Viola D'amore
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Viola D'amore
The viola d'amore (; Italian for "viol of love") is a 7- or 6- stringed musical instrument with sympathetic strings used chiefly in the baroque period. It is played under the chin in the same manner as the violin. Structure and sound The viola d'amore shares many features of the viol family. It looks like a thinner treble viol without frets and sometimes with sympathetic strings added. The six-string viola d'amore and the treble viol also have approximately the same ambitus or range of playable notes. Like all viols, it has a flat back. An intricately carved head at the top of the peg box is common on both viols and viola d'amore, although some viols lack one. Unlike the carved heads on viols, the viola d'amore's head occurs most often as Cupid blindfolded to represent the blindness of love. Its sound-holes are commonly in the shape of a flaming sword known as "The Flaming Sword of Islam" (suggesting the instrument's development was influenced by the Islamic World). This was on ...
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String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baro ...
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1997 Viola D’amore Benning Violin
File:1997 Events Collage.png, From left, clockwise: The movie set of ''Titanic (1997 film), Titanic'', the List of highest-grossing films, highest-grossing movie in history at the time; ''Harry Potter and the Philosopher's Stone'', is published; Comet Hale-Bopp passes by Earth and becomes one of the most observed comet, comets of the 20th century; Golden Bauhinia Square, where sovereignty of Hong Kong is Handover of Hong Kong, handed over from the United Kingdom to the People's Republic of China; the 1997 Central European flood kills 114 people in the Czech Republic, Poland, and Germany; Korean Air Flight 801 crashes during heavy rain on Guam, killing 229; Mars Pathfinder and Sojourner (rover), Sojourner land on Mars; flowers left outside Kensington Palace following the death of Diana, Princess of Wales, in a car crash in Paris., 300x300px, thumb rect 0 0 200 200 Titanic (1997 film) rect 200 0 400 200 Harry Potter rect 400 0 600 200 Comet Hale-Bopp rect 0 200 300 400 Death of Diana ...
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Bernard Herrmann
Bernard Herrmann (born Maximillian Herman; June 29, 1911December 24, 1975) was an American composer and conductor best known for his work in composing for films. As a conductor, he championed the music of lesser-known composers. He is widely regarded as one of the greatest film composers. An Academy Award-winner (for ''The Devil and Daniel Webster'', 1941; later renamed ''All That Money Can Buy''), Herrmann mainly is known for his collaborations with director Alfred Hitchcock, most famously '' Psycho'', ''North by Northwest'', '' The Man Who Knew Too Much'', and ''Vertigo''. He also composed scores for many other films, including ''Citizen Kane'', '' Anna and the King of Siam'', ''The Day the Earth Stood Still'', ''The Ghost and Mrs. Muir'', '' Cape Fear'', ''Fahrenheit 451'', and ''Taxi Driver''. He worked extensively in radio drama (composing for Orson Welles), composed the scores for several fantasy films by Ray Harryhausen, and many TV programs, including Rod Serling's ''Th ...
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Paul Hindemith
Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (new objectivity) style of music in the 1920s, with compositions such as '' Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler'' (1938), the '' Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd'', a requiem based on Walt Whitman's poem (1946). Life and career Hindemith was born in Hanau, near Frankfurt, the eldest child of the painter and decorator Robert Hindemith from Lower Silesia and his wife Marie Hindemith, née Warnecke. H ...
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Henri Casadesus
Henri-Gustave Casadesus (30 September 1879, Paris – 31 May 1947, Paris) was a violist, viola d'amore player, composer, and music publisher. Early life Casadesus received his early musical instruction with Albert Lavignac and studied viola with Théophile Laforge at the Conservatoire de Paris, taking first prize in 1899. From 1910 to 1917, he was the violist of the Capet Quartet. Career Along with Camille Saint-Saëns, Casadesus founded the "Société des instruments anciens" in 1901. The society, which operated between 1901 and 1939, was a quintet of performers who used obsolete instruments such as the viola da gamba, or Casadesus's own instrument, the viola d'amore. The quintet was also notable in its day for premiering rediscovered works by long-dead composers. It was later discovered that Casadesus and his brothers, notably Marius Casadesus, wrote these works. The Adélaïde Concerto, allegedly by Wolfgang Amadeus Mozart, is sometimes mistakenly attributed to Henri but i ...
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Violin Family
The violin family of musical instruments was developed in Italy in the 16th century. At the time the name of this family of instruments was viole da braccio which was used to distinguish them from the viol family (viole ''da gamba''). The standard modern violin family consists of the violin, viola, cello, and (possibly) double bass. Instrument names in the violin family are all derived from the root ''viola'', which is a derivative of the Medieval Latin word ''vitula'' (meaning "stringed instrument"). A ''violin'' is a "little viola", a ''violone'' is a "big viola" or a bass violin, and a ''violoncello'' (often abbreviated ''cello'') is a "small violone" (or literally, a "small big viola"). (The ''violone'' is not part of the modern violin family; its place is taken by the modern double bass, an instrument with a mix of violin and viol characteristics.) Background The instruments of the violin family may be descended in part from the lira da braccio and the medieval Byzantine ...
