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Villa Romana Di Patti
The Villa Romana di Patti is a large and elaborate Roman villa located in the ''comune'' of Patti in the province of Messina on Sicily. It was the seat of a rich latifundium estate, which until its discovery had few known examples except for the Villa Romana del Casale. History and description The villa was discovered in 1973 during construction work on a stretch of the A20 motorway, when part of the north side of the villa was destroyed. Although excavation is continuing and many rooms still need to be revealed, the general configuration of the villa is already quite clear. The original villa was constructed in the 2nd-3rd c. AD and was demolished to make way for a larger and much more elaborate villa built over it in the early 4th c. AD. The nucleus of the later villa consists of a peristyle surrounded by residential rooms, typical of the late Roman villa. The most representative rooms are, on the west wing, the particularly large Aula Absidata ("apse hall") which recalls ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patti, Sicily
Patti is a town and ''comune'' in northeastern Sicily, southern Italy, administratively part of the Metropolitan City of Messina, on the western shore of the gulf of the same name. It is located from Messina. It is connected to the rest of Sicily by train, via the Patti-San Piero Patti train station, located on the railway line Messina-Palermo, and the A20 Palermo-Messina highway. It is best known for the remains of its rich monumental Roman Villa and for the impressive ruins of ancient city of Tyndaris nearby. Patti is also famous for its large sandy beaches. History The current town name derives from ''Ep' Aktin'' (Ἐπ' Ἀκτήν, Greek for 'on the shore'), the name given by its inhabitants after they moved from Tindari following an earthquake that destroyed it. The town was founded by the Norman king Roger II of Sicily in 1094. Patti was destroyed by Frederick of Aragon about 1300, on account of its attachment to the House of Anjou; rebuilt in the 16th century, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Mosaics
A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Republic and later Empire. Mosaics were used in a variety of private and public buildings, on both floors and walls, though they competed with cheaper frescos for the latter. They were highly influenced by earlier and contemporary Hellenistic Greek mosaics, and often included famous figures from history and mythology, such as Alexander the Great in the Alexander Mosaic. A large proportion of the surviving examples of wall mosaics come from Italian sites such as Pompeii and Herculaneum. Otherwise, floor mosaics are far more likely to have survived, with many coming from the fringes of the Roman Empire. The Bardo National Museum in Tunis has an especially large collection from large villas in modern Tunisia. Development Perhaps the earliest examples of Greco-Roman mosaic floors date to the late Republican period (2nd century BC) and are from Delos, Greece. Witts claims that tessellated pavem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures Completed In The 4th Century BC
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief From Villa Di Patti
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
North Africa
North Africa, or Northern Africa is a region encompassing the northern portion of the African continent. There is no singularly accepted scope for the region, and it is sometimes defined as stretching from the Atlantic shores of Mauritania in the west, to Egypt's Suez Canal. Varying sources limit it to the countries of Algeria, Libya, Morocco, and Tunisia, a region that was known by the French during colonial times as "''Afrique du Nord''" and is known by Arabs as the Maghreb ("West", ''The western part of Arab World''). The United Nations definition includes Morocco, Algeria, Tunisia, Libya, Egypt, Sudan, and the Western Sahara, the territory disputed between Morocco and the Sahrawi Republic. The African Union definition includes the Western Sahara and Mauritania but not Sudan. When used in the term Middle East and North Africa (MENA), it often refers only to the countries of the Maghreb. North Africa includes the Spanish cities of Ceuta and Melilla, and plazas de s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polychrome
Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery or sculpture in multiple colors. Ancient Egypt Colossal statue of Tutankhamun Paris 2019 A.jpg, Polychrome quartzite colossal statue of Tutankhamun, 1355-1315 BC Nofretete Neues Museum.jpg, Polychrome limestone and plaster ''Bust of Nefertiti'', 1352–1336 BC Composite Papyrus Capital MET 10.177.2 EGDP018080.jpg, Polychrome sandstone Composite papyrus capital, 380–343 BC Medinet Habu 2016-03-23g.jpg, Polychrome winged sun on a cavetto from the Medinet Habu temple complex, unknown date Classical world Some very early polychrome pottery has been excavated on Minoan Crete such as at the Bronze Age site of Phaistos. In ancient Greece sculptures were painted in strong colors. The paint was frequently limited to parts depicting clothing, hair, and so on, with the skin left in the natural co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurel Wreath
A laurel wreath is a round wreath made of connected branches and leaves of the bay laurel (), an aromatic broadleaf evergreen, or later from spineless butcher's broom (''Ruscus hypoglossum'') or cherry laurel (''Prunus laurocerasus''). It is a symbol of triumph and is worn as a chaplet around the head, or as a garland around the neck. The symbol of the laurel wreath traces back to Ancient Greece. In Greek mythology, the god Apollo, who is patron of lyrical poetry, musical performance and skill-based athletics, is conventionally depicted wearing a laurel wreath on his head in all three roles. Wreaths were awarded to victors in athletic competitions, including the ancient Olympics; for victors in athletics they were made of wild olive tree known as ''" kotinos"'' (), (sc. at Olympia) – and the same for winners of musical and poetic competitions. In Rome they were symbols of martial victory, crowning a successful commander during his triumph. Whereas ancient laurel wreaths are mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetraconch
A tetraconch, from the Greek for "four shells", is a building, usually a church or other religious building, with four apses, one in each direction, usually of equal size. The basic ground plan of the building is therefore a Greek cross. They are most common in Byzantine, and related schools such as Armenian and Georgian architecture. It has been argued that they were developed in these areas or Syria, and the issue is a matter of contention between the two nations in the Caucasus. Apart from churches, the form is suitable for a mausoleum or baptistery. Normally, there will be a higher central dome over the central space. Overview The Basilica of San Lorenzo, Milan (370) is possibly the first example of a grander type, the "aisled tetraconch", with an outer ambulatory. In middle Byzantine architecture, the cross-in-square plan was developed, essentially filling out the tetraconch to form a square-ish exterior. Either of these types may also be described less precisely as "cros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza Armerina
Piazza Armerina (Gallo-Italic of Sicily: ''Ciazza''; Sicilian: ''Chiazza'') is a ''comune'' in the province of Enna of the autonomous island region of Sicily, southern Italy. History The city of Piazza (as it was called before 1862) developed during the Norman domination in Sicily (11th century), when Lombards settled the central and eastern part of Sicily. But the area had been inhabited since prehistoric times. The city flourished during Roman times, as shown by the large mosaics at the patrician Villa Romana del Casale. Remains, artifacts of old settlements and a necropolis from the 8th century BC were found in the territory of the comune. Boris Giuliano (1930-1979) was born in Piazza Armerina. Main sights The town is famous chiefly for its monumental Roman villa with its exceptional mosaics in the Villa Romana del Casale, about to the southwest. It also has a range of significant architecture dating from medieval through the 18th century. The medieval history of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peristyle
In ancient Greek and Roman architecture, a peristyle (; from Greek ) is a continuous porch formed by a row of columns surrounding the perimeter of a building or a courtyard. Tetrastoön ( grc, τετράστῳον or τετράστοον, lit=four arcades, label=none) is a rarely used archaic term for this feature. The peristyle in a Greek temple is a peristasis (). In the Christian ecclesiastical architecture that developed from the Roman basilica, a courtyard peristyle and its garden came to be known as a cloister. Etymology The Greek word περίστυλον ''perístylon'' is composed of περί ''peri'', "around" or "surrounded", and στῦλος ''stylos'', "column" or "pillar", together meaning "surrounded by columns/pillars". It was Latinised into synonyms ''peristylum'' and ''peristylium''. In Roman architecture In rural settings, a wealthy Roman could surround a villa with terraced gardens; within the city, Romans created their gardens inside the '' domus''. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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