp. 31-37. In 1920, he e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anatole Fistoulari
Anatole Fistoulari (20 August 1907 – 21 August 1995) was a Ukrainian conductor, who became a British citizen.Obituary – Anatole Fistoulari. ''Opera'', October 1995, Vol.46 No.10, p1172. A child prodigy, he later conducted around Europe and America, and left a significant discography Biography Fistoulari was born into a musical family in Kyiv. His principal teacher was his father, the conductor Gregor Fistoulari, who had studied with Rimsky-Korsakov and Anton Rubinstein. Anatole conducted for the first time, at the age of seven, Tchaikovsky's 6th Symphony, the '' Pathetique'', at a charity concert at the Opera House in Kiev.Brook, Donald. Anatole Fistoulari. In: Conductors' Gallery. Rockcliff, London, 1946, p56-60. He then conducted a concert of the Imperial Court Orchestra in Odessa from memory. At the age of 13 he went to Bucharest, where he was invited to conduct ''Samson and Delilah'' at the Opera House. Next he went to Germany and in Berlin undertook engagements with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nathan Milstein
Nathan Mironovich Milstein ( – December 21, 1992) was a Russian-born American virtuoso violinist. Widely considered one of the finest violinists of the 20th century, Milstein was known for his interpretations of Bach's solo violin works and for works from the Romantic period. He was also known for his long career: he performed at a high level into his mid-80s, retiring only after suffering a broken hand. Biography Milstein was born in Odessa, Russian Empire, the fourth child of seven, to a middle-class Jewish family with no musical background. It was a concert by the 11-year-old Jascha Heifetz that inspired his parents to make a violinist out of Milstein. As a child of seven, he started violin studies (as suggested by his parents, to keep him out of mischief) with the eminent violin pedagogue Pyotr Stolyarsky, also the teacher of renowned violinist David Oistrakh. When Milstein was 11, Leopold Auer invited him to become one of his students at the St. Petersburg Conservator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Fournet
Jean Fournet (14 April 1913 – 3 November 2008) was a French flautist and conductor. Fournet was born in Rouen in 1913. His father was a flutist who gave him some instruction on the flute and music theory. Fournet was then trained at the Conservatoire de Paris in flute by Gaston Blanquart and Marcel Moyse, and conducting by Philippe Gaubert (himself a flutist). He performed on the flute at age fifteen with the Orchestra of the Théâtre des Arts in Rouen. He first established himself as a conductor in his native country conducting in Rouen 1936-1940, Marseilles 1940-1944, and then as director of the Paris Opéra-Comique 1944-1957. He was also a professor of conducting at the École Normale de Musique de Paris 1944-1962. In 1949, and again in 1950, he was guest conductor with the Radio Éireann Symphony Orchestra. His debut with the Concertgebouw Orchestra was in 1950. The Netherlands became Fournet’s second home. He became principal guest conductor of the Netherlands R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Grumiaux
Baron Arthur Grumiaux (; 21 March 1921 – 16 October 1986) was a Belgian violinist, considered by some to have been "one of the few truly great violin virtuosi of the twentieth century". He has been noted for having a "consistently beautiful tone and flawless intonation". English music critic and broadcaster, Edward Greenfield wrote of him that he was "a master virtuoso who consistently refused to make a show of his technical prowess". Early life Born to a working-class family in the Belgian town of Villers-Perwin, on 21 March 1921, Grumiaux was only three years old when his grandfather urged him to begin music studies. He entered the conservatoire in Charleroi at the age of six; the normal entry age was eleven. He studied violin and piano there until the age of eleven, when he graduated and moved to the Royal Conservatoire in Brussels to study violin. Career He variously has been described as having made his debut in Brussels at the age of 14, or in 1935, although his deb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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