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Viola D'amore 1
; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family (violin, cello, double bass) *List of violists , articles= , sound sample = The viola ( , also , ) is a string instrument that is bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian ...
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Open D
Open D tuning is an open tuning for the acoustic or electric guitar. The open string notes in this tuning are (from lowest to highest): D A D F A D. It uses the three notes that form the triad of a D major chord: D, the root note; A, the perfect fifth; and F, the major third. To tune a guitar from standard tuning to open D tuning, lower the 1st (high-E) string down a full step to D, 2nd (B) string down a full step to A, 3rd (G) string down a half step to F, and 6th (low-E) string down a full step to D. In this tuning, when the guitar is strummed without fretting any of the strings, a D major chord is sounded. This means that any major chord can be easily created using one finger, fretting all the strings at once (also known as barring); for example, fretting all the strings at the second fret will produce an E major, at the third fret an F major, and so on up the neck. Open D tuning is very popular with slide guitar (or 'bottleneck') players, as it allows them t ...
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Scordatura
Scordatura (; literally, Italian for "discord", or "mistuning") is a tuning of a string instrument that is different from the normal, standard tuning. It typically attempts to allow special effects or unusual chords or timbre, or to make certain passages easier to play. It is common to notate the finger position as if played in regular tuning, while the actual pitch resulting is altered (scordatura notation). When all the strings are tuned by the same interval up or down, as in the case of the viola in Mozart's ''Sinfonia Concertante for Violin, Viola and Orchestra'', the part is transposed as a whole. Bowed string instruments The invention of scordatura tuning has been attributed to Thomas Baltzar, a prodigious German violinist and composer who is known to have used the technique in around the 1660s, at least a decade before Biber composed his ''Rosary Sonatas'' in which he employed the tuning technique. Of course, German violinist Hans Hake (1628 – after 1667) includes three ...
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John Evelyn's Diary
The ''Diary'' of John Evelyn (31 October 1620 – 27 February 1706), a gentlemanly Royalist and ''virtuoso'' of the seventeenth century, was first published in 1818 (2nd edition, 1819) under the title ''Memoirs Illustrative of the Life and Writings of John Evelyn'', in an edition by William Bray. Bray was assisted by William Upcott, who had access to the Evelyn family archives. The diary of Evelyn's contemporary Samuel Pepys was first published in 1825, and became more celebrated; but the publication of Evelyn's work in part prompted the attention given to Pepys's. Evelyn's diary has entries running from 1640, when the author was a student at the Middle Temple, to 1706. Its claim to be a diary, as opposed to a memoir, is not strict; up to around 1683 the entries were not daily additions, but were compiled much later from notes, and show in some cases the benefits of hindsight. When his travels are described, buildings or pictures may be described anachronistically, revealing the l ...
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John Evelyn
John Evelyn (31 October 162027 February 1706) was an English writer, landowner, gardener, courtier and minor government official, who is now best known as a diarist. He was a founding Fellow of the Royal Society. John Evelyn's diary, or memoir, spanned the period of his adult life from 1640, when he was a student, to 1706, the year he died. He did not write daily at all times. The many volumes provide insight into life and events at a time before regular magazines or newspapers were published, making diaries of greater interest to modern historians than such works might have been at later periods. Evelyn's work covers art, culture and politics, including the execution of Charles I, Oliver Cromwell's rise and eventual natural death, the last Great Plague of London, and the Great Fire of London in 1666. ''John Evelyn's Diary'' was first published posthumously in 1818, but over the years was overshadowed by that of Samuel Pepys. Pepys wrote a different kind of diary, in the sam ...
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Versuch Einer Gründlichen Violinschule
''Versuch einer gründlichen Violinschule'' (''A Treatise on the Fundamental Principles of Violin Playing'') is a textbook for instruction in the violin, published by Leopold Mozart in 1756. The work was influential in its day, and continues to serve as a scholarly source concerning 18th century performance practice. Background and publication Leopold Mozart's primary job was as a court musician, working for the Prince-Archbishop of Salzburg. He began with an unpaid post in the violin section and gradually worked his way up the ranks in the court musical establishment, though he never was promoted to the top position of Kapellmeister. Salaries at Salzburg were low, and Leopold supplemented his income by giving violin lessons. There is indirect evidence that Leopold was a highly skilled teacher, in that both of his children, taught exclusively by him, became extraordinary musicians: Maria Anna Mozart (called "Nannerl") and Wolfgang Amadeus Mozart. Leopold wrote his textbook ...
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