|
Violence In Film
Violence in art refers to depictions of violence in high culture art as well as popular culture such as cinema and theater. It has been the subject of considerable controversy and debate for centuries. In Western art, graphic depictions of the Passion of Christ have long been portrayed, as have a wide range of depictions of warfare by later painters and graphic artists. Theater and, in modern times, cinema have often featured battles and violent crimes. Similarly, images and descriptions of violence have historically been significant features in literature. Margaret Bruder, a film studies professor at Indiana University, states that the aestheticization of violence in film is the depiction of violence in a "stylistically excessive", "significant and sustained way". Aestheticized violence differs from gratuitous violence in that it is used as a stylistic element, and through the "play of images and signs" references artworks, genre conventions, cultural symbols, or concepts. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter Brueghel The Elder
Pieter Bruegel (also Brueghel or Breughel) the Elder (, ; ; – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings. He was a formative influence on Dutch Golden Age painting and later painting in general in his innovative choices of subject matter, as one of the first generation of artists to grow up when religious subjects had ceased to be the natural subject matter of painting. He also painted no portraits, the other mainstay of Netherlandish art. After his training and travels to Italy, he returned in 1555 to settle in Antwerp, where he worked mainly as a prolific designer of prints for the leading publisher of the day. Only towards the end of the decade did he switch to make painting his main medium, and all his famous paintings come from the following period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas De Quincey
Thomas Penson De Quincey (; 15 August 17858 December 1859) was an English writer, essayist, and literary critic, best known for his ''Confessions of an English Opium-Eater'' (1821). Many scholars suggest that in publishing this work De Quincey inaugurated the tradition of addiction literature in the West. Life and work Child and student Thomas Penson De Quincey was born at 86 Cross Street, Manchester, Lancashire. His father, a successful merchant with an interest in literature, died when De Quincey was quite young. Soon after his birth, the family went to ''The Farm'' and then later to Greenheys, a larger country house in Chorlton-on-Medlock near Manchester. In 1796, three years after the death of his father, Thomas Quincey, his mother – the erstwhile Elizabeth Penson – took the name "De Quincey".Morrison, Robert. "Thomas De Quincey: Chronology" TDQ Homepage. Kingston: Queen's University, 2013. That same year, De Quincey's mother moved to Bath and enrolled him at King E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fine Art
In European academic traditions, fine art is developed primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life. Historically, the five main fine arts were painting, sculpture, architecture, music, and poetry, with p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High Culture
High culture is a subculture that emphasizes and encompasses the cultural objects of aesthetic value, which a society collectively esteem as exemplary art, and the intellectual works of philosophy, history, art, and literature that a society consider representative of their culture. Definition In popular usage, the term ''high culture'' identifies the culture of an upper class (an aristocracy) or of a status class (the intelligentsia); and also identifies a society’s common repository of broad-range knowledge and tradition (e.g. folk culture) that transcends the social-class system of the society. Sociologically, the term ''high culture'' is contrasted with the term ''low culture'', the forms of popular culture characteristic of the less-educated social classes, such as the barbarians, the Philistines, and ''hoi polloi'' (the masses). Concept In European history, high culture was understood as a cultural concept common to the humanities, until the mid-19th century, when Matthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealist Art
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and ''Non sequitur (literary device), non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Breton
André Robert Breton (; 19 February 1896 – 28 September 1966) was a French writer and poet, the co-founder, leader, and principal theorist of surrealism. His writings include the first ''Surrealist Manifesto'' (''Manifeste du surréalisme'') of 1924, in which he defined surrealism as "Surrealist automatism, pure psychic automatism". Along with his role as leader of the surrealist movement he is the author of celebrated books such as ''Nadja (novel), Nadja'' and ''L'Amour fou''. Those activities, combined with his critical and theoretical work on writing and the plastic arts, made André Breton a major figure in twentieth-century French art and literature. Biography André Breton was the only son born to a family of modest means in Tinchebray (Orne) in Normandy, France. His father, Louis-Justin Breton, was a policeman and atheism, atheistic, and his mother, Marguerite-Marie-Eugénie Le Gouguès, was a former seamstress. Breton attended medical school, where he developed a parti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Vaillant
Auguste Vaillant (27 December 1861 – 5 February 1894) was a French anarchist, most famous for his bomb attack on the French Chamber of Deputies on 9 December 1893. The government's reaction to this attack was the passing of the infamous repressive ''Lois scélérates''. Vaillant threw the home-made device from the public gallery and was immediately arrested. The weakness of the device meant that the explosion only caused slight injuries to twenty deputies. At his trial in Paris he was defended by Fernand Labori. Vaillant claimed that his aim was not to kill but to wound as many deputies as possible in revenge for the execution of Ravachol. Despite this, Vaillant was sentenced to death. He was put to death by the guillotine on 5 February 1894. His bombing and execution in turn inspired the attacks of Émile Henry and Sante Geronimo Caserio (who stabbed to death Marie François Sadi Carnot, President of the French Third Republic) and Bhagat Singh (who threw a low-intensity bom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurent Tailhade
Laurent Tailhade (; 1854–1919) was a French satirical poet, anarchist polemicist, essayist, and translator, active in Paris in the 1890s and early 1900s. Works *''Au pays du mufle'' 1891. *''Poèmes élégiaques'' Vitraux. Vanier, 1891. *''A travers les Grouins''. Stock, 1899. *''Imbéciles et gredins'' 1900. *''L'ennemi du peuple par Henrik Ibsen'' Societe libre d'edition des gens de lettres, 1900. *''La touffe de sauge'' Editions de la plume. 1901 *''La Gynécocratie, Ou La Domination De La Femme''. Carrington, Charles. 1902. Preceded by an ''Etude sur le Masochisme dans l'histoire et les traditions''. (with the coll. of Jacques Desroix) *''Lettres familières'' Collection rationaliste. Librairie de 'La raison', 1904. *''Poèmes Aristophanesques''. Mercure de France, 1904. *''La noir idole, Etude sur la Morphinomanie''. Leon Vanier, Editeur; A. Messein, Succr., 1907. *''Poèmes éligiaques''. Mercure de France, 1907. *''Le troupeau d'Aristée''. Sansot, 1908. *''La farce de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Fine Art")
